This Feltex Award-winning documentary follows the 1977 Indo-New Zealand Ganges expedition, where Sir Edmund Hillary and crew (including son Peter) attempt to jet-boat upriver from the mouth of the Ganges to its Himalayan heart. There, they aim to make a first ascent of Akash Parbat. The adventure pilgrimage was a proof of concept for the Kiwi-invented boat, and a return to action for Ed after mourning the death of his wife and daughter in a 1975 plane crash. The mission faces epic white water, altitude sickness and tigers, as they’re cheered on by throngs on the river’s banks.
This 1968 tourism promo follows two Aussie sheilas, Helen and Beverly, on a champagne-fuelled trip across the ditch. The tour kicks off with an obligatory sheep's 'baa', but offers some surprises alongside the scenic wonderland way, such as a detour to a Kaingaroa Forest mill and an Otago gold rush history lesson. Surprisingly trippy, Blow Up-inspired opening credits, some bold cutting and a jazzy score enliven the jaunt; a highlight is the lasses and hip local lads Monkee-ing around a Māori village and geothermal power station ... it's not PC, but it's definitely pop-tastic!
Presented by Kenneth Cumberland, Landmarks looked at New Zealand history through the landscape — and at man "coming to terms" with it. In this episode Aotearoa's "last, lonely, remote" geography is framed as a stimulus for ingenuity. A narrative of "triumph over the elements" finds its flagbearer in the DIY story of jetboat inventor Bill Hamilton. Cumberland is donnish but game in pursuit of telling landmarks: exposing seashells alongside the Napier-Taupō highway (700 metres above sea level) like a downunder Darwin, or in a gas mask on an erupting White Island.
Made by Philip McDonald (Such a Stupid Way to Die) for the National Water and Soil Conservation Authority, this award-winning short explores the impact of people on New Zealand’s water cycle. Shots of irrigation, industrial waste and run-off from dairy farming show Godzone’s 1972 waterways to be far short of 100% pure — the closing national anthem played over polluted rivers underlines the point. A young Sam Neill (then working at the National Film Unit) cameos as an eau-so-suave drinker in a scene showing the disconnection between water use and where it comes from.
Made by the NZ Broadcasting Corporation in the mid 1960s, this half hour TV documentary sets out to summarise New Zealand. More than a promotional video, it takes a wider view, examining both the country’s points of pride and some of its troubles. In a brief appearance Barry Crump kills a pig, although the narration is quick to point out that the ‘good keen man’ image he epitomises is also a root of the country’s problem alcohol consumption. The result is patriotic, but certainly not uncritical. Writer Tony Isaac went on to make landmark bicultural dramas Pukemanu and The Governor.
In this Good Day interview, Alison Parr talks to Sir Edmund Hillary as he discusses From the Ocean to the Sky, a book about his 1977 jet boat mission up India's holy river, The Ganges. A reflective Sir Ed talks adventure, spirituality and his 'escapist' relationship with Nepal; and Parr probes him on his reluctance to include single women on expeditions. On a more outspoken note, he expresses his dismay at a lack of "positive, inspirational leadership" in contemporary NZ in what is arguably a barely disguised attack on the style of Prime Minister Rob Muldoon.
This edition of the National Film Unit’s long-running monthly magazine series features a diverse line-up. The first report covers the opening ceremony of the meeting house at Waiwhetu Marae, Lower Hutt, where Prime Minister Walter Nash and Sir Eruera Tirikatene receive the pōwhiri and haka. Then it’s a canter to Auckland’s 1960 Pony Club Championships; before flowing down south for the diversion of the Waitaki River in the Otago town of Otematata, as part of the Benmore hydroelectric scheme: a massive earth dam destined to be the “powerhouse of the South Island”.
Introduced to New Zealand in 1851, red deer soon became controversial residents: sport for hunters, but despised by farmers and conservationists for the damage they caused. First targeted by government cullers in the 1930s, by the 60s they were shot by commercial operators for venison export. Directed by Bruce Morrison and Keith Hunter, this award-winning documentary catches up with the hunt in the 70s, when deer for farming – dramatically caught alive, from helicopters – was a multi-million dollar gold rush. Different versions of the film were made for overseas markets.
For this 1987 Kaleidoscope report, architectural commentator Mark Wigley uses Kiwi resort towns as fuel for an essay on local architecture. He visits Waitangi, arguing that Aotearoa should have followed the "rich ornamental example" of the Whare Rūnanga, instead of the restraint of the Treaty House. He praises Paihia’s "cacophony of bad taste" motels. In part two, he compares Queenstown and Arrowtown, and admires a gold dredge and the Skyline gondola. Wigley, then starting his academic career in the United States, would become an internationally acclaimed architectural theorist.
Made by the NFU for the NZ Water Safety Council this film enlists shock to provoke punters to consider water safety. On a summer’s day a fisherman, surfer and boatie all reckon it's “a great day for it”. But thoughtlessness results in tragedy. Directed by Hugh Macdonald (This is New Zealand), the disjunct between the jaunty song on the soundtrack and sunken bodies onscreen anticipates the graphic horror of the late 90s/early 00s road safety ads (sharing kinship with 1971 bush safety PSA Such a Stupid Way to Die). Grant Tilly cameos as a radio DJ.