Made by feature film pioneer Roger Mirams (Broken Barrier), this 1951 film promotes New Zealand outdoor recreation. Coming decades before bungy jumps and hobbits, this was an early effort to brand NZ as an adventure sport playground, taking in snow sports, deer-stalking, pig hunting, fishing and yachting. Regular filmgoers may have found Miram's footage familiar; most of it came from items he'd shot for Sydney-based company Movietone News. Some shots dated from as early as 1948, when he left the NFU to found company the Pacific Film Unit.
For their fourth web series, creative collective The Candle Wasters shifted from using the plays of Shakespeare as inspiration, to an original story. Set in a children's indoor adventure playground, Happy Playland is a "queer rom-com musical" where employees cope with crushes, anxiety and life as digital natives. Neenah Dekkers-Reihana and Dani Yourukova (who both acted in Candle Wasters web series Bright Summer Night) play young lovers Billie and Zara. Billie is an agitated actress, while Cris is a social justice warrior. When the playground faces closure, the pair face upheaval.
This short film follows the efforts of schoolgirl Nina to recover her red clogs, a cherished birthday gift from her Yugoslavian nana. Nina lost the shoes playing hopscotch at school; she follows muddy footprints to find the thieves, where a playground insult prompts her to question her identity. The story was inspired by first time filmmaker Annalise Patterson's own upbringing, where her family didn't acknowledge either its Māori or 'Dally' heritage. 'Dallies' largely came to New Zealand from the Dalmatian coast of Croatia (formerly a part of Yugoslavia).
This 1982 film, made for the New Zealand Council for Recreation and Sport, is an impressionistic exploration of play. Child narrators talk about what play means to them, while the images capture young people engaged in recreation. The focus is on informal play: kids and teenagers at playgrounds, hunting for frogs, reading, skylarking in the snow, doing cartwheels on the beach, fixing motorbikes, skipping, stargazing and playing Space Attack. Seagulls inspire dreams of flight for a young girl, and a fancy dress ball for adults shows the enduring spirit of play.
This is the bloopers reel from the 2013 TV2 series for young people. Presenters Alex Tarrant and Niwa Whatuira feature prominently. Whatuira states the obvious when meeting some Diwali drummers, singers Anika Moa and Ria Hall need some practice as a presenting duo, Tarrant drops the mic (but not in a good way), actor Shavaughn Ruakere has trouble with Shortland Street’s sliding doors, Stan Walker provides a dodgy intro to his music video, Fat Freddy members Dallas and Ian fluff their lines, and Whatuira chats up an interviewee. Plus there are festival and playground photo bombs.
The Mighty Civic offered a delirious and colourful celebration of Auckland's grandest old movie palace, made at a time when the building's future was under threat. The film uses a mixture of stylised sequences, archive footage, personal memories and poetic narration to evoke the spirit of the theatre in its heyday. Director Peter Wells' film galvanised public support, and ultimately the building was saved and refurbished, to remain the crown jewel of Queen Street's cinema district. This clip features the first 10 minutes of the hour long film. Costa Botes writes about the film here.
Barney Blackfoot (Ian Watkin) is a mean stepfather who married Billy and Lucy's mother under false pretenses, later revealing his evil nature. Barney is helped in his exploits by his friend (a moving wardrobe), and together they set out to destroy Lucy and Billy's happy home. Designed in soft sculpture (Cabbage Patch Kids style) and filmed in live action with special effects, this Yvonne Mackay-directed short film is aimed at children and is without dialogue or narration. The early Gibson Group film was scripted by Ian Mune and scored by Jack Body.
Taika Waititi's blockbuster second movie revolves around an imaginative 11-year-old East Coast boy (James Rolleston) trying to make sense of his world — and the return of his just-out-of-jail father (Waititi). Intended as a "painful comedy of growing up", Boy mixes poignancy with trademark whimsy and visual inventiveness. The film was shot in the Bay of Plenty area where Waititi partly grew up. A winner in its section at the 2010 Berlin Film Festival, Boy soon became the most successful local release on its home soil (at least until the arrival of Waititi's 2016 hit Hunt for the Wilderpeople).
Taika (Boy) Waititi's first feature is an offbeat comedy about two lonely misfits and their attempts to find love. Lily (Loren Taylor) is a shy fast-food cashier with a crush on clueless gaming geek Jarrod (Conchord Jemaine Clement). When Lily crashes Jarrod's fancy dress party wearing a shark costume and impresses the self-styled ‘Eagle Lord' with her gaming prowess — excerpted here — she gets her man. But their budding romance is sorely tested by Jarrod's obsession with a childhood nemesis. Empire called the film, "a comic delight destined for cult adoration."