This intense newsreel reports from the war in the Pacific in Easter 1944, as American, Fijian, and New Zealand soldiers battle the Japanese in the Bougainville jungle. Cameraman Stan Wemyss found himself isolated with a Fijian patrol, amidst casualties and under fire from 'Japs'. He later recounted being so close to the action he could hear troops talking in two languages he couldn't understand; at one point he lays down his camera to pitch a grenade. Grandfather of future actor Russell Crowe, Wemyss was awarded an MBE in 1947 for his services as a war correspondent.
This documentary comprehensively plots NZ's progress from enthusiastic supporter of the atomic bomb in the 1940s to proudly nuclear free by the late 1980s. New Zealand — the birthplace of "father of the atom" Ernest Rutherford — willingly participated in British tests at Christmas Island in the 1950s (and looked eagerly for uranium in the Buller Gorge) but as testing increased in the Pacific, Prime Ministers Holyoake, Kirk and Lange voiced opposition — and Moruroa, nuclear ship visit protests and the Rainbow Warrior bombing fuelled the anti-nuclear cause.
He learnt kapa haka as a child. He learnt to smoulder on Shortland Street. He punched a country in the guts with Once Were Warriors. Temuera Morrison has starred in Māori westerns, adventure romps, and cannibal comedies. In the backgrounder to this special collection, NZ On Screen editor Ian Pryor traces Temuera Morrison's journey from haka to Hollywood.
Jay Laga’aia is an in demand actor on both sides of the Tasman, having appeared in a number of popular film and TV roles in both New Zealand (Heroes, Gloss, Marlin Bay, Xena and Street Legal), and Australia (Home and Away, Water Rats, Bed of Roses). He says his most memorable achievement was having an action toy created in his likeness after appearing as Captain Typho in Star Wars.
Producer/director Michael Firth first made his mark directing ski movie Off the Edge. A key early film in the NZ 'new wave', the documentary earned an Academy Award nomination in 1977. Firth went on to direct dramatic features Sylvia, Heart of the Stag and Vulcan Lane. But he loved the outdoors best: he went off the edge again in 1987 with zany adventure movie The Leading Edge, and was behind internationally successful TV series Adrenalize and fishing show Take the Bait.
Florian Habicht first won attention for 2003's Woodenhead, a fairytale about a rubbish dump worker and a princess. By then Habicht had already made his first feature-length documentary. Many more docos have followed: films that celebrate his love for people, and sometimes drift into fantasy. In this collection, watch as the idiosyncratic director meets fishermen, Kaikohe demolition derby drivers (both watchable in full), legends of Kiwi theatre and British pop, and beautiful women carrying slices of cake through New York. Ian Pryor writes here about the joys of Florian Habicht.
Buckle up as we blast from the past Russ le Roq, gameshow host Paul Henry, tweenaged Kimbra and catwalk model Rach. Paul Casserly primes the collection: "pig out on these pre-fame Kiwis, gaze upon their fresh faces and remember the good times, before they were famous, before they became household names, movie stars, action figures and flavours of ice-cream."
This collection of 40 classic Kiwi TV series offers up images spanning 50 years. The titles range from Gloss to Gliding On, from Olly Ohlson to Nice One Stu, from Ready to Roll to wrestlers. In this special backgrounder, Stuff's James Croot writes about favourite moments of Kiwi TV. The list is in rough chronological order of when each series debuted.
Actor Kevin Smith could do it all; from brooding like Brando in a Tennessee Williams play, through Xena, to the gentle romantic lead of Double Booking, and self-parody in Love Mussel. Collected here are selections from a career cut short (he died in a 2002 film-set accident). Plus tributes from James Griffin, Michael Hurst, Geoffrey Dolan and Simon Prast.
Brian Brake is regarded as New Zealand's most successful international photographer. But before heading overseas to work for photo agency Magnum and snapping iconic shots of Picasso and the Monsoon series for Life magazine, he was also an accomplished composer of moving images. He shot or directed many classic films for the NFU, including NZ's first Oscar-nominated film.