Collection

The Temuera Morrison Collection

Curated by NZ On Screen team

He learnt kapa haka as a child. He learnt to smoulder on Shortland Street. He punched a country in the guts with Once Were Warriors. Temuera Morrison has starred in Māori westerns, adventure romps, and cannibal comedies. In the backgrounder to this special collection, NZ On Screen editor Ian Pryor traces Temuera Morrison's journey from haka to Hollywood.

Bloopers - Shortland Street

Television, 2018 (Excerpts)

When a show has been in production for over 25 years, the odd mistake is to be expected — as this assemblage of Shortland Street bloopers demonstrates. - Angela Dotchin invents a new word - Angela Bloomfield gets confused over who she's talking to - Peter Elliott almost gets hit by part of the set - Peter Elliott manages to stay in character after Tandi Wright hits a pot plant - John Leigh performs miracles on a sick dog - Peter Elliott has some bother with Elizabeth McRae's cheque - Michael Galvin hurts his leg - Roy Snow gets his cords confused - Theresa Healey has a bumpy kiss - Paul Ellis's face is grabbed by a baby  - Ido Drent announces he's pregnant - Craig Parker hits a pot plant - Mr Whippy distracts Nisha Madhan  - Angela Bloomfield fluffs her line - Angela Bloomfield battles dialogue and weapons - Lee Donoghue forgets a line - and more!

Mediarena

Television, 2004 (Full Length)

Mediarena was an exhibition of contemporary art from Japan on show in New Plymouth in 2004. Held at the Govett-Brewster Art Gallery, it showcased 17 artists and a video installation. Hosts Serena Bentley and Yuri Kinugawa travel to Taranaki for the Artsville series and find out how artists are transforming and subverting traditional images and ideas and bringing them into a contemporary form. Themes include female subservience in Japanese society, celebrity culture, the commuter experience, genetic modification and ecological sustainability.

Tama Tū

Short Film, 2004 (Full Length)

Six Māori Battalion soldiers camped in Italian ruins wait for night to fall. In the silence, the bros-in-arms distract themselves with jokes. A tohu (sign) brings them back to reality, and they gather to say a karakia before returning to the fray. Director Taika Waititi describes the soldiers as young men with "a special bond, strengthened by their character, their culture and each other." Shot in the rubble of the old Wellington Hospital, Tama Tū won international acclaim. Invited to over 40 international festivals, its many awards included honourable mentions at Sundance and Berlin.

Mrs Mokemoke

Short Film, 2015 (Full Length)

This black and white short film explores a relationship triangle — between a Māori woman, her boorish Pākehā husband, and the woman’s protective father, arguing over rights to a farm. It was made as an Auckland University masters project by Li Geng Xin; he wanted to tell a story using visual language, and choses the expressive mode of the silent film to do so. Māori instruments (taonga puoro) and piano are used on the soundtrack. Mrs Mokemoke was selected for the 2015 NZ International Film Festival, in the Ngā Whanaunga Māori Pasifika Shorts programme. 

Interview

John Terris: On the early days of New Zealand television...

Interview, Camera and Editing – Andrew Whiteside

John Terris is a former broadcaster turned politician, who started out as a continuity announcer in the early 1960s. Shifting behind the camera, Terris worked on many early current affairs and information shows such as Compass, Country Calendar and Town and Around. In 1978 Terris became Labour MP for Western Hutt, and for a time was the party's broadcasting spokesman. These days he heads television advocacy group Media Matters.

Film Exercise

Short Film, 1966 (Full Length)

Man. Woman. Motorcycle. Beach. Road. This short film makes clear that Rodney Charters had a certain way with images, long before he got busy shooting television (24, Roswell) in the USA. Charters directed Film Exercise while he was an arts student in Auckland in the 1960s. It helped him win a place at London's Royal College of Art. Favouring music and unusual angles over dialogue, the film celebrates the joys of being young and on the move, while capturing scenes of Auckland nightlife including a Mt Eden party. The La De Da's supply the custom-built soundtrack.

The Dig

Short Film, 1994 (Full Length)

Noel (Patrick Smyth) and Faith (Kate Harcourt) are happily retired; they while away their time digging into the earth beneath their house and sifting for treasure from the knick-knacks and 'thingamajigs' of history. Then a tremor shakes up “Dad’s excavations”. Adopting a low-dialogue storytelling approach, this reflective tale of finding life and meaning in the small things marked a rare screenwriting credit for Vintner's Luck author Elizabeth Knox (collaborating with director Neil Pardington). It screened as part of Kiwi shorts showcase at the 1994 Cannes Film Festival.

Nature's Way

Short Film, 2006 (Full Length)

A girl is murdered and her body dumped in the forest. Nature's Way is a short film that explores the mind of a murderer who thinks he's gotten away with it. In Jane Shearer's haunting Cannes-nominated film, the dense native bush acts as witness to what the killer has done. In the absence of dialogue, Matthew (Out of the Blue) Sunderland's paranoid protagonist, sublime cinematography by award-winner Andrew Commis (The Rehearsal, Beautiful Kate) and an eerie, spare soundtrack by Rachel Shearer evoke the themes of utu at the suburban fringe.

Giselle

Film, 2013 (Trailer)

This documentary sees Dean Spanley director Toa Fraser and producer Matthew Metcalfe swap dialogue for dance. Based on The Royal NZ Ballet's acclaimed 2012 production of Giselle, the movie features American Ballet Theatre star Gillian Murphy as the dance-mad villager, wooed by a prince in disguise. Inspired by concert film The Last Waltz, a Leon Narbey-led camera team filmed the performance, with scenes of the lead dancers in Shanghai and New York counterpointing the onstage action. Following its Kiwi festival debut, Giselle screened at the 2013 Toronto Film Festival.