This collection is a celebration of the eccentric, exuberant career of NZ screen industry frontrunner Tony Williams. As well as being at the helm of many iconic ads (Crunchie, Bugger, Spot, Dear John) Williams made inventive, award-winning indie TV documentaries, and shot or directed pioneering feature films, including Solo and cult horror Next of Kin.
Florian Habicht first won attention for 2003's Woodenhead, a fairytale about a rubbish dump worker and a princess. By then Habicht had already made his first feature-length documentary. Many more docos have followed: films that celebrate his love for people, and sometimes drift into fantasy. In this collection, watch as the idiosyncratic director meets fishermen, Kaikohe demolition derby drivers (both watchable in full), legends of Kiwi theatre and British pop, and beautiful women carrying slices of cake through New York. Ian Pryor writes here about the joys of Florian Habicht.
For this screen showcase of NZ visual arts talent, critic Mark Amery selects his top documentaries profiling artists. From the icons (Hotere, McCahon, Lye) to the unheralded (Edith Collier) to Takis the Greek, each portrait shines light on the person behind the canvas. "Naturally inquisitive, with an open wonder about the world, they make for inspiring onscreen company."
Geoff Murphy was the trumpet player who got Kiwis yelling in the movie aisles. His 1981 road movie Goodbye Pork Pie was the first big hit of the Kiwi film renaissance. He completed an impressive triple punch with the epic Utu, and Bruno Lawrence alone on earth classic The Quiet Earth. From early student heists to Edgar Allen Poe, this collection pays tribute to the late, great, laconic wild man of Kiwi film. Plus read background pieces written in 2013 by cinematographer Alun Bollinger, friend Roger Donaldson, writer Dominic Corry and early partner in crime Derek Morton.
Peter Jackson has gone from shy fanboy to master of his craft; from Pukerua Bay to Wellywood. With six journeys into Middle-earth now behind him, he has few peers in the realm of large scale filmmaking. Led by early 'behind the scenes' docos this collection pays tribute to PJ's journey, from re-making King Kong in his backyard to err ... re-making King Kong in his backyard.
It's hard to reduce legendary band Split Enz down to a single sound or image. Soon after forming in 1973, they began dressing like oddball circus performers, and their music straddled folk, vaudeville and art rock. Later the songs got shorter, poppier and — some say —better, and the visuals were toned down...but you could never accuse the Enz of looking biege. With Split Enz co-founder Tim Finn turning 65 in June 2017, this collection looks back at one of Aotearoa's most successful and eclectic bands. Writer Michael Higgins unravels the evolution of the Enz here.
NZ On Screen’s Dunedin Collection offers up the sights and sounds of a city edged by ocean, and famed for its music. Dunedin is a bracing mixture of old and new: of Victorian buildings and waves of fresh-faced students, many of them carrying guitars. As Dave Cull reflects in his introduction, it is a city where distance is no barrier to creativity and innovation.
Brian Brake is regarded as New Zealand's most successful international photographer. But before heading overseas to work for photo agency Magnum and snapping iconic shots of Picasso and the Monsoon series for Life magazine, he was also an accomplished composer of moving images. He shot or directed many classic films for the NFU, including NZ's first Oscar-nominated film.
This episode of C4's music series Homegrown Profiles looks at the long and distinguished musical careers of Kiwi music icons Tim and Neil Finn. The programme covers the early days of Split Enz, Neil joining the band at the age of 18, and Tim leaving in 1984; plus Neil forming Crowded House, Tim's short stint in his brother's band, the Finn's solo careers, and their two albums recording as the Finn Brothers. Jane Yee's interview with the brothers is revealing and fascinating, and includes great early Split Enz footage.
Kiwi avant-garde artist and musician Phil Dadson is the subject of 80-minute documentary Sonics from Scratch. Dadson has conjured sounds and experimental films from all manner of objects and locales. The documentary charts his love affair with sound, including performances with From Scratch, who created percussive music from PVC pipes. Among those appearing are some of the group's rotating ensemble of members, including Don McGlashan and cinematographer Leon Narbey. Sonics from Scratch screened at the 2015 New Zealand International Film Festival.