As a showcase history of Christchurch on screen this collection is backwards looking; but the devastation caused by the earthquakes gives it much more than nostalgic poignancy. As Russell Brown reflects in his introduction, the clips are mementos from, "a place whose face has changed". They testify to the buildings, culture and life of a city now lost, but sure to rise.
This promotional travelogue, made for the Christchurch City Council, shows off the city and its environs. Filmed at a time when New Zealand’s post-war economy was booming as it continued its role as a farmyard for the “Old Country”, it depicts Christchurch as a prosperous city, confident in its green and pleasant self-image as a “better Britain” (as James Belich coined NZ’s relationship to England), and architecturally dominated by its cathedrals, churches and schools. Many of these buildings were severely damaged or destroyed in the earthquakes of 2010 and 2011.
Early Days Yet, directed by Shirley Horrocks, is a full-length documentary about New Zealand poet Allen Curnow, made in the last months of his life. The poet talks about his life and work, and visits the places of some of his most important poems. It includes interviews with other New Zealand poets about Curnow's significance as an advocate for New Zealand poetry. As Curnow famously mused in front of a moa skeleton displayed in Canterbury Museum: "Not I, some child, born in a marvellous year / Will learn the trick of standing upright here."
Actor Kevin Smith could do it all; from brooding like Brando in a Tennessee Williams play, through Xena, to the gentle romantic lead of Double Booking, and self-parody in Love Mussel. Collected here are selections from a career cut short (he died in a 2002 film-set accident). Plus tributes from James Griffin, Michael Hurst, Geoffrey Dolan and Simon Prast.
In the early 1970s expat broadcaster Michael Dean took Aotearoa’s pulse, as it loosened its necktie and moved from “ice-cream on mutton, swilled around in tea” conservatism, towards a more cosmopolitan outlook. Dean asks the intelligentsia (James K Baxter, Tim Shadbolt, Peter Cape, Shirley Smith, Bill Sutch, Ian Cross, Peter Beaven, Pat Hanly, Syd Jackson, Hana Te Hemara) for their take. The questions range from “what does the family in Tawa sit down to eat these days?” to the Māori renaissance. Dean had made his name in the 60s, as a high profile broadcaster with the BBC.
This film tells the story of a group of Afghani refugees rescued from the high seas off Australia by the freighter, Tampa. It follows the fate of several boys who were given the chance of a fresh start in New Zealand. Deftly blending observational sequences and historical footage, Pacific Solution examines the socio-politicial context of a growing worldwide refugee crisis. It was filmed in Afghanistan, Pakistan, Iran, Australia, Nauru and New Zealand. Pacific Solution was screened by TVNZ and at festivals internationally.
Sometimes referred to as the Godfather of New Zealand music TV, Kevan Moore was behind some of the iconic entertainment shows (Let's Go, C'mon) of the 1960s and 70s. Joining television at its birth, Moore was also responsible for shaping early current affairs content (eg Town and Around), and devising popular astronomy show The Night Sky.
Self-discipline has never been a problem for Joe Musaphia — he's written over 140 radio plays and dozens of full-length stage plays since 1960. His screen credits include pioneering Kiwi sketch show In View of the Circumstances, New Zealand's first musical Don't Let it Get You, sitcom Between the Lines and hosting childrens’ show Joe’s World. Musaphia has also worked as a columnist, cartoonist and actor.
Jim Hopkins's screen career has ranged from science reporting to shed anthropology. The long-time public speaker has been an NZ Herald columnist, talkback radio host, “thoroughly boring” Waitaki district councillor, and author (Blokes in Sheds). Though his television encounters have often been quirky or comedic, Hopkins has also done time as a straight reporter (80s science show Fast Forward).
Producer Matt McPhail’s CV includes a number of Kiwi comedy hits. He started his career directing 1990s youth show Ice TV, before helping write and direct internationally successful superhero series Amazing Extraordinary Friends. His producing credits include The Jaquie Brown Diaries, the acclaimed Hounds, and downlowconcept feature Gary of the Pacific.