This collection celebrates more of the legendary TV moments that Kiwis gawked at, chortled with, and choked on our tea over. In the collection primer Paul (Eating Media Lunch) Casserly chews on rapper Redhead Kingpin’s equine advice to 3:45 LIVE! and mo’ memorable moments: from a NSFW Angela D'Audney to screen folk heroes Colin McKenzie and the Ingham twins.
Great adverts are strange things: mini works of magic, with the power to make viewers smile, cry, and even buy. Kiwi directors have shown such a knack for making them, they've been invited to do so across the globe. But this collection is about local favourites; dogs on skateboards, choc bar robberies, ghost chips. NZ On Screen's Irene Gardiner backgrounds the top 10 here.
Touted as the defining chapter of the trilogy, The Battle of the Five Armies sees Smaug wreaking havoc from the sky, Thorin Oakenshield succumbing to dragon-sickness, and a climactic battle to dwarf anything seen in the first two Hobbit films. As Orcs look to the Lonely Mountain with their eyes on the treasure, dwarves, elves and humans must decide whether to unite and fight them off. The final Hobbit film arrived in cinemas 15 years after Peter Jackson first trained his cameras on Middle-earth — and made it clear that global blockbusters could come from New Zealand.
In a lawless fuel wars future, marauders roam the wasteland looking for oil. Their malevolent leader Straker threatens his daughter Corlie; she’s rescued by loner Hunter and they harbour with eco-sensitive folk in the Clearwater Commune ... but not for long: there will be blood on the Central Otago plains! Following in the exhaust of Mad Max, the cult film was made during the 80s tax-break feature surge, with US director (Harley Cokliss) and leads flocking south during a Hollywood writers’ strike, and Kiwis as crew (“artists with chainsaws”) and supporting cast.
JRR Tolkien's beloved novel The Hobbit follows Bilbo Baggins on a quest to help reclaim the lost dwarf homeland of Erebor from the dragon Smaug. Shoulder-tapped by Gandalf for the mission against some opposition, Bilbo joins a company of dwarves in an epic adventure: vying against goblins, orcs and Gollum's riddles. After the box office blitzing and Oscar-slaying Lord of the Rings trilogy, adapting the precursor novel was an expected journey. Martin Freeman (The Office, Sherlock) is Bilbo, and Peter Jackson is again at the helm in this first of a three-part adaptation.
After only 17 days in international cinemas, the first part of the Hobbit trilogy stacked up enough treasure to become 2012's fourth highest-grossing movie. In part two director Peter Jackson ups the adventure quotient further, thanks to spiders, high speed river rides and the first encounter between hobbit Bilbo Baggins (Martin Freeman) and Smaug the Dragon, as envisioned by Weta Digital and British star du jour Benedict Cumberbatch. Legolas (Orlando Bloom), one of the breakout characters in the Lord of the Rings movies, also makes an appearance.
Auckland Museum's Volume exhibition told the story of Kiwi pop music. It's time to turn the speakers up to 11, for NZ On Screen's biggest collection yet. Turning Up the Volume showcases NZ music and musicians. Drill down into playlists of favourite artists and topics (look for the orange labels). Plus NZOS Content Director Kathryn Quirk on NZ music on screen.
Arm yourself with jaffas and get set for debate: NZ On Screen has gone out on a limb and selected an all-time NZ feature film Top 10. Starring the icons of the Kiwi big screen — Blondini, Ada, Beth, Boy. Whet your appetite for our finest features via choice 10-minute excerpts of the movies. Cook the man some eggs, we're taking this Top 10 to Invercargill!
Record label Flying Nun is synonymous with Kiwi indie music, and with autonomous DIY, bottom-of-the-world creativity. This collection celebrates the label's ethos as manifested in the music videos. Selected by label founder Roger Shepherd: "A general style may have loosely evolved ... but it was simply due to limited budgets and correspondingly unlimited imaginations."
The concept behind this game show is that contenders can't hide their nerves. They're wired up to a heart-rate monitor and given a "redline rate" that is 70% above their resting heart rate. If their heartrate goes over the line the contestant starts losing money and can't answer questions until their heart slows down again. Hosted by ex-rugby and league player Matthew Ridge, The Chair was a big-budget, big-event format that was made first in New Zealand and proved a significant export success for Touchdown (now Eyeworks Touchdown) selling to 29 territories.