This documentary about Māori writer Witi Ihimaera features him in conversation with filmmaker Merata Mita. Ihimaera traverses his life and writing career, emphasising the importance of family (particularly his mother and grandmother) and his overriding Māori identity. Aileen O'Sullivan's film features a star-studded assemblage of local literature — Keri Hulme, Albert Wendt, publisher Geoff Walker — and a dramatised excerpt from his novel Bulibasha ( featuring Rena Owen, Michael Hurst and Rawiri Paratene), shot roughly two decades before 2016 movie adaptation Mahana.
Biographer Michael King takes us through the life of pioneering writer Frank Sargeson: from puritanical parents to self-discovery in London, through to decades encouraging an emerging tide of New Zealand writers. The documentary’s most priceless moments are the tales told when four of those writers return to Sargeson’s fabled fibrolite bach, in Takapuna. Kevin Ireland calls it an “oasis, this marvellous place where books ruled supreme”. Sargeson’s purposefuly minimalistic writing style, the doco argues, helped NZ literature find its own voice.
Viewable in full, comedy/drama Hopeless is a portrait of Wellington 20-somethings attempting to get along with crushes, exes, and never weres. Well-meaning Ben (Phil Pinner) finds himself becoming relationship therapist to two friends, despite possessing a dangerously unstoppable mouth. Hamstrung by an advertising campaign highlighting Pinner sitting on a toilet, Hopeless won warm reviews. It also offered impressive movie debuts for Mia Blake (No. 2), Scott Wills (Stickmen) and a hilariously unhinged Adam Gardiner (Agent Anna). Spin-off TV series Lovebites followed.
Astronomy-obsessed worrier Richard meets part-Italian Johnny, a man whose idea of a holiday involves breaking into the nearest bach. Pitched at gay and straight alike, the pair's lighthearted but occasionally troubled romance featured extensive footage of central Auckland circa 1988 (courtesy of director Garth Maxwell’s own central Queen Street digs), plus images of space — for Richard a place of both beauty and potential disaster. Beyond Gravity won local theatrical screenings, and a scriptwriting award in France. This excerpt features the opening 10 minutes of the 48 minute film.
"...I mean to say, shouldn't I be in love with a fella or something?" Mandy (Richard Hanna), a man who dresses as a woman, describes his relationship with transsexual Jewel (future politician Georgina Beyer). Jewel's Darl concentrates on the fine details of their relationship: tea and biscuits in bed, Jewel's belief in staying strong against other people's mockery, and Mandy's memories of a troubled childhood. Nominated for multiple NZ Film and Television awards after finally getting a TV slot, Peter Wells' drama was inspired by an Anne Kennedy short story, which won the 1983 Katherine Mansfield Award.
In Boy, a college-aged rent boy exposes the truth about the death of a girl in a hit and run accident. Using typography that hovers on screen in place of dialogue, flares of bold colour, dioramic frames, and brutal portraiture reminiscent of Dianne Arbus, director Welby Ings creates a powerful, exquisite perspective on the silent claustrophobia and sexual violence of small town New Zealand. The film gained acclaim both at home and internationally. Accolades included Best Short Film at Cinequest in the United States.
One of Them! was one of two dramas (alongside Niki Caro movie Memory and Desire) inspired by short stories collected in Peter Wells' 1991 book Dangerous Desires. It was made for TV One as a Montana Sunday drama. Set in Auckland, 1965, One of Them! follows Lemmy and Jamie, two teenage boys coming to terms with their sexuality. In the dark days before gay liberation, bullying and intimidation was rife, and while the boys flaunt their sissyness, their internalised homophobia wreaks havoc on their emotional lives — until they can admit to being "one of them".
In 1996 Tony Sutorius got his hands on a new digital video camera, days before the start of an election campaign in Wellington Central. Made on the proverbial shoestring, this feature-length documentary chronicles five of those battling for the crown as a new political age — MMP — dawns. Richard Prebble joins a new party called Act, the National candidate joins United New Zealand… and one of the five will be sacrificed by their own party. Sutorius sat through 55 hours of footage to forge the result, which won enthused, sellout audiences at the 1999 NZ Film Festival.
They came, they battered, they bickered. Peter Hudson and David Halls were as famous for their on-screen spats as their recipes. The couple ("are we gay? Well we're certainly merry") turned cooking into comedy, and won Entertainer of the Year at the 1981 Feltex Awards. This 73-minute documentary explores their enduring relationship and tragic passing — from memorable early days entertaining dinner guests at home and running a shoe store, through to television fame in NZ and the UK. The interviews include close friends and many of those who worked with them in television.
In this feisty late 1976 The Friday Conference interview, host Gordon Dryden holds Prime Minister Muldoon to account over his 1975 election pledges. Dryden challenges Muldoon’s touting of freedom (amidst price freezes, wage controls and an All Blacks tour to apartheid South Africa), and the PM's description of himself as a liberal (with heated talk about insults traded during the Colin Moyle affair). Dryden evokes the spectre of the McCarthy era, and a pugnacious Muldoon invokes “the ordinary bloke”. Muldoon later refused to be interviewed by Dryden again for the show.