The video for this track from the Slugbucket Hairybreath Monster EP features expressionist shadows, odd science experiments in the basement, Frankenstein-like freaks, a flickering TV set, and an amateur brain transplant — demonstrating clearly that grunge-master Chris Knox is a major horror fan.
Actor Kevin Smith could do it all; from brooding like Brando in a Tennessee Williams play, through Xena, to the gentle romantic lead of Double Booking, and self-parody in Love Mussel. Collected here are selections from a career cut short (he died in a 2002 film-set accident). Plus tributes from James Griffin, Michael Hurst, Geoffrey Dolan and Simon Prast.
'No 8 wire' Kiwi ingenuity is defined by problem solving from few resources (No 8 wire is fencing wire that can be adapted to many uses, an ability that was particularly handy for isolated NZ settlers). Embodied in heroes from Richard Pearse to PJ, Kiwi ingenuity is a quality dear to our national sense of self. It has been memorably celebrated, and sometimes satirised, on screen.
This collection celebrates more of the legendary TV moments that Kiwis gawked at, chortled with, and choked on our tea over. In the collection primer Paul (Eating Media Lunch) Casserly chews on rapper Redhead Kingpin’s equine advice to 3:45 LIVE! and mo’ memorable moments: from a NSFW Angela D'Audney to screen folk heroes Colin McKenzie and the Ingham twins.
In Million Dollar Tumour Dave Bowman narrates the “very personal tale” of his battle with cancer. The small town policeman was diagnosed with a brain tumour in 2005, aged 35. Bowman took on funding agency Pharmac and the bureaucracy of the public health system to try to get a treatment drug subsidised for himself and other sufferers. Although his efforts partly prevailed, Bowman died in mid 2006, after this Inside New Zealand documentary screened. Directed by Dave Crerar (Here to Stay), Million Dollar Tumour won Best Documentary at the 2006 Qantas TV Awards.
This award-winning Attitude episode follows an ‘early onset’ sufferer of Parkinson’s disease — 48-year-old Auckland marketing consultant Andy McDowell. McDowell narrates as he struggles with the effects of the degenerative neurological condition on his relationship with his wife, family, and career. The episode includes a visual poem made to communicate his condition to his two young daughters, and an Outward Bound stint. McDowell hopes to qualify for Deep Brain Stimulation — a risky ‘bionic’ surgery that may help his co-ordination and uncontrolled movements.
On the 22 December 1995 episode of Shortland Street, a truck ploughed into the clinic’s reception, causing carnage. The first excerpt is taken from the follow-up episode, which screened on Christmas Day. Nurse Carmen (Theresa Healey), having apparently only received minor bruising, suddenly collapses. The second clip, from the next instalment, sees her wheeled into hospital — shortly before she died from a brain haemorrhage, and delivered a whopper of a soap shock. In 2002 longtime Shortland scribe Steven Zanoski named the truck crash among his favourite Street stories.
A law change in the 1980s gave mentally-handicapped children the right to be educated at New Zealand state schools. This 1991 doco examines the pros and cons of mainstreaming special needs children, by looking at the schooling of severely brain-damaged child Jessica Palmer. Teachers both for and against mainstreaming are interviewed, alongside Jessica's parents. Palmer's teacher Sue Dunleavy admits there have been noise issues at times, but thanks to Jessica's presence her classmates have "learnt acceptance and caring and understanding, and it's taken the fear away."
Open Door is a unique form of community-based television that allows groups or individuals to apply to make a documentary programme about an issue that concerns them. This 'M.E'. episode looks into the lives of people suffering from Chronic Fatigue Syndrome. Despite 'normal' outward appearances syndrome sufferers are affected by debilitating exhaustion and 'brain fog', and can face long-term bed-ridden isolation, job loss, and skepticism about the reality of their illness.
Sam Neill weaves portions of autobiography into an idiosyncratic, acclaimed yet controversial analysis of Kiwi cinema — from its crude beginnings, to the dark flowering of achievement seen in the breakthrough films of Peter Jackson, Lee Tamahori, and Jane Campion. Directed by Neill and Judy Rymer, as one of 18 films commissioned for the British Film Institute's Century of Cinema series, the award-winning documentary debuted at the 1995 Cannes Film Festival. The New York Times' Janet Maslin rated it a series highlight. The opening sequence looks at the role of the road in Kiwi film.