Sons for the Return Home tells the story of a Romeo and Juliet romance between students Sione, a NZ-raised Samoan, and Sarah, a middle class palagi. Director Paul Maunder shifts between time and setting (London, Wellington, Samoa) in adapting Albert Wendt's landmark 1973 novel. Sons was the first feature film attentive to Samoan experience in NZ — alongside themes of identity, racism and social and sexual consciousness. In this excerpt Sione meets Sarah's parents, and his tin'a has him scrubbing their Newtown pavement prior to Sarah's reciprocal visit.
In the 1970s, New Zealand artist Allie Eagle identified herself as a lesbian separatist and radical feminist. Her often uncompromising work included pro-abortion painting This Woman Died I Care, which was inspired by a photograph of a woman who died from an illegal abortion. In the 1980s, Eagle became a christian. Made in 2004, Briar March's first, feature-length documentary sees Eagle reflecting on her past with a more moderate outlook — she now has mixed feelings about her earlier stance on abortion.
This edition of the 1970s current affairs show sees reporter Joe Coté investigating women in politics. A potted history of the trailblazers — from suffragist Kate Sheppard to Māori MP Whetu Tirikatene-Sullivan (first to have a baby while in office) — leads to wide-ranging conversations with contemporary women in politics. Future Christchurch mayor Vicki Buck (here a 19-year-old council candidate) and others from across the spectrum, talk about ongoing struggles for equality: education, empowerment, abortion, childcare support, and the ‘old boys’ network.
Intergenerational warfare, mad aunts, bored teens, affairs, abortions and the ache of regret are on the menu in place of sausage rolls in Home Movie. A christening is the crux around which a family does its best to pull apart at the seams. Performances and a script attuned to the details of domestic disturbance don't hold back (America's Funniest Home Videos this ain't). Directed and written by Fiona Samuel, it was part of TV One's Montana Sunday Drama series. It won best actor, actress and TV drama at the 1998 NZ Film and TV Awards. Samuel writes about making Home Movie here.
A 24-year-old Helen Clark (complete with long flowing locks) features in this NZBC current affairs footage from the annual conference of Young Labour — the Labour Party’s youth division. Twenty five years before she will become NZ’s first elected female Prime Minister, Clark is a junior politics lecturer making her way in the party machine as she chairs a session about abortion law reform. The room might be smoke filled but the atmosphere is more earnest than Machiavellian; and, while commitment to the cause is strong, expectations are more finite.
This two hander is one of the heavier editions of the Loose Enz series. After midnight, a woman (Heather Lindsay) rifles through her prescription drugs then smashes a glass against an Egon Schiele print hanging on her wall (with Laurie Anderson-inspired blips scoring the scene). Shortly afterwards a married colleague (Peter Vere-Jones) turns up, whom she's forgotten she's phoned. The titular samaritan finds himself drawn into the midlife crisis of a woman under the influence: from Yevtushenko to a bitter waltz to Split Enz's 'I Got You'.
Karen and Mark, who are both intellectually disabled, are expecting a child. In this episode from stripped back documentary series First Hand, the couple become a family when baby Terry arrives. Terry's birth means the usual support they receive from IHC must be ramped up, and a new caregiver steps in to help Karen and Mark cope with the 24/7 responsibilities of parenthood. It's a story full of hope and love, but no one close to the couple is under any illusions about the amount of support needed to successfully parent Terry.
This is the first of a six-part TVNZ series which follows seven couples from antenatal classes to the reality of childbirth and parenthood. Along the way they share their hopes and fears as they await the arrival of their first born. This episode focuses on antenatal classes, decisions that have to be made and practical adjustments, including jobs and budgeting. The fathers-to-be provide some of the most humorous lines, mostly displaying their naivety (one looks forward to the chance to "laze back a bit"). But all the participants show an honesty that makes for fascinating viewing.
This documentary tracks severely disabled Miles Roelants from his 21st birthday through a year that culminates in him meeting his hero, actor Michael J Fox, in Los Angeles. Roelants was born with spina bifida and his own interviews with his parents and siblings candidly confront the challenges faced by families with a disabled child. Also featured is Shelly West (real name Michelle Belesarius) who is blind with rheumatoid arthritis; despite that she is planning a trip to Italy. Miles Turns 21 was the first of a series of documentaries featuring the pair.
This feature film follows Māori medicine woman Paraiti (played by singer Whirimako Black) on a rare visit to Auckland from her Urewera home. She meets a Māori servant (Rachel House) and is drawn into helping a wealthy Pākehā woman (Outrageous Fortune’s Antonia Prebble) with a scandalous, life-threatening secret. The tale of culture clash and deception in settler Aotearoa was directed by Mexican Dana Rotberg (Otlia Rauda), who adapted the story from Witi Ihimaera novella Medicine Woman. Producer John Barnett was also involved in the adaptation of Ihimaera’s Whale Rider.