This collection shines a spotlight on all things dance-related. On pointe are ballet gems from the 1960s, 80s and the 90s, and ballroom dancing from Dancing with the Stars and Top Dance. Hip hop busts out some moves in The Palace, led by choreography sensation Parris Goebel. Also featured are contemporary dancers Douglas Wright (who turns up in multiple titles), Black Grace, Mary Jane O'Reilly, Taiaroa Royal and Michael Parmenter. And on the not so serious front, Suzanne Paul gets funky doing the 'Blue Monkey'.
This episode from series five of Kete Aronui, a documentary series featuring Aotearoa's artists that screened on Māori Television, follows the careers of iconic contemporary dancers Taane Mete and Taiaroa Royal. For both, training at Te Whaea propelled them into their art, teaching them not only technique but also a way of life. Featuring footage of Royal dancing in Douglas Wright's Forever (1993), the excerpt also includes a dance class with Michael Parmenter, another dance great, and discussion of dance companies Limbs and Black Grace.
Dancer Shona McCullagh’s award-winning debut short film offers a joyful fingers-up to gravity, dialogue, and the idea that nuns never get up to anything exciting. Two nuns flip twist and fly from bedside to beachside, turning a moving train carriage into a jungle gym (in-between desperately seeking solace from the call of nature). The footloose dance film did some travelling of its own: invited to over 30 festivals, including prestigious dance film festivals, and Edinburgh, Clermont-Ferrand, and Sundance (where it played before Kiwi feature Scarfies).
Arts magazine series For Arts Sake screened on TV ONE for two hours on Sunday mornings for 22 weeks in 1996. This segment on dancer and choreographer Michael Parmenter features an in-depth interview with Parmenter (by series presenter Alison Parr) and excerpts from his dance works. Parmenter talks about his creative influences, his tough upbringing in conservative Invercargill, the tensions caused by being gay and in the Brethren Church when he was younger, and the impact of his illnesses (HIV and cancer) on his life and dance career.
In this film, late choreographer Douglas Wright's work Gloria is captured on camera by Alun Bollinger, in a rare directorial effort from the legendary Kiwi cinematographer. Antonio Vivaldi's Gloria RV589, a hymn praising the birth of Christ, plays behind a yellow and black flurry of limbs and gestures. The journey from gymnastic leaps to rest, marks the cycle of life. The work was shot soon after Wright returned from his dance OE and formed the Douglas Wright Dance Company. The screening attracted attention from morals groups worried about nudity on television.
A man stands alone in a room, watched by unsmiling faces, before literally falling into the rest of the group. Young women dance in time, their shoes belting out a rhythm on a wooden floor. A strange ritual of falling and rising is played out on a fog-shrouded hill. In this beautifully-lensed dance film, director Warren Green and choreographer Megan Adams take a new approach to showcasing the talents of acting students from drama school Toi Whakaari. The shifting, syncopated soundtrack is by Hamish Walker and David Holmes of Kog Transmissions.
Arts magazine series For Arts Sake screened on TV ONE for two hours on Sunday mornings for 22 weeks in 1996. This segment on dancer/choreographer Mary Jane O'Reilly marks the launch of her new company Auckland Ballet. The founder of the celebrated Limbs Dance Company talks about still being involved in dance in her mid-40s, the formation of her new company, the similarities and differences between ballet and contemporary dance, and her move into making dance films. The item also features excerpts from some of O'Reilly's dance works.
Future film producer Fiona Copland (The Price of Milk) is the reporter for this September 1984 piece on the New Zealand School of Dance in Wellington. Flashdance (1983) is in the air and Lionel Ritchie hit 'Running with the Night' is the soundtrack, as the wannabes aim to impress the likes of Limbs director Mary Jane O'Reilly. The students include Taiaroa Royal and Fenella Bathfield. Bathfield would shortly find local fame as host of after school programmes 3:45 LIVE! and The Bugs Bunny Show. The report screened on long-running arts programme Kaleidoscope.
This 1985 New Zealand tourism promo showcases Aotearoa society and industry. As the title suggests, the NFU-made film offers an impressionistic take on the subject. Bookended by a dawn and dusk chorus, the narration-free survey cuts between primary products (milk, logs, wool etc) and their manufacturing processes, and then shows people at work and play — from futures traders to pounamu carvers, contemporary dancers to cricketers. Date stamps of the era include a mass aerobics class, hydroslide action, and saxophone and guitar solos on the soundtrack.
Douglas Lloyd Jenkins and Nick Ward's arts road trip reaches Wellington where Jacob Rajan and Justin Lewis of Indian Ink Theatre Company discuss their acclaimed play 'Krishnan's Dairy'. Dancer Ross McCormack reflects on his journey from building site to dance school; and percussion group Strike incorporate movement and staging into their work. Ceramic artist Raewyn Atkinson is exploring the textures of Antarctica and there's a visit to the Dowse Art Museum to meet jeweller Peter Deckers and to view an exhibition of textile designer Avis Higgs' work.