This 1993 interview from the first series of arts show The Edge screened while The Piano was in Kiwi cinemas. Earlier that year Jane Campion had become the first (and only) female director to share the top award at the Cannes Film Festival. Here, she discusses the antipodean character of her next project ( The Portrait of a Lady) and the satisfaction of offering Nicole Kidman a role that isn’t “like a handbag to one of the male stars”. She also muses on working in Hollywood versus her hometown Sydney, and the influence of a New Zealand upbringing on forming her imagination.
Ada (Holly Hunter) has been mute since she was six. She travels from Scotland with her daughter (Anna Paquin) and her grand piano to colonial New Zealand, for an arranged marriage. When her husband, a stoic settler (Sam Neill) sells the piano to Baines (Harvey Keitel), Ada and Baines come to a secret agreement. She can win her piano back key by key by playing for him, as he acts out his desire for her. An especially big hit in Europe, Jane Campion's Oscar-winning tale of sexual emancipation in the bush is the only NZ film to have won the top award at the Cannes Film Festival.
Actor and casting legend Diana Rowan (who discovered both Anna Paquin and Keisha Castle-Hughes) turns her hand to writing and directing, with this darkly comic half-hour television drama based on an original story by Shonagh Koea. Veteran actor Helen Moulder (Fallout) gives a stand-out performance as a recently widowed woman, who arrives at a novel solution to well-meaning but hideous friends and family. The Wall is dedicated to director of photography Bayly Watson, who passed away soon after working on it.
This short Auckland-shot interview for arts show The Edge screened as Holly Hunter was appearing in two Oscar-nominated roles: The Piano and The Firm. Hunter discusses playing a hitman-hiring housewife, and joining Tom Cruise in The Firm. Weighing up past roles, she cherishes Raising Arizona and Broadcast News, but feels that The Piano is “the most original story that I've been involved in”, and Jane Campion is “one of the great directors.” In March 1994 Hunter would win an Oscar for Best Actress (alongside Piano Oscars for co-star Anna Paquin, and for Campion's screenplay).