The Dominant Species is a loopy look at the relationship between people and cars in 1975 Aotearoa ... from an alien's eye view. Nifty animation and special effects intersperse the automotive anthropological survey of Mark IIs, VWs, anti-car activism and car-washing. There's a dream sequence involving a ladykilling Jesus Christ atop a car, and Wagner's Ride of the Valkyries scores a rugby match traffic jam (also used in a famous scene in Apocalypse Now). Filmheads will note the tripped out assembly is flush with formative industry talents (see this guide by director Derek Morton).
This motoring show was a Kiwi take on the format that Top Gear made globally famous: motorheads reviewing and having fun in machines that go fast. The first season screened on TV One in 2006; the second screened on Prime the following year. Presenters were actor and director Danny Mulheron, architect Roger Walker, and, joining them for the second season, superbike rider Aaron Slight. Aside from the car reviews, the show included segments like the Motormouth Cup, where Kiwi celebs raced each other to see who could clock the fastest lap on the test track.
Three friends cruise inner-city Auckland in a 1946 Ford pickup, as they cope with the changing dynamic of their friendship and encroaching demands of the adult world. In the tradition of American Graffiti it captures the hope promised by a night on the town and a reality that struggles to meet expectations — punctuated by hoons, officious cops and dodgy tow truck operators. Queen Street is a fascinating look at Kiwi car and street culture in the pre-boyracer era, and a snapshot of a downtown that has changed markedly since 1981 when the film screened on TV.
Neil Roberts feels a need for German-engineered speed in this 1984 report from magazine show Weekend. New Zealand was emerging from the dour Muldoon years, and the imported Porsche car was a paragon of conspicuous consumption and yuppie status symbol. Roberts (future founder of production company Communicado) goes for a pre-Crash spin in a Porsche from dealership Giltrap Prestige, then joins Auckland menswear entrepreneur Ray Barker, who takes Neil home to check out his Carrera. Gordon McLauchlan presents; ZZ Top track ‘Legs’ provides the soundtrack.
Sean's prize possession is a 1958 red and white Ford Fairlane. His sister Annie works in an auto paint shop. But Annie is sick of playing shotgun, while her brother drives. What she wants is Sean's trust, and the chance to use her spraypainting talents to give the Fairlane a new look. After the Fairlane is stolen, the pair find themselves caught up in an adventure which tests their relationship. Writer Debra Daley based the script on a short story she had written about growing up in the ‘car culture' of Henderson, in West Auckland.
This TV series which attempts to go beyond cliché and stereotype to find real Americans. Presenter Gordon McLaughlan starts at Ellis Island — where late 19th century immigration marked what he calls the beginning of modern America. Interview subjects include a Jesuit priest running a home for street kids in North Bronx, a construction company vice-president of Italian descent, an Ohio auto worker watching on as the rust belt encroaches on industry, and a retired submarine captain who is master of a replica of the Mayflower at Plymouth Rock.
Gritty, award-winning drama, set in Auckland suburbia. Danny and Raewyn's relationship is skating close to the edge. And so are their finances. Though the physical attraction between them remains, Raewyn is growing tired of encouraging Danny to make more effort. Then one night alcohol and memory collide with an order of black-market meat, and everything turns on its head. One of the most acclaimed episodes of the About Face series, Danny and Raewyn won funding after another episode fell through.
Director Chris Graham delivers five minutes of cars, comedy and eye candy in this slick who's who of the 2003 Kiwi scene. Featuring DJ Sir-Vere, ex sports star Matthew Ridge, Paul Holmes (well actually he was a no show — but his understudy appeared to get the message across) and VJ Jane Yee, this remarkably polished clip succeeded in planting a relatively unknown hip hop artist squarely on the front page. The result was the biggest selling Kiwi single of the year — and a 2005 NZ Music Award for Best Video. It cost at least $50,000 to make.
The second single from Wellington's country crossover kings is a classic tale of lost love and the girl that got away: propelled by Nik Brown's fiddle, with Barry Saunders out front singing it like a cowboy. Director Waka Attewell's music video intersperses the band's performance with shots of Saunders in and around Wellington with a supporting cast of planes, trains and automobiles. The car is a cut-down Holden Belmont and there's a glimpse of the Cook Strait ferry (but the Warratahs' involvement with the Interislander is still a few years off).
'Super Gyration' was the first release for Waikato band The Datsuns, initially as a vinyl only 7” 45. Director Greg Page had to abandon his initial concept the night before the shoot, when he lost his location. Instead, he prevailed on an Onehunga panel beater’s shop and filmed the band rocking out and in their element. Cars were provided by the Ooga Boys hot rod club. They weren’t huge fans of Datsun automobiles and took some persuading, but the band’s music won them over. In a clip full of cars the only Datsun is on the single’s picture sleeve, on a dishwasher in the kitchen.