Attitude is a weekly series looking at the issues and interests of people living with a disability. This episode features the Special Olympics Unity Cup at the 2010 Fifa World Cup in South Africa. The team is made up of intellectually disabled players from around the world, and celebrities such as South African president Jacob Zuma, Special Olympics boss Tim Shriver (of the Kennedy family), and Chinese movie star Ziyi Zhang (Crouching Tiger, Hidden Dragon). Mark Liggins is the Kiwi representative on the team, and he travels to the cup with former All Whites captain Steve Sumner.
Comedian Billy T James presents an introduction to The America’s Cup as Team New Zealand challenges for The Auld Mug for the first time. Billy T visits Fremantle in Western Australia — where the Cup is being contested — and meets members of the NZ team including skipper Chris Dickson and backer Michael Fay. Rules and strategy are explained and there’s occasional product placement for sponsor Sony. Billy’s sense of humour is never too far away but this is a largely-factual exercise from a time before The America’s Cup was (briefly) “New Zealand’s Cup”.
Emmy award-winning producer/director Denis Harvey cut his teeth on TVNZ information shows Dig This, Kaleidoscope, and Science Express. Later he moved into sports. Harvey has gone on to make a significant contribution to television sports coverage both nationally and internationally, particularly in America’s Cup coverage and Olympic yachting. In recent times, he has also produced Asian and Israeli versions of The Amazing Race.
This collection rounds up almost every music video for a number one hit by a Kiwi artist; everything from ballads to hip hop to glam rock. Press on the images below to find the hits for each decade — plus try this backgrounder by Michael Higgins, whose high speed history of local hits touches on the sometimes questionable ways past charts were created.
This selection — in partnership with the NZ Film Commission — showcases award-winning examples of Kiwi short filmmaking. From the the tale of two men and a Cow, to the sleazy charms of The Lounge Bar, from Cannes to Ngawi; this collection is a celebration of "a beautiful medium for nailing an idea to the fence post with a piece of No.8 wire."
This collection celebrates rugby in New Zealand as it has been seen onscreen: from classic bios and tour docos, to social history, dramas and protest. In the accompanying backgrounders, broadcaster Keith Quinn looks at the on air history of rugby in NZ; and playwright David Geary asks if rugby is a religion, and argues it is a good test of character.
From the icons (Sky Tower, Otara Market, Rangitoto, The Bridge), celebs, clans and stereotypes (Jafas), to the streets (Queen St, K Road), and Super City suburbs (Ferndale, Mt Raskill, Morningside), this collection celebrates Auckland onscreen. Reel through the moods and the multicultural, metro, muggy charms of New Zealand’s largest city. In this backgrounder, No. 2 director Toa Fraser writes about Auckland as a place of myth, diversity and broken jaws.
This fourth episode in Prime’s series on Kiwi television history series charts 50 years of sports on TV. Interviews with veteran broadcasters are mixed with clips of classic sporting moments. Changes in technology are surveyed: from live broadcasts and colour TV, to slo-mo replays and CGI graphics. Sports coverage is framed as a national campfire where Kiwis have been able to share in test match, Olympic, Commonwealth and World Cup triumphs and disasters — from emotional national anthems and inspirational Paralympians, to underarm deliveries, snapped masts and face-plants.
Toyota launched its classic Welcome to Our World campaign in late 1989, to support the company's sponsorship of the upcoming Commonwealth Games and the Sesqui 1990 festival. This version was put together for the 1995 America’s Cup and Rugby World Cup. But there is minimum product placement in the heart-warming montage of Aotearoa landscapes and people, set to country singer John Grenell’s baritone take on the Jim Reeves song. The Geoff Dixon-directed campaign ran for a decade; the song topped the Kiwi charts when it was released in early 1990.
This National Film Unit documentary looks at thoroughbred racehorse breeding in New Zealand, an industry described as producing "the world's finest racing" — eg 1966 Melbourne Cup winner Galilee. Made when racing could arguably still be called our national sport, the film visits leading stud farms (such as Trelawney in the Waikato) to follow the life of a foal, from birth through yearling sales and training, to Wellington Cup race day — when roads are gridlocked with "a congregation whose bible is a racing almanac". The footage includes a 'good citizenship' school for jockeys.