In this first episode of the six part comedy drama, a suburban Mum (Jodie Dorday from movie Via Satellite) reaches the end of her tether with her washed-up rock singer husband Brian (Shane Cortese), and he comes to the end of his life — atop a broken bong. After her three closest friends convince her she’ll face a murder rap, Jodie makes a fateful decision to dispose of the body. The show marked a move into drama for reality TV supremos Eyeworks Touchdown. "Think Sex and the City meets Desperate Housewives in an Outrageous Fortune kind of way." wrote Listener critic Diana Wichtel.
This tale of body-snatching botanical aliens invading 70s Wellington shared the 1973 Feltex Award for Best Drama. Dominated by Davina Whitehouse’s performance as a retired teacher-turned ET foster parent, it included early TV roles for Paul Holmes, Grant Tilly and Susan Wilson. Vincent Ley’s script won a Ngaio Marsh teleplay contest, and its realisation stylishly traverses local summertime environs — Silence was one of the first NZBC dramas filmed in colour. Director David Stevens went on to success in Australia (writing Breaker Morant, and The Sum of Us).
In this dark and malevolent offering from the sinister mind of director Daniel Batkin-Smith, we witness the savagery of a female fight club in full swing. Forgoing traditional pinching and biting for brutal punching and strangulation, the girls round off this savage symposium with slaughter, before the corpse is jettisoned by goons, and the lady-victor parades her trophy. Charming.
Adapted from one of Katherine Mansfield's best known short stories, this restrained culture-clash-in-colonial-Wellington tale follows Laura (Alison Routledge from The Quiet Earth), an idealistic teen preparing for her family's garden party. The raising of marques and arrangement of cream puffs and canna lilies is disrupted by news of a neighbour's accidental death. Laura protests that the party should be cancelled, but her mother disagrees. A visitation at the working man's cottage down the hill and an encounter with the victim’s corpse piques Laura's class consciousness.
This teledrama explores the tensions surrounding an elderly woman's tangi, as whānau members gather in a suburban house. Alienation of urban Māori — particularly son Paul (Jim Moriarty) — from iwi roots, and differing notions of how to honour the dead, are at the heart of the conflict between the mourners. A pioneering exploration of Māori themes, the Rowley Habib teleplay was one of three one-off dramas the playwright wrote (alongside 1978's The Death of the Land, and 1982's The Protesters) encouraged by director Tony Isaac. It screened in April 1980.