In this one-off documentary Te Radar takes his roving reporter skills to Takaka, and immerses himself in the groovy world of The Gathering. The New Year's dance music festival ran from 1996 to 2002. Radar proves the master of the quote, whether chatting to 'Lords of the Ping', electronic act Pitch Black or avoiding immolation from fire poi enthusiasts ("who doesn't love a fire poi", he says grimly). Watch out for Black Seed Bret McKenzie, laidback DJ star John Digweed and the earnest 'Jesus Food' crew, whose free dosh proves a bit too popular for rival food stalls.
This collection celebrates all things equine on New Zealand screens. Since the early days of the colony, horses have been everything from nation builders (Cobb & Co) to national heroes (Phar Lap, Charisma) to companions (Black Beauty) to heartland icons. Whether work horse, war horse, wild horse, or show pony, horses have become a key part of this (Kiwi) way of life.
The set has a back-drop curtain made out of milk bottle top foil; the band are wearing plastic rubbish sacks fashioned into tunics, and have painted faces. The props include a disco mirror ball, a toilet seat sculpture, a giant bug, and umbrellas. It's all slightly off-beam, but the band's performance is deadpan sweet. There’s the requisite Flying Nun film scratching, and some literal-but-amusing image and lyric matching. It all combines to make a DIY delight, an effortless two decades before Flight of the Conchords or Mighty Boosh.
Sailor's Voyage charts the journey of Hello Sailor, the band that ripped up a storm live, made landings in the USA, ran aground and fell apart, then drifted back together again. Interviews with Graham Brazier, Dave McArtney, Harry Lyon and co reveal how the group opened doors for local music, and helped establish a New Zealand touring circuit. Manager David Gapes recalls attempts to get a US record deal, before the cash ran out; the legend of Brazier being asked to join The Doors is explained. The archive footage includes a performance with Doors member Ray Manzarek.
Simon Coldrick first encountered an editing suite while living in his native England. He moved downunder in 2005 and set up Auckland post-production company The Bigger Picture. Coldrick went on to edit Emmy-nominee The Golden Hour, acclaimed big-screen documentary Tickled, and award-winning docudrama Erebus: Operation Overdue. In 2019 he co-directed rugby documentary By the Balls.
Charlotte Purdy’s CV ranges from reality TV to Antarctic disaster. After a television OE in the United Kingdom, she helmed documentaries and factual TV back home. Under her Rogue Productions banner she created reality format The Big Experiment, and made Reel Late with Kate. After a decade producing current affairs, she co-directed docudrama Erebus: Operation Overdue and rugby doco By the Balls.
Actor, singer, and comedian Annie Whittle first won television fame on 70s comedy classic A Week of It. Since then she has presented a run of shows, had her own musical special, and acted alongside the likes of Billy T James, Miranda Harcourt, George Henare, and Anthony Hopkins.
Tony Williams' contribution to the development of NZ film and television has been huge: his camerawork for John O'Shea's 60s feature-films, the nine ground-breaking documentaries he directed for Pacific Films, and his feature Solo, which helped launch the 70s new wave. After moving to Australia in 1980, Williams continued to wield a lively influence on our culture by directing many legendary commercials.
Presenter Lana Coc-Kroft has fronted a run of adventure shows, survived a near fatal infection on a Pacific Island, and been a longtime staple on hit show SportsCafe. The ex Miss Universe New Zealand began her screen career modelling on Sale of the Century and co-hosting Wheel of Fortune, before presenting On the Edge. She has also been a 91ZM radio host and World Vision spokeperson.
Pat Cox has been bringing television commercials to the screen since the 1970s. As a producer, he was instrumental in turning longrunning comic strip Footrot Flats into an animated feature. Footrot Flats: A Dog's Tale went on to become the most successful New Zealand feature of the 1980s.