Our Stars of Ballet, a short documentary from ballet teacher turned NFU director Kathleen O'Brien, tracks the careers of New Zealand ballet icons Rowena Jackson and Alexander Grant, who both achieved success as principal dancers for major ballet companies in England. The film follows their visit to Wellington with the Royal Ballet in 1959; Jackson picnics by the harbour with dancer husband Philip Chatfield, while Grant visits Mt Victoria. The film ends with Jackson performing her famed multiple fouttés en tournant, for which she held the world record in 1959.
TVNZ’s 80s arts programme follows a Royal NZ Ballet visit to China in this documentary directed by Keith Hunter. The trip is billed as a cultural exchange but the term belies the stresses of missing equipment, a director who has lost his voice, language barriers, incorporating a local seven-year-old girl into their performance and, for some, the dishes at a banquet. On a rare day off, there’s a chance to marvel at the scale of the The Great Wall; and there are insights into the everyday lives of the Chinese people as the country begins to open itself up to the world.
This National Film Unit doco illustrates the early days of the Royal New Zealand Ballet. Performances from the company’s touring program include Bournonville’s Napoli, kiwi Arthur Turnbull’s Do-Wack-A-Do, a quirky 1930s flapper themed production (also with a NZ composer, Dorothea Franchi) and the tulle and poise of Fokine’s Les Sylphides. Prismatic Variations, choreographed by ballet company founder Poul Gnatt, and produced by another dance icon Russell Kerr, is the finale for this tribute to those who have made New Zealanders “ballet conscious.”
Florian Habicht first won attention for 2003's Woodenhead, a fairytale about a rubbish dump worker and a princess. By then Habicht had already made his first feature-length documentary. Many more docos have followed: films that celebrate his love for people, and sometimes drift into fantasy. In this collection, watch as the idiosyncratic director meets fishermen, Kaikohe demolition derby drivers (both watchable in full), legends of Kiwi theatre and British pop, and beautiful women carrying slices of cake through New York. Ian Pryor writes here about the joys of Florian Habicht.
From the icons (Sky Tower, Otara Market, Rangitoto, The Bridge), celebs, clans and stereotypes (Jafas), to the streets (Queen St, K Road), and Super City suburbs (Ferndale, Mt Raskill, Morningside), this collection celebrates Auckland onscreen. Reel through the moods and the multicultural, metro, muggy charms of New Zealand’s largest city. In this backgrounder, No. 2 director Toa Fraser writes about Auckland as a place of myth, diversity and broken jaws.
Snow collects together titles celebrating the scenic, recreational and spiritual call of New Zealand's mountains and ice. They include retro ski classics Flare and Off the Edge, Sir Ed saga Kaipo Wall, and NZ's first Oscar nominated film Snows of Aorangi. The collection features everything from ski ballet, Middle Earth glaciers and mountain parrots, to polar ice-fishing.
This Royal New Zealand Ballet performance of Stravinsky’s Petrouchka stays true to the original 1911 version by legendary ballet company Ballet Russes, in more than just spelling. As tormented puppet Petrouchka, Douglas Wright pays tribute to legendary performer Vaslav Nijinsky. Designer Raymond Boyce channels Alexandre Benois, while Russell Kerr's choreography evokes Mikhail Fokine. The sellout season was reviewed as "phenomenal" and "a visual feast… exploding with colour and shifting image". Future TV executive Andrew Shaw directs coverage of the ballet.
Framed around a visit to New Zealand by Irish-born entertainer Danny La Rue, this all-singing all-dancing spectacular was recorded over three days in March 1980. The “fella in a frock” was famed for his drag acts and double entendres. Comedians Jon Gadsby and David McPhail provide local support as Marlene Dietrich visits a farm, Mae West visits the All Blacks changing room, and Margaret Thatcher meets Robert Muldoon (McPhail). Filmed at Avalon Studios, the revue was a co-production with London Weekend Television, made during the golden era of NZ TV variety shows.
Arts magazine series For Arts Sake screened on TV ONE for two hours on Sunday mornings for 22 weeks in 1996. This segment on dancer/choreographer Mary Jane O'Reilly marks the launch of her new company Auckland Ballet. The founder of the celebrated Limbs Dance Company talks about still being involved in dance in her mid-40s, the formation of her new company, the similarities and differences between ballet and contemporary dance, and her move into making dance films. The item also features excerpts from some of O'Reilly's dance works.
This documentary sees Dean Spanley director Toa Fraser and producer Matthew Metcalfe swap dialogue for dance. Based on The Royal NZ Ballet's acclaimed 2012 production of Giselle, the movie features American Ballet Theatre star Gillian Murphy as the dance-mad villager, wooed by a prince in disguise. Inspired by concert film The Last Waltz, a Leon Narbey-led camera team filmed the performance, with scenes of the lead dancers in Shanghai and New York counterpointing the onstage action. Following its Kiwi festival debut, Giselle screened at the 2013 Toronto Film Festival.