Dunedin's David Kilgour first came to prominence in the late 1970s with his brother Hamish, as part of legendary lo-fi band The Clean (who occasionally still tour and record). After forming The Great Unwashed with his brother in 1983, he fronted his own group Stephen in 1989. Since then, Kilgour has released a host of solo recordings, three albums as David Kilgour and the Heavy Eights, and two collaborations with poet Sam Hunt. He has a devoted fan base in the United States, and in 2001 was named a member of the New Zealand Order of Merit. Kilgour paints when he isn't making music.
David Kilgour, looking particularly dapper in a blue and white polka dot shirt, plays the high living rock star in this Stuart Page directed video. The backstage party and driving sequences were filmed in Dunedin and feature David's brother (and fellow Clean member) Hamish and local identities including Martin Phillipps (from The Chills) as the chauffeur. The live performance was shot at the Powerstation in Auckland and the paparazzi sequence takes place at Auckland International Airport. Special mention should be made of the "brick" mobile phone.
After achieving commercial and critical success as part of pioneering Flying Nun band The Clean, David Kilgour began releasing solo work in the early 90s. His first single did not disappoint. The matching video relocated the avowed Dunedinite to Auckland, and sees Kilgour cruising around and on — and swimming fully clothed in — Waitematā Harbour. The video also features Kilgour's kaleidoscopic collection of Converse shoes, which seem to change without prompt. The song was the lead single off Here Come The Cars, which reached 35 on the NZ music charts.
This 1982 Radio with Pictures report surveys the Dunedin music scene, and the bands who are starting to be grouped together under the label ‘the Dunedin Sound’. Critic Roy Colbert discusses the influence of punk pioneers The Enemy and Toy Love, and the benefits of being outside fashion. A roster of future Flying Nun notables are interviewed, including David Kilgour, Shayne Carter, and Jeff Batts (The Stones). Martin Phillipps is psychedelic, and Chris Knox dissects the new bands’ guitar-playing style (without using the word "jangly"!). And then there’s Mother Goose.
This documentary tells the story of the legendary Flying Nun music label up to its 21st birthday. The label became associated with the 'Dunedin Sound': a catch-all term for a sprawl of DIY, post-punk, warped, jangly guitar-pop. The Guardian: "[it's] as if being on the other side of the world meant the music was played upside down". Features interviews with founder Roger Shepherd and many key players, the spats and the glory. The label's influence on the US indie scene is noted, and Pavement's Stephen Malkmus covers The Verlaines' 'Death and the Maiden'.
Nature documentary A Flock of Students captures footage of a species rarely caught on camera: a colony of young human 'freshers' who have migrated south to Dunedin. Over footage of nesting, university pie-eating contests and social gatherings, narrator Sydney Jackson provides insights into student display rituals, social groupings and early, "somewhat unfocused" attempts at courtship. As winter bites, temperatures fall below zero, and the male of the species builds up resistance by exposing itself to all available germs. David Kilgour (The Clean) provides the music.
This homegrown Erin Brockovich story follows former Whakatāne sawmill worker Joe Harawira and his long battle to reveal the impact that workplace toxins have had on his community. In the 80s after being afflicted by health issues, Harawira noticed co-workers getting sick. In 1988 he helped found SWAP (Sawmill Workers Against Poisons) and began investigating the effects of exposure to dioxins, a by-product of timber treatment. The Joe versus the mills crusade screened on Māori Television, and won Best Popular Documentary at the 2012 NZ Television Awards.
Sam Hunt is New Zealand’s best known and most visible contemporary poet; and, in an archive excerpt from this feature length documentary, Ginette McDonald calls him “the most impersonated man in New Zealand”. Director Tim Rose, who has known Hunt since he was a boy, decided too little was known about him beyond his flamboyant, public persona. So Rose spent four years making this documentary — mixing a wealth of archive material with interviews with Hunt, and those who know him best, and new footage of him reading his work and performing with David Kilgour.
An offshoot of legendary Flying Nun band The Clean, The Great Unwashed recorded two psychedelic-pop albums in the early 80s. The first — Clean Out of Our Minds — was recorded in Christchurch by brothers Hamish and David Kilgour in 1983, while they were giving The Clean a rest. By their second recording, the brothers had been joined by Peter Gutteridge (Snapper), who gave the band a harder sound. The Great Unwashed are seen as an important part of Flying Nun heritage, linking from The Clean to the music all three members went on to make.
Glenn Standring is a writer/director with a background in animation and computer graphics. His 1996 short Lenny Minute was accepted into competition at Cannes. To date his feature films have been southern gothic takes on the occult/horror genres. He also provided the script for historical action tale The Dead Lands, directed in 2014 by No. 2 talent Toa Fraser.