Christian Rivers

Director, Visual Effects

Christian Rivers began his screen career drawing images of zombie carnage for Peter Jackson classic Braindead. Since then his career has been closely intertwined with Jackson's. After designing creatures on The Lord of the Rings, Rivers won an Oscar for his visual effects contributions to the 2005 remake of King Kong. These days he concentrates on directing: after assisting on The Hobbit, he helmed moody short film Feeder (2015). At one point tied to a possible Dambusters remake, Rivers makes his movie debut with post-apocalyptic epic Mortal Engines, based on the award-winning book by Brit Philip Reeve.  

Flipside - Parachute Music Festival

Television, 2004 (Excerpts)

Parachute had become New Zealand’s longest-running music festival when it shut up shop in 2014, after an impressive 24 years. This clip from youth news show Flipside looks at the 2004 edition. Flipside presenter Mike Puru interviews Parachute Music Festival founder Mark de Jong. Focussing on Christian music, Parachute brought Christian musicians to a large young audience. De Jong mentions that Parachute is more than just a festival — the organisation helps train and record young musicians, and includes a label and a publishing company. Band Detour 180 are also interviewed.

Fracture

Film, 2004 (Trailer and Excerpts)

Solo mum Leeanne Rosser (Jean's Kate Elliott) is rejected by her Christian mother. She tries to stay close to her brother Brent (Jared Turner), unaware of his secret life as a thief. One day a burglary goes wrong, and a woman is badly injured. The incident causes repercussions for all the members of the two families, and relationships begin to fracture. Based on Maurice Gee's novel Crime Story, Fracture was the second feature directed by Larry Parr. Its release was delayed by the collapse of Parr's company Kahukura in 2002. The Press called Fracture "competent, confident and complex".

Intrepid Journeys - Egypt (Marcus Lush)

Television, 2003 (Excerpts)

Before he went Off the Rails Marcus Lush went off the beaten track to Egypt. He takes on a camel and donkey, drifts down The Nile aboard a felucca, samples the local fast food and deals with a dose of ‘Nile Belly'. Ancient treasures and stunning desert landscapes don't hide a more problematic recent history. But the warmth of the locals - Muslim or Christian - makes Lush a convert. When Lush tries the local Cairo barber he loses some eyelashes ("when in Rome") but nevertheless finds the whole Egypt experience to be an "eye opener."

Camino Skies

Film, 2019 (Trailer)

Every year thousands of hikers and cyclists head out on Spain's Camino de Santiago (also known as the 'Way of St James'), a famous Christian pilgrimage and network of trails leading to the cathedral of Santiago de Compostela in Galicia. Camino Skies focusses on six Kiwi and Aussie hikers all aged between 50 and 80, who team up to tackle the 800 kilometre journey together. They each have personal reasons for taking up the challenge, and as the miles clock up they become pilgrims, battling blisters, grief, and the niggles of age to reach their goals.

An Immigrant Nation - From Sri Lanka with Sorrow

Television, 1996 (Full Length)

In 1983, after riots in Sri Lanka ushered in an extended civil war, the number of arrivals from Sri Lanka to New Zealand rose dramatically. This episode, one of the most moving in the Immigrant Nation series, profiles two Sri Lankan families down under - one from the island's Sinhalese majority, one from the minority Tamils. Both families left home out of fear for their children's future. Amidst the challenge of a new culture, there is celebration too: including double marriage ceremonies which require multiple outfits, when a Tamal Christian marries a Hindu.

In the Shadow of King Lear

Television, 1996 (Full Length)

This documentary shows two directors and a cast of actors working to breathe new life into Shakespeare. Veteran Ian Mune prepares to tackle one of the most difficult leading roles in classical theatre: King Lear. "If you're gonna climb hills, why not Everest?" he says. The unorthodox, bring it alive approach of Theatre At Large directors Anna Marbrook and Christian Penny (future director of Toi Whakaari) seems to err on the side of playfulness. But viewers are shown there is a method to their madness, when scenes from Shakespeare's drama are presented in beautifully-lit tableaus.

Once a Convent Girl

Television, 1995 (Full Length)

Growing up in one of New Zealand’s many convent schools before they were reordered by the Second Vatican Council in the 1960s, was an experience many found tough. This documentary explores the stories of the girls who endured the nuns’ strict rule, including interviews with Ginette McDonald, Moana Maniapoto and painter Jacqueline Fahey, plus some of the nuns themselves. They discuss discipline, education, their thoughts on becoming nuns and how despite all the rules, they wouldn’t have changed it for the world.

Granda

Short Film, 2010 (Full Length)

When Robert meets his Samoan grandfather ('Granda')  for the first time, things are awkward. He can't say Robert's name properly, and makes "rude" noises when he eats. Director Marina Alofagia McCartney's first short film is a gentle tale about reaching out across generations and culture. It focusses on Robert (Kahukura Royal) as his first impression thaws, and affection grows. In 2010 Granda was named audience favourite at Pollywood, a Kiwi festival for Pasifika Films. McCartney's follow-up Milk & Honey was nominated for Best Short at the 2012 NZ International Film Festival.  

Campaign

Film, 1999 (Full Length)

In 1996 Tony Sutorius got his hands on a new digital video camera, days before the start of an election campaign in Wellington Central. Made on the proverbial shoestring, this feature-length documentary chronicles five of those battling for the crown as a new political age  — MMP — dawns. Richard Prebble joins a new party called Act, the National candidate joins United New Zealand… and one of the five will be sacrificed by their own party. Sutorius sat through 55 hours of footage to forge the result, which won enthused, sellout audiences at the 1999 NZ Film Festival.