This postwar Weekly Review joins a welfare officer from the Crippled Children’s Society on her Wellington rounds: advising parents, chaperoning children to hospitals to undergo physical and speech therapy, and overseeing the supply of specialist footwear and splints. There’s also a Kiwi take on Heidi as a boy is offered a farm holiday, walking on crutches among the cows: “No care and treatment can substitute for the uplift of two weeks in the country.” Released in September 1948, the film was made by decorated war correspondent Stan Wemyss (grandfather of Russell Crowe).
This 1972 NFU documentary looks at the care of children born with physical disabilities. Aimed at families with ‘crippled’ children, the film was directed by Frank Chilton for the Crippled Children Society (now CCS Disability Action). Parents, doctors, teachers and field officers are shown engaging with children and young adults at home and in the community, from spring-loaded splints for spina bifida patients to Māori stick games as therapy for cerebral palsy. It is introduced by Mrs New Zealand 1970, Alison Henry (whose son was born with a congenital foot defect).
Using the power of documentary film Frank Chilton made a difference to the lives of disabled children in New Zealand and around the world. The films he directed for the National Film Unit won many awards and he was honoured by the Queen with an OBE for services to the handicapped.
The long career of Stan Wemyss ranged from South Pacific skirmishes to Māori legends, and gleaming refrigerators. Winner of an MBE after getting caught up in combat in Bougainville as a National Film Unit cameraman, Wemyss later spent many years with commercials company Peach Wemyss. He also produced pioneering te reo TV drama Uenuku.
Geoffrey Scott, MBE and OBE, oversaw the Government's National Film Unit for over 20 years, until his retirement in 1973. Scott began his film career playing piano over silent movies. During his command of the unit, the organisation won 141 awards.
Claude Wickstead started working at the Government Film Studios in 1938. After serving in WWll, he joined the National Film Unit’s sound department, where he contributed to the soundtracks of a great many films including the long-running series Weekly Review and Pictorial Parade. He was in charge of the NFU Sound Department from 1951 until his retirement in 1977.
An ideas man who campaigned for a Government film body, Stanhope Andrews would become the National Film Unit's first manager. Andrews commanded the Unit for a decade. Along the way he oversaw dramatic expansion, set up regular newsreel Weekly Review, and opened the door to filmmakers of both genders.
Cyril Morton's career began in the 1920s, during New Zealand's first sustained burst of filmmaking. Morton helped create Government filmmaking body the National Film Unit. The former cameraman was later second-in-command at the Unit for 13 years, until retiring in 1963. Morton passed away in 1986.