For this screen showcase of NZ visual arts talent, critic Mark Amery selects his top documentaries profiling artists. From the icons (Hotere, McCahon, Lye) to the unheralded (Edith Collier) to Takis the Greek, each portrait shines light on the person behind the canvas. "Naturally inquisitive, with an open wonder about the world, they make for inspiring onscreen company."
This collection is a celebration of the eccentric, exuberant career of NZ screen industry frontrunner Tony Williams. As well as being at the helm of many iconic ads (Crunchie, Bugger, Spot, Dear John) Williams made inventive, award-winning indie TV documentaries, and shot or directed pioneering feature films, including Solo and cult horror Next of Kin.
Florian Habicht first won attention for 2003's Woodenhead, a fairytale about a rubbish dump worker and a princess. By then Habicht had already made his first feature-length documentary. Many more docos have followed: films that celebrate his love for people, and sometimes drift into fantasy. In this collection, watch as the idiosyncratic director meets fishermen, Kaikohe demolition derby drivers (both watchable in full), legends of Kiwi theatre and British pop, and beautiful women carrying slices of cake through New York. Ian Pryor writes here about the joys of Florian Habicht.
This NZ Music Month collection showcases NZ music television, spun from a playlist of classic documentaries and beloved music shows. From Split Enz to the NZSO, Heavenly Pop Hits to Hip Hop New Zealand, whether you count the beat or roll like this, there’s something here for all ears (and eyes). Plus music writer Chris Bourke gets Ready to Roll with this pop history primer.
Annie Goldson, NZOM, is probably New Zealand's most award-laden documentary filmmaker. She is known for her thought-provoking feature-length documentaries Punitive Damage, Georgie Girl, An Island Calling, and Brother Number One. Goldson’s recent documentary He Toki Huna: New Zealand in Afghanistan (made with Kay Ellmers) looks at New Zealand’s longest millitary engagement.
Veteran documentary producer/director George Andrews has been a strong and consistent supporter of public service broadcasting, and was the main creative force behind the iconic early 1980s documentary series Landmarks. Andrews began his career as a broadcast journalist, later moving to producing and directing.
Pietra Brettkelly is an award-winning New Zealand filmmaker who travels the world to make her documentaries. The Art Star and the Sudanese Twins, her Sundance-selected film about international adoption, won best director and documentary at the 2009 Qantas Film and TV Awards. Māori Boy Genius was invited to the Berlin, Sydney and NZ Film Festivals.
Producer and director Colin McRae has a television career spanning 40 years. In that time he has worked in news and current affairs for both TVNZ and TV3, and was the private channel’s Head of Sport to boot. His ground-breaking historical series The New Zealand Wars won Best Documentary Series at the 2006 Qantas Media Awards. In recent years, McRae has produced Native Affairs and Anzac Day coverage for Māori Television.
Kim Webby cut her story-telling teeth as a TVNZ reporter on One News. She moved on to consumer affairs show Fair Go and then 60 Minutes. After that, Webby began directing documentaries for both TVNZ and Māori Television. Her latest work is the feature length documentary The Price of Peace, which concludes the story about the 2007 police raids on Rautoki.
Mark McNeill runs production company Razor Films, and has worked often with popular TV psychologist Nigel Latta. McNeill has a background as a freelance documentary maker, with credits including Back from the Dead – The Saga of the Rose Noelle, My Father’s War in Italy, and series Epitaph. He also worked on early reality show Kiwi Flatmates.com. McNeill and Latta's collaborations include the Politically Incorrect series of shows and The Hard Stuff with Nigel Latta.