Sam Neill has acted in forgotten Kiwi TV dramas (The City of No) and classic Kiwi movies (Sleeping Dogs, The Piano, Hunt for the Wilderpeople). His career has taken him from the UK (Reilly: Ace of Spies) to Hawaii (Jurassic Park) to dodgy Melbourne nightclubs (Death in Brunswick). As Neill turns 70, this collection celebrates his range, modesty and style — and the fact he was directing films before winning acting fame. In these backgrounders, friends Ian Mune and Roger Donaldson raise a glass to a talented, self-deprecating actor and fan of good music and pinot noir.
This NZ Music Month collection showcases NZ music television, spun from a playlist of classic documentaries and beloved music shows. From Split Enz to the NZSO, Heavenly Pop Hits to Hip Hop New Zealand, whether you count the beat or roll like this, there’s something here for all ears (and eyes). Plus music writer Chris Bourke gets Ready to Roll with this pop history primer.
This 1967 documentary offers a rare behind the scenes glimpse into the early days of Kiwi television, as a group of actors learn firsthand how the new medium differs from the stage. The actors' workshops were held in three cities as part of a push to create more local drama. After NZ Broadcasting Corporation producer Brian Bell introduces the actors to the camera, they try out some scenes. Five TV plays emerged, and two are seen getting made: The Tired Man, featuring Grant Tilly and Ray Henwood, and acclaimed Christchurch-shot drama Game for Five Players.
Packed with creatures and landscapes that quite simply boggle the mind, the Nature Collection showcases New Zealand's impressive menagerie of nature and wildlife films. Many of the titles were made by powerhouse company NHNZ, which began around 1977 as the Natural History Unit, a small, southern outpost of state television. In this backgrounder, Peter Hayden — who had a hand in more than a few of these classic films — guides viewers through just what the Nature Collection has to offer.
This collection is a celebration of the eccentric, exuberant career of NZ screen industry frontrunner Tony Williams. As well as being at the helm of many iconic ads (Crunchie, Bugger, Spot, Dear John) Williams made inventive, award-winning indie TV documentaries, and shot or directed pioneering feature films, including Solo and cult horror Next of Kin.
Jock Phillips begins his journey through our Waitangi collection by recalling an awkward encounter with a security guard at the treaty grounds. Wandering 50 years between the first film in this collection and the last, Phillips explores changing attitudes to the Treaty. Discover everything from Mike King on the treaty trail, to trench warfare, waka-building and epic drama.
For a small country from the edge of the world, achievements on the Olympic stage are badges — silver fern-on-black — of national pride: precious moments where we gained notice (even if it was Mum’s anthem playing on the dais). This legacy collection draws on archive footage, some rarely seen, to celebrate the stories behind Kiwis going for gold.
Ian Mune is a multi-talented and award-winning veteran of the New Zealand film and TV industry. He has been involved in a huge range of projects as an actor (Pukemanu, Moynihan, Erebus: The Aftermath, Fallout); writer (Sleeping Dogs, Gloss, Goodbye Pork Pie) and director (The End of the Golden Weather, Came a Hot Friday, What Becomes of the Broken Hearted). Three of the five films Mune has directed have won awards for New Zealand film of the year.
Kelly Johnson is best remembered for his lead role in the iconic Kiwi film Goodbye Pork Pie. He followed that success with roles in the films Carry Me Back, Bad Blood, Battletruck and Utu. In more recent times, Johnson has worked as a lawyer, but he still does occasional guest acting roles, including in Shortland Street and Maddigan’s Quest.
This was a beloved six-part children’s drama about the adventures of skateboarding 12-year-old Terry Teo, based on a 1982 graphic novel comic by Stephen Ballantyne and Bob Kerr. The Auckland-set series honoured the comic’s distinctive New Zealand landscapes, people and humour, and gave them a cartoonish feel with larger-than-life acting, animated arcade game style sequences, bright costumes and oversized props. Former Goon Michael Bentine headed the cast which also featured Billy T James as a bikie, and a cameo from former PM Sir Robert Muldoon.