On the evening after the Christchurch earthquake of 22 February 2011, Alexandra’s three person rural drink-drive squad was sent to the city to assist rescue efforts. They were accompanied by field director Pip Wallis, who had been filming them for TV2 series Highway Cops. Hers was the only media camera allowed behind the cordon in the devastated central city Red Zone during those first few days. This documentary intersperses news coverage with her footage as the Central Otago police confront unimagined destruction, ongoing aftershocks and the human face of the tragedy. 

This documentary looks at the attempts by New Zealand's small towns to attract attention: ranging from giant statues of fish, fruit, and soft-drink bottles to festivals devoted to local vegetables or wild food. Actress Miranda Harcourt travels from Paeroa to Alexandra to explore the colourful expressions of small-town identity and pride. Shot by Leon Narbey, this was one of a series of documentaries directed by Shirley Horrocks about kiwi popular culture. A book by Claudia Bell and John Lyall (with the same title) was the film's starting-point.

In March and April 2001 slippers met gumboots when The Royal New Zealand Ballet went on a five-week long heartland tour. The ballerinas performed in community theatres and halls in places like Twizel, Putaruru, Taihape, and Alexandra. This Gibson Group TV One documentary chronicles the challenges – injuries, fatigue, motel life, provincial performance diets (junk food, baking), dodgy stages and wiring, romance on the road – and receptive locals. The programme includes work from local choreographers to famous ballets, with music from classical to Head Like a Hole.

This documentary follows the efforts of the New Zealand rowing eight to win gold at 1984’s Los Angeles Olympics. The eight, coached by the legendary Harry Mahon, had won the past two world champs and were expected to repeat the triumph of the 1972 Kiwi eight at Munich. Amongst training at home, the infamous six minutes of pain — the “erg test” — is featured; one of the most demanding trials in sport. The action then shifts to LA for the Olympic finals. The film offers a gripping insight into the extreme lengths the amateur athletes go to in their quest for gold.

Produced by NHNZ, this NZ Screen Award-nominated 2005 TVNZ series looks at Aotearoa’s diverse weather. This first episode (of three) explores "the main driving force behind all our weather" — the wind — from the science behind where it comes from, to its impact on people (from sport to the economy). Presenter Gus Roxburgh contends with Wellington’s infamous wind, and with Auckland’s tornadoes and cyclones. He looks at when weather is good (wind farms, windsurfing) and when weather goes bad (the Wahine disaster, Cyclone Bola, landing at Wellington Airport). 

This best of special culls history and highlights from 40 seasons of the longest running show on NZ television. Farming, forestry and fishing are all on the roster, but this edition is as much about observing people and the land. There is footage of high country musters, helicopter deer capture, floods and blizzards, as well as radio-controlled dogs and mice farmers. Longtime Country Calendar figures like John Gordon and Tony Trotter share their memories, and the show sets out to catch up again with some of the colourful New Zealanders that have featured on screen.

TV One gave Aotearoa the chance to show it’s ‘got talent’ via two top-rating series of the UK-spawned format. This excerpt from the final of the 2013 season is the opening segment, where the last of the finalists are found, and host Tamati Coffey introduces the  judges: model/actor Rachel Hunter, musician Jason Kerrison and international guest, choreographer Cris Judd (J.Lo's ex). The performers, ranging from a hip hop dance crew to an opera singer, compete for a Toyota RAV4 and $100,000 cash. The eventual winner was Renee Maurice from Wellington.

When his father dies, Paul (Matthew Macfayden), a world-weary war journalist, returns to his Central Otago hometown. He strikes up an unlikely friendship with a teenage girl (Emily Barclay). Their relationship is frowned upon and when she disappears, the community holds him responsible. The events that follow force Paul to confront a tragic incident he fled as a youth, and face dark secrets. Critically-acclaimed, In My Father's Den marked the debut of a formidable fledgling talent: it was the only feature from writer-director Brad McGann, who died of cancer in 2007.

In September 1974, NZ reels from the premature loss of Norman Kirk — dead at 51 after just 20 months as prime minister. For this NZBC current affairs show, reporters Joe Coté and George Andrews head to the provinces to find out how Kirk is remembered by the ordinary men and women he valued so much. In less than stellar Labour strongholds in Central Otago and Taranaki, they meet people won over by a politician prepared to listen and treat them as equals. Their palpable affection is shared by Pacific leaders Gough Whitlam, Albert Henry and Michael Somare.

Presented by Kenneth Cumberland, Landmarks looked at New Zealand history through the landscape — and at man "coming to terms" with it. In this episode Aotearoa's "last, lonely, remote" geography is framed as a stimulus for ingenuity. A narrative of "triumph over the elements" finds its flagbearer in the DIY story of jetboat inventor Bill Hamilton. Cumberland is donnish but game in pursuit of telling landmarks: exposing seashells alongside the Napier-Taupō highway (700 metres above sea level) like a downunder Darwin, or in a gas mask on an erupting White Island.