In this one-off documentary Te Radar takes his roving reporter skills to Takaka, and immerses himself in the groovy world of The Gathering. The New Year's dance music festival ran from 1996 to 2002. Radar proves the master of the quote, whether chatting to 'Lords of the Ping', electronic act Pitch Black or avoiding immolation from fire poi enthusiasts ("who doesn't love a fire poi", he says grimly). Watch out for Black Seed Bret McKenzie, laidback DJ star John Digweed and the earnest 'Jesus Food' crew, whose free dosh proves a bit too popular for rival food stalls.
Tough Act follows the 2005 intake of first-year acting students at Toi Whakaari, New Zealand's most famous drama school. This episode concentrates on two group assignments: a performance describing the students' journey after being accepted into the school, and a performance in te reo, using song and movement. The pressure involved in creating, rehearsing and performing to deadlines reveals striking personality differences within the class. This episode was one of two nominated for Best Children's Programme at the 2007 Air New Zealand Screen Awards.
Reality series Tough Act follows first-year students at New Zealand's most famous drama school. In this episode personal lives clash with professional aspirations. The students' first professional production looms. As they rehearse scenes from Shakespeare, distractions are everywhere. Hollie is grieving after news of an accident and class romances are put to the test when partners perform intimate scenes with colleagues. When Sophie sleeps in and misses a rehearsal, she faces serious consequences. The series was nominated for two local awards for Best Reality Series.
Wellington funk, soul, reggae act The Black Seeds manage to cram themselves into a single shot for this episode from a series made for secondary school music students. Bookended by stripped back performances of 'Keep on Pushing' and 'Going Back Home', they explain the development of these songs from their origins as bass grooves. Mike Fabulous has cautionary words for aspiring songwriters about the dangers of overcomplicated song structures while Barnaby Weir reassuringly suggests that virtuosity is not an absolute prerequisite for being in the band.