This NZ Music Month collection showcases NZ music television, spun from a playlist of classic documentaries and beloved music shows. From Split Enz to the NZSO, Heavenly Pop Hits to Hip Hop New Zealand, whether you count the beat or roll like this, there’s something here for all ears (and eyes). Plus music writer Chris Bourke gets Ready to Roll with this pop history primer.

Classic Kiwi play Joyful and Triumphant followed the Bishop family over four decades, from 1949 to 1989. Written by Robert Lord, it charted changes in New Zealand society by focusing on the minutae of Christmas Day family dynamics. The play was first performed to sellout audiences in 1992, a month after Lord died. It won multiple Chapman Tripp Theatre Awards. Directed by Peter Sharp (The Fire-Raiser), this TV adaptation features Robyn Malcolm and Goodbye Pork Pie's Tony Barry — plus Catherine Downes and Bruce Phillips, who both appeared in the original production. 

In 1865, Wellington became the Kiwi capital. In the more than 150 years since, cameras have caught the rise and fall of storms, buildings, and MPs, and Courtenay Place has played host to vampires and pool-playing priests. Wind through our Wellington Collection to catch the action, and check out backgrounders by musician Samuel Scott and broadcaster Roger Gascoigne. 

The decade of fondue and flares also cooked up colour television. Our black and white living room icons — from Selwyn Toogood to Space Waltz — melted into a Kiwi kaleidoscope of Top Town, Grunt Machine, and Close to Home. And 'our stories' and rights fights — boks, hikoi, nukes and 'nam — echoed onscreen (Sleeping Dogs, Tangata Whenua). Ready to roll?

This militant debut from rappers Upper Hutt Posse marked New Zealand’s first hip hop record. Dean Hapeta announces himself with a history lesson proudly namechecking the great Māori warrior chiefs of the 19th Century — Hōne Heke, Te Rauparaha, Te Kooti — and their Māori Battalion successors. ‘E Tu’ is also a personal manifesto, with promises to preach the truth but not to brag or wear gold chains. Hapeta's down the barrel delivery carries a degree of confrontation rarely seen from New Zealand musicians up to that point.

This 1981 promotional short snaps the clapperboard on the National Film Unit’s new filmmaking facilities at Avalon. The Unit had moved from its Miramar birthplace to the Lower Hutt complex in 1978 (it was officially opened on 18 October that year). Narrated by Bob Parker and scored to a funky soundtrack, the film is a guide through NFU production processes. A montage of production scenes is followed by a look at film processing once the film is ‘in the can’. Tricks of the trade depicted include rear projection, film colouring and foley (sound effects).

In this excerpt from the final of the fourth season of Dancing with the Stars, two contestants remain: Silver Ferns netballer Temepara Bailey (then known as Temepara George), and Kiwis rugby league player Monty Betham. The clip recaps Bailey’s path to the final — including a netball injury scare — and showcases her foxtrot with dance partner Stefano Olivieri. Then it’s over to the judges to rate how the former World Netball Champion and Commonwealth Games gold medallist has performed on the dance floor. Bailey would go on to win the season. 

In the first season of New Zealand's version of Dancing with the Stars, ex All Black Norm Hewitt was pitted against actor Shane Cortese in the 2005 final. The live ballroom dance TV One competition paired professional dancers with celebrities like Invercargill mayor Tim Shadbolt, politician Georgina Beyer, and model Nicky Watson. In this excerpt, Cortese and Nerida Lister win over the judges with their rumba routine. The pair went on to marry and have three children. Nearly a million people tuned in to watch the finale, which Hewitt and Carol-Ann Hickmore won.

To mark its first 25 years, TVNZ commissioned independent producer Ian Mackersey to chronicle a day in its life as the national broadcaster. Coverage is split between the often extreme lengths (and heights) gone to by technicians maintaining coverage, and the work of programme makers — including the casts and crews of McPhail and Gadsby and Country GP. The real drama is in the news studio during the 6.30 bulletin (with light relief from the switchboard) in this intriguing glance back at a pre-digital, two channel TV age during the infancy of computers.  

This late 70s gender politics satire was a Television One sitcom written by future Gloss creator Rosemary McLeod; it was broadcast live-to-air from Avalon Studios. In this episode, Ginette McDonald’s lippy feminist withholds the joy of sex from her hippy hubbie, and Bruno Lawrence (sporting a magnificent anti-comb over) is the unreformed motorhead neighbour whose hangover cure is beer and cornflakes. Lawrence’s larrikin performance in the show was spotted by director Roger Donaldson who cast Bruno in his breakout big screen lead role: Al Shaw in Smash Palace.