This episode of current affairs show Close Up offers a fascinating portrait of the early days of New Zealand's foreign exchange market. Reporter Ted Sheehan heads into "the pit" (trading room), and chronicles the working life of a senior forex dealer, 25-year-old accountancy graduate John Key. The "smiling assassin" (and future Prime Minister) is a calm and earnest presence amongst the young cowboys playing for fortunes and Porsches, months before the 1987 sharemarket crash. As Sheehan says, "they're like addicts who eat, breathe and sleep foreign exchange dealing".
For this screen showcase of NZ visual arts talent, critic Mark Amery selects his top documentaries profiling artists. From the icons (Hotere, McCahon, Lye) to the unheralded (Edith Collier) to Takis the Greek, each portrait shines light on the person behind the canvas. "Naturally inquisitive, with an open wonder about the world, they make for inspiring onscreen company."
This headline-grabbing 1979 documentary examines inequality via interviews with an unemployed student, a young widow and a Porirua family of eight; plus visits to a Fijian village and a Hong Kong housing estate. The film's arguments that business and government monopolies had caused poverty in “egalitarian New Zealand”, and that NZ trade practices had added to it elsewhere, displeased Prime Minister Robert Muldoon. State television refused to screen the Greg Stitt-directed documentary; CORSO, the charity who commissioned it, was removed from the government’s funding list.
This science fiction comedy ended up becoming a three year labour of love for director Christian Nicolson and his crew. Inspired by memories of old school sci fi like Blake’s 7 and The Six Million Dollar Man — in those long ago days before computers transformed special effects — the film follows three geeks plunged into an alien world which inexplicably resembles a B-grade movie. The project was born as one of 750 entries in low budget contest Make My Movie; it was runner-up. In 2016 the finished film won Best Comedy prizes at genre festivals in London and Boston.
This docudrama follows an imaginary news reporter who travels back in time to cover the days leading up to the Treaty of Waitangi’s 6 February 1840 signing. The production drops the usual solemnity surrounding Aotearoa’s founding document, using humour and asides to camera to evoke the chaos and motives behind its signing. Written by Gavin Strawhan, with input from novelist Witi Ihimaera, What Really Happened screened on TVNZ for Waitangi Day 2011. Peter Burger won Best Director - Drama/Comedy at the 2011 Aotearoa TV Awards; Waitangi was nominated for Best Drama.
Our representatives in parliament have had some of their most memorable moments captured on camera. This collection showcases the governors’ screen legacy: from stirring addresses (Kirk), feisty debates (Muldoon, Lange), revolutions, nukes, and schnapps elections, to political punches (Jones), young leaders (Clark), and formative waterbed moments (Key).
Actor Bruno Lawrence rounds out a handful (Buck, Billy T, The Topps, Crumpy) of Kiwi icons who have achieved sufficient mana to be recognised by an abbreviated name. His charisma was key to ground-breaking films, Smash Palace, The Quiet Earth and Utu. Jack Nicholson reputedly had Bruno envy. This collection celebrates his inimitable performances and life.
From moa hunters to Olympic medalists Kiwis have a passionate running man tradition. This Spotlight collection laces up and joins the 70,000 runners chasing the piper around the waterfront in Sam Pillsbury’s classic 1980 doco The Greatest Run on Earth (slo-mo adidas, beards, sweat, sinew and samb...
The ‘novelty song’ occupies a peculiar niche in pop culture, with a definition as loose as baggy trousers. Taking in everything from comedy to dance crazes, global examples range from 'Disco Duck' to 'Crazy Frog', Weird Al Yankovic to 'Gangnam Style'. The novelty song is both disposable and (anno...
New Zealand music has an important place on Shortland Street, including guest performances by some of Aotearoa’s finest musicians (see this AudioCulture piece). But things really come into their own when the cast get behind the mic. This Spotlight includes a rap that Michael Galvin would rather f...