‘Moa's Ark' set sail 80 million years ago. David Bellamy becomes an ancient mariner and retraces the voyage of the islands of New Zealand (using contemporary science as his guide). In this first episode he finds out why New Zealand is called the Shaky Isles, gets face to face with the "living fossil" the tuatara, is inspired by meat pies, and discovers geography as he competes in the annual Coast to Coast race over the Southern Alps — with directional and gorse eradication aid coming from legendary race organiser Robin Judkins.
In July 1998 Shortland Street added a tragically memorable entry to its catalogue of births, deaths and marriages. Pregnant nurse and fan favourite Tiffany (Alison James) is out shopping, when she sees suicidal patient Tim (Kelson Henderson) heading for the roof of a high rise. She races up the stairs and successfully talks him down, but then she falls. Knowing she is badly injured and brain-dead, her husband Johnny Marinovich (Stelios Yiakmis) has to make the difficult choice between letting her go, or keeping her on life support until their baby is born.
This show was possibly the most controversial edition of the Heartland series. Gary visits the sometimes maligned working class dormitory suburb, and hits sports fields, local homes and Tupperware parties. In this full-length episode he meets everyone from cheerful league coaches and builders remembering the challenges of getting supplies up the hill, to the woman many would not forget: Chloe Reeves, with her squeaking voice, distinctive fashion sense and tiger slippers. There is also a fleeting glimpse of future All Black Piri Weepu holding a school road safety lollipop.
This TVNZ ‘home show’ explores 90s grand designs and their architects, renovation dilemmas and Kiwi personalities in their houses. This debut episode is presented by actor Jennifer Ward-Lealand and builder (and future Dunedin mayor) Dave Cull. Ward-Lealand visits architect Roger Walker in his pastel pink and green Tinakori Road home, intros a “70s Cinderella” bathroom do-up, and drops in on DJ Kevin Black’s arts and crafts-style mariner’s cottage. Cull tests a non-stick frying pan and a barn house. Date stamps include denim shirts and a saxophone theme tune.
By the mid 1980s Auckland had shifted from city of sails, to city of cranes. In the lead-up to the 1987 sharemarket crash, it was in the grip of "an unprecedented building boom". This 1986 Kaleidoscope report looks at the demolition and development from an architectural angle, as malls and mirror glass transform the city. Interviewees include developer Seph Glew of the (ill-fated) Chase Corporation, and his architects. Architecture critic Mark Wigley rates the BNZ Tower an "insult", but says Auckland's "crude" new buildings have at least provoked debate about what the city needs.
In 2014 Ngāi Tūhoe completed construction on Te Uru Taumatua, a sustainable ‘living building’ built entirely out of materials sourced from Tūhoe land. Ever the Land captures the construction of the building, from its initial design stages through to its opening, and explores the history and values reflected in its design. Premiering at the 2015 New Zealand International Film Festival, Ever the Land is the debut feature as director for German-born editor Sarah Grohnert.
“Only 40 hours by air from San Francisco and six from Sydney, Auckland New Zealand is on your doorstep.” In 1952, NZ tourism was also a long way from a core contributor to the national economy. A flying boat and passenger ship deposits visitors in the “Queen among cities” for this National Film Unit survey of Kiwi attractions. The potted tour takes in yachting, the beach, postwar housing shortage, school patrols, dam building and the War Memorial Museum, before getting out of town into dairy, racing and thermal wonderlands, where “you can meet some of our Māori people”.
In this 1985 Kaleidoscope edition, reporter Terry Carter meets many of those behind Auckland's 80s construction boom, and examines a cityscape where old landmarks are rapidly being demolished and replaced by mirror glass high-rises. Interviewees include property developers of the day like Mainzeal and Chase Corporation’s Seph Glew; a councillor who argues that commercial interests are dominating; and architect Ivan Mercep and interior designer Peter Bromhead, who critique the buildings’ architectural and civic qualities and their “Dallas TV set” aesthetics.
Steve Ayson’s supernatural short puts a twist on ‘domestic violence’ as a DIY home renovator fits a set of second-hand french doors to his doer-upper. He discovers that light isn’t all they let in. French Doors won selection to Melbourne and Clermont Ferrand festivals and sold to UK’s Channel 4 and France’s Canal Plus. At Locarno in 2002, Ayson won a ‘Leopard of Tomorrow’ prize, in a year the festival spotlit down-under films. Ayson has gone on to build a global career as a commercials director (including local classics Ghost Chips, and Lotto’s Lucky Dog).
Four-part series Standing in the Sunshine charted the journey of Kiwi women over a century from September 1893, when New Zealand became the first country to grant women the right to vote in parliamentary elections. This third episode, directed by Melanie Rodriga, looks at women over a century of work — plus education, equal pay, family, art, and Māori life. Interviews are mixed with archive material – including a mid-80s 'girls can do anything' promotion – and reenactments of quotes by Kiwi feminist pioneers. Writer Sandra Coney also authored a tie-in book for the series.