Kora’s formation in Wellington in 2002 saw them associated with the city’s burgeoning dub-roots scene, but the Whakatāne brothers’ music mix also extends to elements of funk, soul, rock, house and metal. That genre-defying diversity is in evidence on this track from their debut album, as a relaxed reggae intro gives way to stomping electronica-tinged funk rock. This performance video shot in Auckland at AUT’s Vesbar captures the band in their live element, complete with a crowd-pleasing freeze that turns them into a 3D tableau, and strobe-lit climax.
This collection is a celebration of the eccentric, exuberant career of NZ screen industry frontrunner Tony Williams. As well as being at the helm of many iconic ads (Crunchie, Bugger, Spot, Dear John) Williams made inventive, award-winning indie TV documentaries, and shot or directed pioneering feature films, including Solo and cult horror Next of Kin.
This collection celebrates more of the legendary TV moments that Kiwis gawked at, chortled with, and choked on our tea over. In the collection primer Paul (Eating Media Lunch) Casserly chews on rapper Redhead Kingpin’s equine advice to 3:45 LIVE! and mo’ memorable moments: from a NSFW Angela D'Audney to screen folk heroes Colin McKenzie and the Ingham twins.
In the beginning — of both movies and books — is the word. Many classic Kiwi films and television dramas have come from books (Sleeping Dogs, Whale Rider); and many writers have found new readers, through being celebrated and adapted on screen. This collection showcases Kiwi books and authors on screen. Plus check out booklover Finlay Macdonald's backgrounder.
Rappers Upper Hutt Posse were the first New Zealand hip hop act to release a record (and one of the most radical). This reflection on troubles at home and abroad brings out a more reflective side. Against news footage of the Springbok Tour, Bastion Point and a host of international trouble spots, the sweet soul vocals of Teremoana Rapley and Acid Dread (aka Steve Rameka) float in and out of the raggamuffin toasting of MC Wiya (Matt Hapeta) and Dean Hapeta’s less than cheery weather forecast. This music video was one of the first to be funded by NZ on Air.
This militant debut from rappers Upper Hutt Posse marked New Zealand’s first hip hop record. Dean Hapeta announces himself with a history lesson proudly namechecking the great Māori warrior chiefs of the 19th Century — Hōne Heke, Te Rauparaha, Te Kooti — and their Māori Battalion successors. ‘E Tu’ is also a personal manifesto, with promises to preach the truth but not to brag or wear gold chains. Hapeta's down the barrel delivery carries a degree of confrontation rarely seen from New Zealand musicians up to that point.
A magazine show with an edge, The Living Room won awards for its creative and dynamic approach to covering the arts. These excerpts from series two cover a wide range of artists, from those working in multimedia to those puttng stencil art on walls. Also featured are dub band Kora, novelist Kelly Ana Morey and drummer Anthony Donaldson. In the second to last clip, Taika Waititi pretends he hasn't done any rehearsals for his one man show Taika's Incredible Show, which features an alien with ridiculous teeth and Gunther the dancing German.
Each episode of this kids horror series features three ‘curse busting’ stories. In this first episode, student Jack Williams traces the curse back to creepy Charles Killian’s fondness for satanic rituals. Killian dies a fiery death and damns Room 21’s future students. Despite grave warnings, the new principal unlocks the classroom — and the curse awakens. In the second story it’s studious Celia’s turn to contain and destroy a ‘body jumping’ spirit before it claims her soul; the last tale pits Johnny against a fat-hungry warlock who comes a ‘splatter-tastic’ cropper. A second season followed in 2008.
Pre-dating Peter Jackson's arrival (Bad Taste) by three years, New Zealand's first horror movie sees Michael Hurst making his movie debut as he fights mutants (including Bruno Lawrence) on Waiheke Island. Hurst's character is out to avenge the mad scientist who forced him to kill his parents. A grand prize-winner at a French fantasy festival (with cult director Alejandro Jodorowsky on the jury), David Blyth's splatterfest marked the first of many horrors funded by the NZ Film Commission. It was also the first local showcase of the smoothly-flowing Steadicam camera.
The video for this classic Chills song works not for its earth-shattering concept, nor its production values or performances (which are largely nonchalant). It looks miserable, nihilistic even. But — through luck or good management — the video for this Chills classic works, clinging to the melancholy essence of the song like a shrunken homespun. Observant viewers will notice a single bird — not unlike the lonesome outcast portrayed by Martin Phillipps — flying back against the flow.