The Coming-of-Age collection includes many of New Zealand's most beloved films. Featured are grumpy uncles, annoying parents, plus a wide range of children and teens negotiating the challenges of growing older — and wiser. Among the young actors making an early mark are an Oscar-nominated Keisha Castle-Hughes (Whale Rider), James Rolleston (Boy) and 12-year-old Fiona Kaye (Vigil). The titles include Alone, the winner of NZ On Screen's very first ScreenTest film contest. In the backgrounder, young Kiwi actor Thomasin Harcourt McKenzie writes from New York.
He learnt kapa haka as a child. He learnt to smoulder on Shortland Street. He punched a country in the guts with Once Were Warriors. Temuera Morrison has starred in Māori westerns, adventure romps, and cannibal comedies. In the backgrounder to this special collection, NZ On Screen editor Ian Pryor traces Temuera Morrison's journey from haka to Hollywood.
In this 1973 current affairs interview, Albert Wendt discusses his first novel Sons For the Return Home on the occasion of its publication. The Pacific Island Romeo and Juliet tale was a seminal exploration of Samoan migrant life in NZ. Wendt muses on the inspiration for his work; facing discrimination at school and from girlfriends' parents; the differences between NZ Samoans and Samoan Samoans; returning ‘home’, and the difficulty of finding the solitude to write in Samoa. Maurice Shadbolt praises the book at its launch; it was adapted into a film in 1979.
This 1976 TV2 report covers the launch of Gordon McLauchlan’s book Passionless People in Eketahuna, a town he had derided in newspaper columns as an epicentre of New Zealand conformity. Within the book’s pages the author infamously called Kiwis "smiling zombies" – lazy, smug, and a bunch of moaners. McLauchlan bravely visits the local pub, and stands in front of the 'hot pies' sign to muse about sexuality. Ex-All Black Brian Lochore is MC at the launch, where McLauchlan is put on mock trial in stocks at the town hall. Passionless People was a runaway best seller.
This episode of the te reo Māori anthology series follows a scandalous relationship between Siva (Pua Magasiva), a 19-year-old Samoan man, and Haka (radio DJ Ngawai Greenwood) a 45-year-old Māori poet. Unable to contain their passion, the couple's public lovemaking hits the headlines. Siva's family take matters into their own hands. This episode marked the first on-screen starring role for Magasiva, who would make his name as nurse Vinnie Kruse in Shortland Street. Director Paora Maxwell later spent three years as Chief Executive at Māori Television.
Don McGlashan has played drums, horns, guitars and PVC pipes, created memorable songs with Blam Blam Blam, The Mutton Birds and as a solo artist, and won a run of awards for his soundtrack work. As Nick Bollinger puts it in this backgrounder, his songs are good for occasions big and small.
Launched on 5 April 1976, Winners & Losers heralded a new age in Kiwi screen drama. Indie talents Roger Donaldson and Ian Mune based their tales of success and failure on New Zealand short stories, after managing to negotiate funding from various government sources. Then the pair took the series to Europe, proving there was strong overseas demand for Kiwi stories. In the backgrounders, Mune recalls the show's origins. There are also pieces on its place in local screen history, and its 2018 restoration. Plus watch two video interviews on the series.
This NZ Music Month collection showcases NZ music television, spun from a playlist of classic documentaries and beloved music shows. From Split Enz to the NZSO, Heavenly Pop Hits to Hip Hop New Zealand, whether you count the beat or roll like this, there’s something here for all ears (and eyes). Plus music writer Chris Bourke gets Ready to Roll with this pop history primer.
This collection celebrates the legendary moments that New Zealanders — huddled around the telly — gawked at, chortled with, and choked on our Choysa over as they played out on our screens. "There's a generation who remember where they were when JFK was shot", but as Paul Casserly asks in his collection primer, "where were you when Thingee's eye popped out?"
Actor Kevin Smith could do it all; from brooding like Brando in a Tennessee Williams play, through Xena, to the gentle romantic lead of Double Booking, and self-parody in Love Mussel. Collected here are selections from a career cut short (he died in a 2002 film-set accident). Plus tributes from James Griffin, Michael Hurst, Geoffrey Dolan and Simon Prast.