In this episode from season three of Talk Talk, Finlay Macdonald interviews one of his former teachers, All Blacks coach Graham Henry. Bypassing rugby intricacies like the dark arts of scrummaging, the talk is about Henry's background in education and how it has influenced his coaching career. Filmed prior to World Cup 2011 glory, Henry muses on the pressure to win, dealing with stress, and high public/media expectation. Musical guest Dave Dobbyn performs 'Howling at the Moon' — chosen by Henry because "he sings 'Loyal'" — and explains his relationship with that song.

This Close Up All Blacks interview was broadcast from Christchurch Football Club, ahead of the opening test of the much anticipated 2005 tour by the British Lions. Mark Sainsbury is the MC, as coach Graham Henry, captain Tana Umaga, vice-captain Richie McCaw and young lock James Ryan talk pre-game rituals, mentors, half-time food and nicknames (McCaw is known as ‘Fluffy’?). Umaga would shortly make headlines for his part in a controversial tackle on Brian O’Driscoll, which ruled the Lions captain out for the rest of the series (won 3 - 0 by the All Blacks).

All Black great Grant Fox is given the big red book in this award-winning episode of This is Your Life. The first five-eighth’s record points tally and marshalling of stars like John Kirwan made the playmaker a key cog in the 1987 Rugby World Cup-winning All Blacks and champion Auckland teams. His distinctive goal-kicking ritual became as reassuring as a metronome for fans. The diminutive Auckland Grammar old boy meets family and teammates, discusses discipline and his single All Blacks try, and gets busted by coach John Hart. Fox would become an All Blacks selector.

When the All Blacks beat France to win the 2011 Rugby World Cup final, it eased New Zealand's angst of more than 20 years without a title. It also created an unlikely hero in Stephen 'Beaver' Donald. A run of injuries led to a call-up for the fourth choice first five (he was whitebaiting when contacted). When Aaron Cruden was injured, Beaver came off the reserves bench and kicked a decisive penalty. Danny Mulheron's Moa award-nominated TV movie relives the reject-to-redemption fairytale. David de Lautour (Westside) plays Donald. This excerpt includes the kick itself. 

From Māori myth to climbing and photography, to gliding and paraponting around its peak, Aoraki-Mt Cook is vividly captured in all its moods in this award-winning NHNZ portrait. Filmed for the centenary of the first ascent of a mountain that has claimed over 100 lives, it follows mountaineers as they climb toward the summit, re-enacting Tom Fyfe's pioneering pre-crampon route. Climbers, including Edmund Hillary, reminisce about encounters with NZ's highest and most iconic peak; and Bruce Grant takes the quick way down: a vertiginous ski descent.

During a stint in prison for importing drugs, Bill Payne reinvented himself and became a writer. Payne went on to write Staunch (an acclaimed non-fiction book about gangs), short stories, a play, and two short films. Bella was the first. It follows life behind bars for Bella (Mitch Thomas), a defiantly proud transsexual and part-time tattooist, whose mere presence arouses the ire of one of the prison guards. But the guard's taunts are more complicated than they appear. The guard is played by Tim Gordon, who would later play All Blacks coach Graham Henry in telemovie The Kick.

Open Door is a community-based TV series where groups or individuals make a documentary about an issue that concerns them. This episode is about CanTeen, the organisation that supports young people living with cancer (both those battling the disease and their siblings). The documentary shows CanTeen members going to a Winter camp at Mt Ruapehu, on a fishing trip, and having celebrity visits from hip hop stars Smashproof, TV fisherman Geoff Thomas, and All Black Ali Williams and coach Graham Henry.

This edition in Prime’s television history series surveys Māori programming. Director Tainui Stephens pairs societal change (urbanisation, protest, cultural resurgence) with an increasing Māori presence in front of and behind the camera. Interviews with broadcasters are intercut with Māori screen content. The episode charts an evolution from Māori as exotic extras, via pioneering documentaries, drama and current affairs, to being an intrinsic part of Aotearoa’s screen landscape, with te reo used on national news, and Māori telling their own stories on Māori Television.