This National Film Unit film visits Christchurch roughly four years before the main event, to promote the city’s readiness to host the Commonwealth Games. A comical potted history of New Zealand precedes a montage of young women cycling around Canterbury environs and a split screen catalogue of NZ tourist attractions, before getting into a survey of the venues. As the opening demonstrates, “there’s always a traditional welcome awaiting our friends!” In 1973 the NFU completed a second film called Christchurch 74, before covering the games themselves in the feature-length Games 74.
It's the first semi-final in the first series of this stand-up comedy talent quest presented by Jeremy and Nigel Corbett (who assert their edgy, early 90s credentials with a running gag about Nirvana). Judges Ian Harcourt, Theresa Healey and Strawpeople's Mark Tierney preside over a line-up comprising a very composed Michele A'Court, mildcore rappers Hip Hips, The Back Garden, Jo Randerson (in angry-ish feminist mode), a particularly hirsute Jon Bridges and eventual winner Late Night Mike (with Harcourt generating as many laughs as the contestants).
One of a trio of late 90s Kiwi crime-based pilots, Street Legal was the only one that would successfully spawn a series - four series, in fact (though Kevin Smith vehicle Lawless saw two further tele-movies). The Street Legal pilot provides a stylish big city template for the show to come, as Auckland criminal lawyer David Silesi (Jay Laga-aia) enlists the help of an over- enthusiastic journalist (Sara Wiseman) in the hope of winning an out-of-court settlement over a hit and run case. Meanwhile Silesi's lawyer girlfriend smells something fishy - with good reason.
Auckland's Massive Company began in 1998 as a youth theatre group, committed to developing multicultural talent. Sons for the Road records a big moment in their evolution: performing at London's Royal Court Theatre, whose long history includes launching another piece of cross-cultural fertilisation, The Rocky Horror Picture Show. Their play is The Sons of Charlie Paora, a tale of rugby players and troubled male identity developed by Massive and UK writer Lennie James (who would later join the cast of hit The Walking Dead). The Independent called the play "wonderfully engaging".
Produced by NHNZ, this NZ Screen Award-nominated 2005 TVNZ series looks at Aotearoa’s diverse weather. This first episode (of three) explores "the main driving force behind all our weather" — the wind — from the science behind where it comes from, to its impact on people (from sport to the economy). Presenter Gus Roxburgh contends with Wellington’s infamous wind, and with Auckland’s tornadoes and cyclones. He looks at when weather is good (wind farms, windsurfing) and when weather goes bad (the Wahine disaster, Cyclone Bola, landing at Wellington Airport).
In director Grant Lahood's 2013 Tropfest NZ entry a young boy takes Kiwi ingenuity to the next level by creatively adapting his gumboots to net sporting victory. But it’s a risky move. Sprung marks a return for Lahood to his dialogue free short film beginnings (eg. Cannes award-winner The Singing Trophy, and his debut Snail’s Pace). Like those shorts, Sprung has a devilish sense of humour, and a crisply edited contest of wills. The ode to the courage of the young and the unpredictability of science was scored by veteran film and TV composers Plan 9.
This special report from late 80s/early 90s current affairs show Frontline looks at the Wahine disaster, on its 25th anniversary. Fifty-one people died on 10 April 1968 after the interisland ferry struck Barrett Reef near Wellington, in a huge storm. The first part ('From Reef to Ruin') features archive footage and interviews with survivors and rescuers. In the second part ('Fatal Shores'), reporter Rob Harley examines whether the ferry could have been better equipped, and more lives saved. A third part ('Strait Answers') is not shown here due to copyright issues with some of the footage.
The first instalment of this two part documentary chronicles the effects of Christchurch’s September 2010 earthquake on a variety of everyday people. They have seen damage to their city they would never have imagined, houses have been destroyed, liquefaction has entered their vocabulary and the ground beneath their feet can no longer be trusted. Miraculously, there has been no loss of life. As seismologists seek to understand what happened, the interviewees tentatively rebuild disrupted lives, but the fatal quakes of 22 February cruelly derail that recovery.
Staunch follows the politicisation of Ariana (Once Were Warriors’ Mamaengaroa Kerr-Bell) a young Māori woman who’s run into trouble with the law. Guided by a sympathetic social worker (Tamati Patuwai) she defends herself against assault charges following a police raid on her home. The Auckland-set TV3 drama was inspired by fact, and co-written by director Keith Hunter and playwright Toa Fraser; it won multiple gongs at the 2002 NZ TV Awards. Staunch was an early screen credit for Fraser (director of feature films No. 2, Dean Spanley, and ballet doco Giselle).
Filmmaker Tom Reilly went to Graham Gordon’s West Auckland wrecker’s yard to buy car parts. He soon found himself chronicling Gordon’s battle with the former Waitakere Council trying to clear his 100 acre property (nicknamed Gordonia) of car wrecks, and a small army of colourful but largely destitute men camping there. The result was a documentary capturing the gulf between Gordon’s cheerful but dogged non-conformity and a council determined to enforce its by-laws at all costs. The soundtrack is by guitar legend and occasional resident Billy TK Senior.