In 2010 TVNZ’s Heartland channel celebrated the 50th anniversary of television in New Zealand by producing a decade by decade survey. This interview, taken from the 1960s instalment, sees the late Ray Columbus interviewed by Andrew Shaw. The pioneer of pop music in New Zealand reflects on the role that TV played in his career, from Club Columbus to C’Mon, to co-creating That’s Country. He muses on being a pop star in front of the camera, and working behind the scenes in television. Shaw asks him to rate the best song he’s recorded and his best TV performance.
Man. Woman. Motorcycle. Beach. Road. This short film makes clear that Rodney Charters had a certain way with images, long before he got busy shooting television (24, Roswell) in the USA. Charters directed Film Exercise while he was an arts student in Auckland in the 1960s. It helped him win a place at London's Royal College of Art. Favouring music and unusual angles over dialogue, the film celebrates the joys of being young and on the move, while capturing scenes of Auckland nightlife including a Mt Eden party. The La De Da's supply the custom-built soundtrack.
Set in rural New Zealand during the 1960s, West of Eden tells the story of two men in love, at odds with the inherent conservatism of their surroundings. Written and produced by Vanessa Riddell, and directed and edited by her husband Alastair Riddell, the film is the couple’s second feature after 2014 romance Broken Hallelujah. Director Riddell had previous artistic success before moving into directing; he had a number one hit as lead singer of band Space Waltz. The film had its premiere on 22 February 2017, as part of the Auckland Pride Festival.
“The big ALL FUN show for the whole family to enjoy!” said the ads for this musical comedy, which was one of only two Kiwi features made in the 1960s. Moving from Sydney to a Rotorua music festival, it follows the romance between a lively drummer (Gary Wallace) and Judy (Carmen Duncan), and the hurdles they face to stay true. That's only an excuse for a melange of madcap musical fun. Made by John O’Shea for Pacific Films, the movie featured performers Howard Morrison (who sings in this excerpt), Lew Pryme and Kiri Te Kanawa, plus distinctive graphics by artist Pat Hanly.
This impressionistic, late 1960s survey traces Auckland from volcanic origins to a population of half a million people. Produced by the National Film Unit, it finds a city of "design and disorder" growing steadily but secure in its own skin as its populace basks in the summer sun. A wry, at times bemused, Hugh Macdonald script and an often frenetic, jazzy soundtrack accompany time honoured Queen City images: beaches and yachting, parks and bustling city streets, and an unpredictable climate given to humidity and sudden downpours.
Craig Scott quickly rose to fame as a New Zealand pop sensation, before retiring in the mid 70s to the great disappointment of his fans. In this 1998 Breakfast interview he spends time before the cameras on his favourite golf course, describing life before and after stardom. Then working in video for Warner Brothers, he discusses the perks of being a star, and life after fame. The interview features excerpts of his number one hit "Star Crossed Lovers". Reporter Lucy Hockings moved the following year to the UK, where she became a producer and presenter on BBC World News.
This excerpt from a 1962 edition of the National Film Unit's magazine film series features reigning Olympic 800m champion Peter Snell participating in a charity road race on Auckland streets. "Any one of 20 charities stands to make a hundred pounds as 20 roadsters hot-foot it around Auckland's Top o' the Town course." Roadsters also include Bill Baillie and Barry Magee. National hero Snell is in the bunch early on, but coming down a crowded and wet Karangahape Road he is of course, "the man to watch".
These New Zealanders was a series presented by Selwyn Toogood (one of his first television roles) that looked at six Kiwi locations. Here Toogood visits the prosperous farming county of Gore. At that time Gore had a very high rateable value (75 million pounds) and was the only county in NZ to be debt free. A freak early summer storm has left seven inches of snow on the ground at a ‘rehab’ farm; a romney sheep breeder also dabbles in grain, rearing bulls and race horses; and Toogood chats with Maurice Cronin, who has been farming in the area for 45 years.
Highlights from the second test of the 1966 Lions tour feature in this National Film Unit newsreel. Soundly beaten in the first test, the Lions took drastic steps for this match at Wellington’s Athletic Park: dropping six players including their captain. On a muddy ground, with the capital’s wind playing its part, the Lions are more competitive — but the All Blacks run out deserved winners with tries to Kel Tremain, Tony Steel and a rampant Colin Meads (but no on-field celebrating). Half-back (future MP and radio announcer) Chris Laidlaw also figures prominently.
This edition in Prime’s television history series surveys Māori programming. Director Tainui Stephens pairs societal change (urbanisation, protest, cultural resurgence) with an increasing Māori presence in front of and behind the camera. Interviews with broadcasters are intercut with Māori screen content. The episode charts an evolution from Māori as exotic extras, via pioneering documentaries, drama and current affairs, to being an intrinsic part of Aotearoa’s screen landscape, with te reo used on national news, and Māori telling their own stories on Māori Television.