TrinityRoots' vocalist and songwriter Warren Maxwell talks about his career and songwriting in this episode from a series for secondary school music students. Maxwell explains the genesis of the Wellington roots/reggae act's classic 'Little Things' (and the making of its music video); he performs a stripped back excerpt from the song. Maxwell also recalls the problems the band encountered in recording their first album and previews a new work, 'Angel Song' (which later appeared on TrinityRoots' second album Home, Land and Sea).
Actor Kevin Smith could do it all; from brooding like Brando in a Tennessee Williams play, through Xena, to the gentle romantic lead of Double Booking, and self-parody in Love Mussel. Collected here are selections from a career cut short (he died in a 2002 film-set accident). Plus tributes from James Griffin, Michael Hurst, Geoffrey Dolan and Simon Prast.
Every year around Christmas time, the Auckland Domain is lit up for a star-filled night of free Christmas celebrations. Hosted by Jay Laga’aia, this 2000 edition of the concert has “more than 300,000 people” gathered for an evening of songs, carols and fireworks. Kicking off with a Christmas rap from Anthony Ray Parker and kids, the celebrations go long into the night. Stepping up to the mic are everyone from Tina Cross, Frankie Stevens and Ainslie Allen, to the cast of Shortland Street and Mai Time. The evening is capped off with a fireworks display and the arrival of Santa Claus.
Innocent Gert, who works in a rubbish dump, can't believe his luck when he's ordered by his boss to take his beautiful mute daughter, Princess Plum, to meet her prospective husband. The two set off on a mythical quest through a fairytale Far North landscape. On the way they encounter freaks and monsters, and experience danger and romance. In an unusual reversal, the voices and music for Woodenhead were all recorded before filming. This surreal second feature from Elam art school grad Florian Habicht took Aotearoa to the arthouse with unprecedented weirdness and wonder.
Directed by Jane Campion, An Angel at My Table is adapted from author Janet Frame's renowned three-part autobiography. It threads together a series of images and scenes to evoke Frame's dramatic life story. Originally made as a TV drama, the much-acclaimed dramatisation won cinema release in 35 countries; it established Campion as a global director, launched actor Kerry Fox, and introduced new audiences to the "mirror city" of Frame's writing. This excerpt follows Frame's life-saving escape from Seacliff Asylum, to first publishing success at Frank Sargeson’s bach.
Richard Turner’s work as a director began with poetry-based works, pioneering Māori works for television, and Squeeze (1980), New Zealand’s first gay-themed feature. Since then he has made films largely in Australia.
Since making 2003 short Blood and Bone, Eek has worked in various production roles, including line-producing features A Song of Good and The Most Fun You Can Have Dying. In 2009 he produced ambitious short Manurewa. Largely self-funded, it won the Crystal Bear in the Generation 14plus section at Berlin 2011. Eek also helped shepherd shorts via the NZFC 'premiere' shorts scheme, as part of Robber’s Dog Shorts.
Rena Owen made her name playing courageous battered wife Beth Heke, in landmark film Once Were Warriors. The film won her a run of awards, and international acclaim from Newsweek, The Wall Street Journal, The Sydney Morning Herald and Vogue. Owen has gone before the cameras in Australia, Fiji, Hungary and the United States.
John McKay is a veteran sound editor, sound designer, and mixer. He abandoned an early focus on directing to build a diverse, respected career in post-production. His credits include significant contributions to iconic films The Quiet Earth, Footrot Flats, Kitchen Sink, and Lord of the Rings. McKay is notable for an approach which combines creativity with a high level of technical craft and organisational rigour.
Elam graduate Paul Swadel showed his eye for the artistic and the eyecatching both in his own award-winning work as a director — short films, arts programmes (Colin McCahon: I Am), commercials — and as producer: through collaborations with animator James Cunningham and on digi-feature incubator Headstrong. Swadel died in March 2016.