This 1976 concert sees Kiwi entertainment great John Rowles bring his cabaret show to His Majesty's Theatre in Auckland. Back from a hotel residency in Hawaii, Rowles belts out the ballads in his booming baritone. Tanned, in pastel blue flares, wide lapels, and plenty of bling, Rowles (here nearly 30) croons about wahine from Mandy to Sweet Caroline, to his iconic "island sweetheart" Cheryl Moana Marie. Memorable moments include tributes to Norman Kirk and singer Inia Te Wiata, a haka with Dave from Palmerston North, and a rousing finish with 'Mr Bojangles'.
This 1969 film promotes the attractions, industry and history of “contemporary Rotorua”, from the Arawa canoe to forestry, from mud pool hangi to the Ward baths (“heavenly for hangovers”). The score is jazz, and the narration is flavoured by the impressive baritone of opera singer Inia Te Wiata (father of actress Rima), who gushes about geysers and Rotorua’s evolution from sleepy tourist backwater to modern city and conference centre. Also featured: kapa haka, meter maids in traditional Māori dress, and a rendition of classic song ‘Me He Manu Rere’ in a meeting house jive.
Taste New Zealand presenter Peta Mathias hosts this 2003 Christmas special, featuring festive food and music. Musical guests Hinewehi Mohi, bass-baritone Conal Coad, Brooke Fraser (who sings 'Joy to the World') and King Kapisi perform, share Christmas memories, and cook their favourite seasonal dishes. Mathias herself sings 'O Come All Ye Faithful', backed by students of her old school, St Mary's College in Ponsonby. Other highlights include Mathias making music with King Kapisi, and Mohi's bilingual version of 'Silent Night' with choir Musica Sacra.
Toyota launched its classic Welcome to Our World campaign in late 1989, to support the company's sponsorship of the upcoming Commonwealth Games and the Sesqui 1990 festival. This version was put together for the 1995 America’s Cup and Rugby World Cup. But there is minimum product placement in the heart-warming montage of Aotearoa landscapes and people, set to country singer John Grenell’s baritone take on the Jim Reeves song. The Geoff Dixon-directed campaign ran for a decade; the song topped the Kiwi charts when it was released in early 1990.
Mortimer’s Patch was a popular drama series following Detective Sergeant Doug Mortimer (Terence Cooper) at work in the town of Cobham. Mortimer plays a city cop returning to his rural roots; Don Selwyn is Sergeant Bob Storey. The series was NZ’s first police drama, and a rare local drama to top ratings. Mortimer's Patch was made when the archetype of the ‘community cop’ everyone knew was still a powerful one, and it was a counterweight to the faceless riot policing of the Springbok Tour. Three series were made.
Kiwi-born Samoan Nathaniel Lees began acting on stage in 1975, and on screen in 1984. Since then he has become a leading force in the development of Pacific Island theatre in Aotearoa, and brought his distinctive baritone voice to everything from The Billy T James Show to The Matrix.
German born J Ollie Lucks moved to Dunedin to study film in 2005. Together with Max Bellamy, he directed haunted baritone tale The Characteristics of C-Minor, which screened on BBC Knowledge and in a run of international festivals. In 2015 Lucks began tailing ex-pro wrestler Wilbur McDougall for both a popular Loading Docs short, and the feature-length documentary Wilbur: The King in the Ring. His editing work includes Inside New Zealand entry Wildman, and episodes of second-generation Kiwi series Both Worlds.
Don Selwyn, ONZM, was an actor, casting director and mentor to a host of talented Māori who went on to work in film and television. Selwyn’s long acting resume includes 1970s historical epic The Governor and police show Mortimer’s Patch. He also directed The Māori Merchant of Venice, the first feature film in te reo Māori.
His name was synonymous with entertainment in New Zealand. Dubbed Ol' Brown Eyes — Māoridom's version of Frank Sinatra — Howard Morrison's voice and charisma carried him through decades of success both here and abroad. From the Howard Morrison Quartet to time as a solo performer, Morrison's take on songs like 'How Great Thou Art' ensured his waiata an enduring place at the top of local playlists.