Actor Kevin Smith could do it all; from brooding like Brando in a Tennessee Williams play, through Xena, to the gentle romantic lead of Double Booking, and self-parody in Love Mussel. Collected here are selections from a career cut short (he died in a 2002 film-set accident). Plus tributes from James Griffin, Michael Hurst, Geoffrey Dolan and Simon Prast.
This collection, launched to honour 10 years of NZ Fashion Week, celebrates Kiwi fashion on screen. From TV showpieces (B&H, Corbans) to docos on designers; Gloss to archive gold, from Swannies to Split Enz, taniko to foot fetish ... take a stroll down the catwalk of our sartorial screen past. Beauties include ex-Miss Universe Lorraine Downes and a teenage Rachel Hunter.
This collection is a celebration of the eccentric, exuberant career of NZ screen industry frontrunner Tony Williams. As well as being at the helm of many iconic ads (Crunchie, Bugger, Spot, Dear John) Williams made inventive, award-winning indie TV documentaries, and shot or directed pioneering feature films, including Solo and cult horror Next of Kin.
Peter Jackson's love affair with moviemaking and special effects was ignited by seeing the original King Kong (1933) as a child. Jackson's Kiwi-shot remake takes one of cinema's most iconic monster movies, retains the 30s setting and iconic New York finale, and toughens up the "beauty" (Naomi Watts). The film also transforms the male (non-ape) lead from lunkhead to sensitive playwright (Adrien Brody). Exhilarating, Oscar-winning CGI brings the great ape to life, alongside rampaging dinosaurs, and oversized wētā inexplicably absent from the maligned 1976 remake.
In this debut episode of Chris Stapp and Matt Heath's bawdy mock celebration of being bogan, we meet "New Zealand's most loved TV personality" Danny Parker and "New Zealand's greatest ever stuntman", Randy Campbell. Parker's interview with Campbell results in an all-in studio brawl (not for the last time) and Campbell's attempt to jump over an ape in a cage on a BMX bike goes "horribly wrong" (not for the last time). The Constables set up a self-serving checkpoint, and Bottlestore Galactica attempts to make the galaxy a safer place for drinkers everywhere.
This Intrepid Journey sees comedian Rhys Darby taking a Rwandan OE. In the excerpts Darby makes lots of friends in the markets of capital city Kigali, then heads on a jungle adventure. Far from the New York office of his Flight of the Conchords character Murray, he searches for critically endangered mountain gorillas. Darby is guided by François — a personable and entertaining park ranger, fluent in primate dialect — whose aping gives Darby a run for his money in gorilla impersonation. Darby is quietened by a sombre genocide memorial, and a 200 kilogram silverback.
This black and white short film explores a relationship triangle — between a Māori woman, her boorish Pākehā husband, and the woman’s protective father, arguing over rights to a farm. It was made as an Auckland University masters project by Li Geng Xin; he wanted to tell a story using visual language, and choses the expressive mode of the silent film to do so. Māori instruments (taonga puoro) and piano are used on the soundtrack. Mrs Mokemoke was selected for the 2015 NZ International Film Festival, in the Ngā Whanaunga Māori Pasifika Shorts programme.
Sailor's Voyage charts the journey of Hello Sailor, the band that ripped up a storm live, made landings in the USA, ran aground and fell apart, then drifted back together again. Interviews with Graham Brazier, Dave McArtney, Harry Lyon and co reveal how the group opened doors for local music, and helped establish a New Zealand touring circuit. Manager David Gapes recalls attempts to get a US record deal, before the cash ran out; the legend of Brazier being asked to join The Doors is explained. The archive footage includes a performance with Doors member Ray Manzarek.
This docudrama recreates the story of Radio Hauraki: a bunch of rebel DJs whose cause was bringing rock’n’roll to the radios of 60s NZ youth. Their fight for the right to broadcast involved a pirate vessel in the Hauraki Gulf. Director Charlie Haskell films the recreations from the point of view of late DJ Rick Grant, and cuts them together with interviews with the protagonists, animation and Hard Day’s Night-style japes. Based on Adrian Blackburn's book Radio Pirates, the telefilm debuted on TV One on 27 July 2014. It was nominated for a Moa Award for Best TV Feature.
Pirate radio hit Kiwi airwaves on 4 December 1966 when Radio Hauraki broadcast from the Colville Channel aboard the vessel Tiri. Made by Sally Aitken, this film reunited the original pirates for the first time in 30 years to recall their battle to bring rock’n’roll to the youth of NZ. Featuring rare archive footage, the tale of radio rebels, conservative stooges, stoners, ship-wrecks and lost-at-sea DJs was originally made as a student film. It was bought by TVNZ and screened in primetime to praise: “Top of the dial, top of the class” (Greg Dixon, NZ Herald).