This Spotlight collection showcases Ralph Hotere (Te Aupōuri), one of New Zealand's most celebrated artists. Hotere was rarely seen on screen, and famously tight-lipped about his work, but he can be celebrated in two key films: Sam Pillsbury’s observational 1974 film Ralph Hotere (descrbed as a “...
The Aupōuri Peninsula - in Maui's legend, the tail of the fish - runs along the top of the North Island, edged on one side by Ninety Mile Beach. In Te Hapua, the most northerly community on the mainland, Gary McCormick helps out at the marae as preparations begin for a cultural festival for the district's primary schools. The students will perform kapa haka, Dalmatian dances and take-offs of Shortland Street. This Heartland episode evocatively melds footage of children practising and performing, with oyster farmers catching fish for the hangi.
This special 1984 episode of the long-running te reo news programme looks at Waitangi Day. Series founder Derek Fox is presenter; the news item follows the journey north of a train that the Tainui tribe hired to take their people to Waitangi. Topics of protest aired include land rights, the Waikato River and the Māori language. Among those appearing are Sir Hepi Te Heuheu (Tūwharetoa), Sir Robert Mahuta and Pumi Taituha (Tainui), Sir James Henare of Northland, and Sir Kingi Ihaka (Aupōuri).
Sir Ed Hillary, then in his early 50s, acts as tour guide to remote New Zealand. In the far north he receives a tokotoko (walking stick) and admires the Aupōuri people’s connection with the land. He goes bush and dives for scallops off Stewart Island and fishes on a Hollyford sandspit. In the Alps he tackles a 1971 grand traverse of Mount Cook with Harry Ayres and other mates. Not bad for a self-described "middle-aged family man who has tried to keep himself reasonably fit". Sir Ed narrates, and his down-to-earth passion for adventure makes this an inspiring travelogue.
Ralph Hotere (Te Aupōuri) is regarded as one of New Zealand's greatest artists. This documentary by Merata Mita provides a perspective on his world, largely by way of framing his extensive body of work. Hotere remains famously tight-lipped throughout, but there are interviews with artists, friends and commentators, alongside scenes of Hotere working and of his contemporary home context. Mita's impressionistic film is set to a Hirini Melbourne-directed score of jazz, māori and pop songs, and poetry reading by Hotere's first wife Cilla McQueen.