Director Florian Habicht's follow-up to his offbeat fairytale Woodenhead is a documentary tribute to a community of characters, drawn together by a desire to jump in a car for the local demolition derby. Behind the bangs, prangs, and blow-ups, the heart and soul of a small Far North town — Kaikohe — is laid bare in this full-length film, thanks to a cast of fun-loving, salt of the earth locals. Kaikohe Demolition won rave reviews, and The Listener named it one of the ten best films of 2004. Filmmaker Costa Botes writes about the film's characters and qualities here.
Merata Mita’s Patu! is a startling record of the mass civil disobedience that took place throughout New Zealand during the winter of 1981, in protest against a South African rugby tour. Testament to the courage and faith of both the marchers and a large team of filmmakers, the feature-length documentary is a landmark in Aotearoa's film history. It staunchly contradicts claims by author Gordon McLauchlan a couple of years earlier that New Zealanders were "a passionless people".
Christopher Plummer went from playing punk music to cutting film, first at TVNZ editing documentaries, and then on a slate of award-winning films. They include the shorts Sure to Rise (Niki Caro), and Possum (Brad McGann); and feature films Channelling Baby, In My Father's Den, Black Sheep, No.2, Vincent Ward doco Rain of the Children, and Taika Waititi's breakout hit Boy.
John Keir began his career as a TV reporter, and from the late 70s on was producing and directing an extended slate of documentaries. His CV includes docos about air crashes (Flight 901: The Erebus Disaster), war (Our Oldest Soldier), gender (Intersexion) crime (First Time in Prison) and the Treaty (Lost in Translation). His many collaborations with director Grant Lahood include two short films that won acclaim at Cannes.
The late Margaret Thomson is arguably the first New Zealand woman to have directed films. Thomson spent much of her film career working in England, plus two years back in New Zealand at the National Film Unit. Her NFU short Railway Worker (1948) is regarded as a classic.