Written by Scott Wills, shortly before he won an award for acting in hit pool caper Stickmen, Ouch is the tale of a man (played by Wills) who arrives at a beach close to sunset, gazes intently at a nearby house, and dives into the ocean. Afterwards he approaches the house, and slips inside. The puzzle presented for viewers in this wordless short film is working out what sort of intruder this man is. Wills, director Brian Challis and future Boy producer Ainsley Gardiner first worked together on another moody, low dialogue short, The Hole (1998), which played at festivals around the globe.
Awash with off-kilter angles and some highly unusual noises, The Hole centres around a man and a woman who react in very different ways to the unexpected. Dean (Scott Wills from Apron Strings) and Jenny (Magik and Rose’s Nicola Murphy) are digging a well when Jenny hears voices from the bottom of the hole. The irascible Dean starts thinking about exploitation; Jenny thinks about helping. Inspired by a tale told by his grandmother, Brian Challis’ first film was invited to the prestigious Clermont-Ferrand Short Film Festival, plus more than a dozen others.
The theme for 2016’s batch of Loading Docs was 'change'. This entry stretches the boundaries of documentary, as two high school students engage in an impassioned piece of performance poetry. Mount Albert Grammar School's Jahmal Nightingale and Joseph McNamara film themselves performing their own poetic clarion call for change. The two Gen-Z teens wander Auckland and muse on body image, booze, racism, sexism, and the apocalypse. Director Brendan Withy and producer Doug Dillaman first saw the duo at high school spoken word competition WORD - The Front Line.
This ‘salvagepunk’ film is set in a desolate future where wind turbines power a vast electric fence that (apparently) protects the survivors of environmental collapse, and keeps refugees out. A rare entry in the Kiwi sci-fi feature catalogue, Existence stars Loren Taylor (Eagle vs Shark) as Freya, a mother who dreams of the world beyond, and Matthew Sunderland (Out of the Blue) as a mysterious boundary rider. From a SWANZ award-winning script, the low budget film was shot on Wellington’s rugged south coast hills and was the feature debut of director Juliet Bergh.
This children's post-apocalyptic fantasy series follows a circus troupe, Maddigan's Fantasia on their quest to save the world's only remaining city, Solis. The show was created by children's writer Margaret Mahy, developed for television by writers Gavin Strawhan and Rachel Lang for South Pacific Pictures, who produced the 13 x 30min series for TV3. Award-winning and successfully exported, it marked a debut lead performance from Rose McIver (future Tinker Bell in US TV show Once Upon a Time) acting with Michael Hurst, Peter Daube, Tim Balme and Danielle Cormack.
This children's post-apocalyptic fantasy series follows a circus troupe on their quest to save the city of Solis. Conceived by Margaret Mahy and developed by Gavin Strawhan and Rachel Lang, the award-winning series was produced by South Pacific Pictures. A young Rose McIver (future Tinker Bell in US TV show Once Upon a Time) led the cast, acting with a caravan of Kiwi veterans. Māori elements mixed with rural West Auckland sets in the ‘solar punk’ rendering of the future. Here, Garland (McIver) faces tragedy but meets two boys (and a baby) with magical powers.
In director Geoff Murphy's cult sci fi feature, a global energy project has malfunctioned and scientist Zac Hobson (Bruno Lawrence) awakes to find himself the only living being left on earth. At first he lives out his fantasies, helping himself to cars and clothes, before the implications of being 'man alone' sink in. As this awareness sends him to the brink of madness — see the excerpt above — he discovers two other survivors. One of them is a woman. The Los Angeles Daily News called the movie “quite simply the best science-fiction film of the 80s”. Read more about it here.
The Dominant Species is a loopy look at the relationship between people and cars in 1975 Aotearoa ... from an alien's eye view. Nifty animation and special effects intersperse the automotive anthropological survey of Mark IIs, VWs, anti-car activism and car-washing. There's a dream sequence involving a ladykilling Jesus Christ atop a car, and Wagner's Ride of the Valkyries scores a rugby match traffic jam (also used in a famous scene in Apocalypse Now). Filmheads will note the tripped out assembly is flush with formative industry talents (see this guide by director Derek Morton).
Sam Pillsbury's The Scarecrow was the first Kiwi movie to win invitation to the prestigious Cannes Film Festival. Starting at government filmmaking body the Natonal Film Unit, the part-Kiwi, part-American dlrector has worked in documentary — including helming the controversial Birth with Dr. R.D. Laing — and made a run of feature films and TV movies, both here and in North America.
New Zealander Bill Gavin began his film career in the United Kingdom. After arranging finance for everything from The Killing Fields to Sid and Nancy, he returned home in the 90s to produce a number of features, including What Becomes of the Broken Hearted? and Jubilee. During two years as Head of Feature Films at South Pacific Pictures, he helped develop and finance 2002 hit Whale Rider.