This documentary confronts attitudes to alcohol consumption in NZ. Interviews with those who see major problems (including police, ambulance, youth workers, Family Planning and Women's Refuge) and those who don't (brewers, advertising agencies, sports groups and publicans) are interspersed with often-graphic footage of excessive alcohol use. The challenging depiction of the culture piqued Lion Breweries, who complained to the Broadcasting Standards Authority. The BSA rejected their assertion that the programme was salacious, but did agree it "lacked balance".
Actor Kevin Smith could do it all; from brooding like Brando in a Tennessee Williams play, through Xena, to the gentle romantic lead of Double Booking, and self-parody in Love Mussel. Collected here are selections from a career cut short (he died in a 2002 film-set accident). Plus tributes from James Griffin, Michael Hurst, Geoffrey Dolan and Simon Prast.
This 1968 segment from an early Sunday night magazine show provides light-hearted visuals for a classic Kiwi song. Though written by Rod Derrett as a parody, 'Rugby, Racing and Beer' became an unofficial national anthem of the 60s, where it was an icon of the Kiwi male's recreational trio of choice. The clip takes the perspective of a "little shaver" being educated in his national heritage by various footy-playing, boozing'n'betting paternal role models (aka blokes afflicted with 'Kiwiitis'). The early New Zealand music video finishes with scenes of packed terraces at Athletic Park.
This 1976 TV2 report covers the launch of Gordon McLauchlan’s book Passionless People in Eketahuna, a town he had derided in newspaper columns as an epicentre of New Zealand conformity. Within the book’s pages the author infamously called Kiwis "smiling zombies" – lazy, smug, and a bunch of moaners. McLauchlan bravely visits the local pub, and stands in front of the 'hot pies' sign to muse about sexuality. Ex-All Black Brian Lochore is MC at the launch, where McLauchlan is put on mock trial in stocks at the town hall. Passionless People was a runaway best seller.
This 1999 documentary see presenter Gary McCormick exploring the lives of New Zealand expats living in London. London Kiwis – including MTV Europe head Brent Hansen, Angel at My Table actor Kerry Fox, chef Peter Gordon, house-boaters Karyn Hay and Andrew Fagan, and drunk backpackers at The Church – reflect on their overseas experience and the meaning of home. Produced alongside a companion documentary on Kiwis in Ireland, London Connection was a further collaboration between McCormick, director Bruce Morrison and producer William Grieve (Heartland).
This notorious film looks at '70s bikie culture, focusing on Auckland's Hells Angels (the first Angels chapter outside of California). These not-so-easy riders — with sideburns and swastikas and fuelled by pies and beer — rev up the Triumphs, defend the creed, beat up students, cruise on the Interislander, provoke civic censure, and attend the Hastings Blossom Festival. After a funeral, Aotearoa's sons of anarchy head back on the highway. Bikies was banned by the NZBC — possibly due to the public urination, lane-crossing, chauvinism and pig's head activity.
The theme for 2016’s batch of Loading Docs was 'change'. This entry stretches the boundaries of documentary, as two high school students engage in an impassioned piece of performance poetry. Mount Albert Grammar School's Jahmal Nightingale and Joseph McNamara film themselves performing their own poetic clarion call for change. The two Gen-Z teens wander Auckland and muse on body image, booze, racism, sexism, and the apocalypse. Director Brendan Withy and producer Doug Dillaman first saw the duo at high school spoken word competition WORD - The Front Line.
TV personality Jaquie Brown plays (and plays up) herself for further delightful comic effect in the second series of The Jaquie Brown Diaries (renamed The Jaquie Brown Odyssey for DVD release). In the Qantas Award-winning TV3 satire Brown is an egomaniacal reporter looking to climb the media ladder any which way she can. This episode sees Brown googling herself, and a late-night forum post sends her spiralling towards celebrity booze binge self-destruction on K Road. In her wake Auckland’s Metro social pages set are skewered with self-referential glee.
In May 1871 Auckland became a city. One hundred years later reporter Hamish Keith looks back to see how Auckland developed and ahead to where it is going. In 1971 600,000 people lived in the greater Auckland area and it was rapidly expanding. Keith notes volcanoes, tribal war, pioneers, "booze and butter" booms, problematic bridges, PI influence, cars and suburbia; and muses on Auckland’s “marching to its own drum” spirit. Anticipating Super City angst, then-Auckland mayor Sir Dove-Myer Robinson frets that sprawling unruly Auckland is a city in search of a soul.
"E tu stand proud, kia kaha say it loud", Dean Hapeta's lyrics typify the socio-political messages in NZ's early rap music. The four elements of hip hop: breakdancing, graffiti, DJ-ing and rap are examined through interviews with key players in the hip hop scene (including King Kapisi, Che Fu, Upper Hutt Posse). A recurring theme in the Sima Urale-directed documentary is that local hip hop artists are less interested in the "girls, booze and bling" school of hip hop, and more interested in using their art to make a political statement.