The enormous significance to Māori of marae, as places of belonging where ritual and culture can be preserved, is explored in this Pita Turei-directed documentary. Made in conjunction with the NZ Historic Places Trust, it chronicles the programme to restore marae buildings and taonga around the country — and the challenge of maintaining the tribal heritages expressed in them. As well as visiting some of NZ's oldest marae, one of the newest also features — Tapu Te Ranga, in Wellington’s Island Bay, which is being built from recycled demolition wood.
This documentary follows the fight to save Christchurch’s “other” earthquake damaged cathedral, the Roman Catholic basilica. A team led by a heritage consultant and a structural engineer struggles to keep pace with fresh damage inflicted on the basilica by ongoing quakes. Drones and a Defence Force robot aid investigations into the interior of the now dangerous building. There are hard questions about the venture’s costs. But, as parishioners tell their stories, there’s also reminders that the basilica isn’t just an architectural treasure — it has been the heart of a community.
Fiordland is the jewel in the Te Wahipounamu South West New Zealand UNESCO World Heritage Site, a status underpinned by primeval scenery and a reputation as one of the world’s great wilderness areas. This film explores the symmetries of life above and below the fiords, where water cascades from mountain peaks and rainforest, into the black depths of ice age carved valleys. Award-winning photography reveals the mirror world: kea, mohua, fur seals, bottlenose dolphins, and an underwater phantasmagoria of starfish, ancient black coral forests and sea pens.
Directed by Owen Hughes, this piece for arts show Artsville explores the feeling of being caught between cultures. Painter Prakash Patel grew up as an Indian in conservative 1970s Wanganui. As a Kiwi he didn’t feel Indian yet he didn’t belong in Wanganui either - ‘What am I doing here?’ In 2006 he was awarded a Creative New Zealand Residency at the Sanskriti Campus in New Delhi. Out of Darkness, Out of India follows Prakash on his journey from discomfort to discovery.
This promotional film showcases Tongariro National Park, New Zealand's oldest (and the world's fourth oldest) national park. The film covers the park's four seasons, from dandy spring days at the Chateau ("holiday headquarters") for the romance of bowls and moonlit mountain jazz; to the scenic and snow-sport thrills of the volcanoes in winter: Ketatahi springs, the crater lake, beech forest, trout fishing, and skiing on the slopes of Mount Ruapehu where "the only sound in the white stillness is the hiss of the tips streaking into the snow".
New Zealand's unique accent is often derided across the dutch for its vowel-mangling pronunciation ("sex fush'n'chups", anyone?) and being too fast-paced for tourists and Elton John to understand. In this documentary Jim Mora follows the evolution of New Zealand English, from the "colonial twang" to Billy T James. Linguist Elizabeth Gordon explains the infamous HRT (High Rising Terminal) at the end of sentences, and Mora interprets such phrases as "air gun" ("how are you going?"). Lynn of Tawa also features, in an accent face-off with Sam Neill and Judy Bailey.
This David Farrier-fronted documentary traces the history of New Zealand's national anthem. Farrier dives into the archives to tell the story of the Thomas Bracken poem set to music by John Joseph Woods; and a band of 2011 musos have a bash at updating it. The patriotic ditty was first played at an Olympic medal ceremony when our rowing eight won gold in 1972, displacing 'God Save the Queen'; and it was adapted into Māori as early as 1882 but a te reo version still caused controversy in 1999. The doco screened on TV3 the day before the 2011 Rugby World Cup final.
The Mighty Civic offered a delirious and colourful celebration of Auckland's grandest old movie palace, made at a time when the building's future was under threat. The film uses a mixture of stylised sequences, archive footage, personal memories and poetic narration to evoke the spirit of the theatre in its heyday. Director Peter Wells' film galvanised public support, and ultimately the building was saved and refurbished, to remain the crown jewel of Queen Street's cinema district. This clip features the first 10 minutes of the hour long film. Costa Botes writes about the film here.
In this documentary 'Naked Samoan' Oscar Kightley, and Māori radio/TV personality Nathan Rarere use DNA technology to trace their families' ancestry. They discover that their forebears originated in Taiwan before migrating to the Pacific via Vanuatu (and the Cook Islands, for those going on to Aotearoa). On the DNA trail they meet locals and find striking cultural similarities — even in Taiwan, where the indigenous people look Polynesian, and provide a haka-like welcome. The film won top honours at the International Oceania Documentary Film Festival in Tahiti.
The fifth episode in this series about the Christchurch earthquakes looks at the mammoth rebuild the city requires. It explores the competing tensions faced by politicians, planners, developers and citizens to fix the past, look to the future and ensure a result that is as safe and liveable as possible, for an earthquake-scarred populace. This excerpt features cardboard models and state of the art visualisations, as it examines the development of the blueprint to create a smaller central city anchored by the Avon River.