Veteran documentary producer/director George Andrews has been a strong and consistent supporter of public service broadcasting, and was the main creative force behind the iconic early 1980s documentary series Landmarks. Andrews began his career as a broadcast journalist, later moving to producing and directing.
New Zealand's representatives in parliament have had some of their most memorable moments captured on camera. This collection showcases their screen legacy: from stirring addresses (Kirk), feisty debates (Muldoon, Lange, Olympic boycotts), revolutions, nukes, and snap elections, to political punches (Bob Jones), and young leaders (Clark). Listener writer Toby Manhire writes about Kiwi politicians on screen here.
This six-part web series about a small town rising up against big business reaches its heartwarming conclusion in this episode. Sid (Byron Coll), is shooting the last few scenes of his doco on the proud Tararua town (including one with a frisky dog which is meant to be dying). Bella (Vanessa Stacey) makes her entrance as the Brockovich-ian lawyer who saves the day. As the town gathers for an open-air screening of the finished film, Sid gets another chance at love. Woodville, written by Christopher Brandon, was selected for London’s Raindance Festival in 2013.
This NZ Music Month collection showcases NZ music television, spun from a playlist of classic documentaries and beloved music shows. From Split Enz to the NZSO, Heavenly Pop Hits to Hip Hop New Zealand, whether you count the beat or roll like this, there’s something here for all ears (and eyes). Plus music writer Chris Bourke gets Ready to Roll with this pop history primer.
In the third episode of The Big Art Trip the little green car heads first to Piha, where hosts Nick Ward and Douglas Lloyd-Jenkins interview hip-hop artist King Kapisi. After that they visit jewellery and multimedia artist Lisa Reihana at her K Road apartment, discuss contemporary furniture with designer Kim Martinengo and drop in on hot glass artist Stephen Bradbourne. They also check out art in a corporate setting before meeting sculptor Emily Siddell, and finish up by visiting painter Andy Leleisi’uao at his home studio in Mangere.
Award-winning documentary maker John Bates is a Scotsman who has lived in New Zealand for over 40 years. His documentaries have covered a range of genres, from the arts — Sense of Place: Robin Morrison Photographer, Reflections - Gretchen Albrecht — to social issues — New Faces Old Fears, Crime and Punishment — to history: 1951, Banned - 100 Years of Censorship in New Zealand. In 2010, Bates directed and produced acclaimed series 50 Years of New Zealand Television.
Mark McNeill runs production company Razor Films, and has worked often with popular TV psychologist Nigel Latta. McNeill has a background as a freelance documentary maker, with credits including Back from the Dead – The Saga of the Rose Noelle, My Father’s War in Italy, and series Epitaph. He also worked on early reality show Kiwi Flatmates.com. McNeill and Latta's collaborations include the Politically Incorrect series of shows and The Hard Stuff with Nigel Latta.
The late Frank Torley was a Kiwi television legend, forever known as that Country Calendar guy - he variously narrated, directed, produced, and reported for the show over more than 40 years. But Torley hadn’t always been Mr Rural. He also spent time as a newsreader, Top Town presenter, documentary maker (including an early doco on AIDs), and producing religious programmes.
A rod and rally race is the angle for this 1969 light comedy. Legendary angler ‘Maggots’ McClure lures “glamour boy” lawyer and fishing novice Applejoy (Peter Vere-Jones) into a contest to catch three trophy fish in Russell, Taupō, and Waitaki. The old dunga versus Alvis ‘Speed 20’, north versus south duel transfixes the nation; snags, shags and scenic diversion ensue. Directed by noted UK documentary maker Derek Williams, the caper was made with NFU help and funded by energy company BP. It showed with Gregory Peck western The Stalking Mood in New Zealand theatres.
"You waste my time because you have not prepared for this interview. This interview frankly is a disgrace." This is an excerpt from Kim Hill's infamous 2003 interview with John Pilger, award-winning journalist, author and documentary-maker. Via satellite link from Sydney, Pilger discusses Middle East politics. He says what he would do about Saddam Hussein, and what he thinks about sanctions against Iraq. An angry Pilger says Hill is not asking informed questions. Hill pushes Pilger's book across the desk. Pilger implores Hill to: "Just read. Read. It takes time."