In this 2002 documentary director Brita McVeigh heads down the aisle to explore the world of air hostesses in air travel’s glamorous 60s and 70s heyday. Seven ex-“trolley dollies” recall exacting beauty regimes, controversial uniform changes, and the job’s unspoken insinuation of sexual availability. The cheese and cracker trolley becomes a vehicle that charts the changing status of women as McVeigh argues that — despite layovers in Honolulu, and a then-rare working opportunity for ‘girls’ — the high life concealed harassment, and struggles for equal rights and pay.
Pirate radio hit Kiwi airwaves on 4 December 1966 when Radio Hauraki broadcast from the Colville Channel aboard the vessel Tiri. Made by Sally Aitken, this film reunited the original pirates for the first time in 30 years to recall their battle to bring rock’n’roll to the youth of NZ. Featuring rare archive footage, the tale of radio rebels, conservative stooges, stoners, ship-wrecks and lost-at-sea DJs was originally made as a student film. It was bought by TVNZ and screened in primetime to praise: “Top of the dial, top of the class” (Greg Dixon, NZ Herald).
Actor Michael Hurst began life in northern England, then moved to Christchurch at age eight. In this Here to Stay episode he looks at the pervasive elements of Kiwi culture that derive from mother England — from roasts, rugby, tea and the Mini, to a language and legal system. In this excerpt Hurst fries up fish'n'chips with Ray McVinnie, stalks deer with Davey Hughes, and explores how class ideals travelled south to Mt Peel and Christ's College .... A chorus of Kiwis, including ex-All Blacks' captain David Kirk and historian Jock Phillips, ponder the influence.
In an age before Rogernomics, well before The Office, there was the afternoon tea fund, Golden Kiwi, and four o'clock closing: welcome to the early 80s world of the New Zealand Public Service. Gliding On (1981 - 1985) was the first locally-made sitcom to become a bona-fide classic. Inspired by Roger Hall's hit play Glide Time, the award-winning series satirised a paper-pushing working life familiar to many Kiwis. This episode features Beryl's non-smoking campaign, Jim's efforts to kick the habit, office sexual innuendo and a much-debated fire drill. "Morning Jim!"
Bruce Graham, wife Lynn and son Mark are in the funeral business, serving the people in the Waikato town of Tūākau at their darkest times. This episode of First Hand takes place in the aftermath of local man Athel Parsons' death, from collecting his body to his funeral and cremation. Athel lived alone but was from a large family. He contributed to his town through his love of sports, in particular indoor bowls. As Bruce organises Athel's farewell we learn about both men's lives, and how the most common of events can affect a small community.
In Episode Two of this series of The Big Art Trip, hosts Douglas Lloyd-Jenkins and Fiona McDonald visit the Grey Lynn home of painter Jacqueline Fahey and the downtown studio of photographer and rocketeer Yuk King Tan. Next they drive west to Laingholm and meet singer/songwriter Victoria (Taus) Girling-Butcher and her band Lucid 3. Then it’s back to Grey Lynn to meet artist John Reynolds and his oil stick paintings, and into the city to see the iconic Bushells sign and meet photographer Natalie Robertson, who is shooting a collection of NZ tea towels.
In this Christmas special from the long-running disability interests show, the team don festive costumes. Reporter Grant Sharman takes some of the young stars out for a tea party, Curtis Palmer presents his third postcard from Turkey, Northland blind student Aine sings a carol, and we attend the opening of the Mouth and Foot Painters Association exhibition in Christchurch. Meanwhile junior reporter Anthony Jellyman takes us on a tour of the Attitude set with his own camera in hand, and introduces some of the cast and crew.
In this full-length Intrepid Journey, Paul Henry brings his straight-talking style to Tibet. Entering Tibet after three days in Kathmandu, Henry encounters dodgy plumbing and the occasional surveillance camera, though he finds a certain romance in the dirt. Henry makes no effort to hide his feelings on yak butter tea, fights altitude sickness en route to Mount Everest base camp, and visits Potala Palace — ex home to the Dalai Lama, now "a mausoleum to old Tibet". For Henry, now is the best time to visit, because "Tibet is being snuffed out. This is just going to be another corner of China."
Composed of one-off episodes, each by a different director, First Hand was an opportunity for up-and-coming filmmakers to try their hand at making documentaries. This instalment from director Alan Erson looks at ‘dusties’ — the men who collect Auckland’s rubbish. Their rewards and career pathways are considered, alongside the hard physical nature of the work. Just as important is what happens during time off. There are visits to local pub The Bellbird, and the café where they stop for cups of tea — plus sucker for punishment Manu heads to rugby league training.
An elegiac profile of artist Eric Lee-Johnson, by Maurice Shadbolt, is the high point of this NFU magazine film. Johnson gave up a lucrative commercial career to pursue his vision of a New Zealand art moving beyond European tradition; and he is observed chronicling abandoned homesteads and churches, built in remote reaches of Northland's Hokianga harbour by early Pākehā settlers. There's light relief in coverage of a chimpanzees' tea party at Wellington Zoo, while a suitably breathless piece looks at a new industry manufacturing fibreglass boats.