With character names befitting an episode of Country Calendar, there’s something distinctly Kiwi about this animated children's show. This episode sees Murray the farmer take his friendly tractor Massey Ferguson out to the swamp for duck-hunting season. But things go awry when Massey backfires, scaring the ducks away. Back at the farm, Massey and his farm vehicle friends have to solve the problem. The culprit 's apology leads to another opportunity for Kiwi flavour. The apology: “Sorry mate”.
This collection celebrates the legendary moments that New Zealanders — huddled around the telly — gawked at, chortled with, and choked on our Choysa over as they played out on our screens. "There's a generation who remember where they were when JFK was shot", but as Paul Casserly asks in his collection primer, "where were you when Thingee's eye popped out?"
Peter Jackson has gone from shy fanboy to master of his craft; from Pukerua Bay to Wellywood. With six journeys into Middle-earth now behind him, he has few peers in the realm of large scale filmmaking. Led by early 'behind the scenes' docos this collection pays tribute to PJ's journey, from re-making King Kong in his backyard to err ... re-making King Kong in his backyard.
NZ On Screen's Car Collection is loaded with vehicles of every make and vintage, as a line-up of legendary Kiwis get behind the wheel — some acting the part. The talent includes Bruce McLaren, Scott Dixon, Bruno Lawrence, a clever canine, and a great many bent fenders. Onetime car show host Danny Mulheron tells tales, and picks out some personal favourites here.
This New Zealand Now edition looks at working dogs. A brief look at show dogs makes way for a Timaru sheep farmer conducting six border collies to round up a mob of ewes. Elsewhere pig dogs bail up a wild boar; rabbit hunters use spaniels to flush their prey; retrievers aid pheasant and duck shooters; and off goes the hare for the greyhound to chase. The attitude to imported species (seen as game rather than as environmental pests) dates the film to an acclimatisation society era, and the close relationship between man and dog provides enduring fascination.
Nearly mammal free, pre-human New Zealand was a land of birds, many of them found nowhere else. In Birdland, Jeremy Wells (Eating Media Lunch) explores all things avian in Aotearoa. In this opening episode he visits Hauraki Gulf island sanctuary Tiritiri Matangi and Christchurch’s Peacock Springs. Putting the wry into wrybill, Wells muses on manu matters from twitching to tākahe poop. Dominion Post’s Linda Burgess praised Mike Single's "marvellous camera work", and Wells’ celebration of ordinary people "who work to protect and enhance what we still have".
Chef Cameron Petley was a fan favourite on the 2011 season of MasterChef New Zealand. In 2015 the Putaruru outdoorsman got his own Māori TV cooking show. The 20-part series saw down-home Cam (Tūhoe, Ngāti Ranginui) touring local markets and dining with whānau, providing tips for tasty kai. In this first episode he visits Avondale Markets with Dead Lands actor Lawrence Makoare, and heads home to shuck mussels, talk fusion food (mussel donuts!), and cook Makoare’s KFC (“kai for cuzzies”) fritters; in return he throws together a duck and watercress salad.
This NFU documentary goes behind the scenes as Selwyn Toogood and his team prepare an episode of 50s radio quiz show It's In the Bag, long before it hit the telly. Questions are prepared and booby prizes — epsom salts, toy ducks — selected, before Toogood hits the stage at the Lower Hutt Town Hall to utter the ultimate poser. The big prizes du jour included washing machines and flash (New Zealand-made!) fridge-freezers. The show was so popular with '50s radio audiences it was said cinemas closed their doors on Tuesday nights when it went to air.
This documentary examines the alpine flora and birdlife in the Upper Waitaki area of the South Island. Its distinctive bird-life includes karearea (falcons), mirimiro (tomtit), kererū and kea. The native vegetation is profiled in depth. The area's introduced animals include deer, chamois, and thar, which have become pests. Beautifully shot, directed, and packed full of information, this is the kind of film the NFU was famous for. It was commissioned by the Soil Conservation Council, NZ Forest Service and the Department of Internal Affairs.
Winter is going. This impressionistic take on spring in Aotearoa focuses on details of regeneration, from the mountains to the sea. Director Ron Bowie and cameraman Grant Foster capture signs of the season: ice melt like tadpoles under snow grass, gannets nesting on their Cape Kidnappers tenement, fern koru unfurling, kōtuku and royal spoonbills perched in Ōkārito trees like Dr Suess characters, willow buds and kōwhai flowers. And of course, lambs and daffodils. The camera aptly obeys the title to end. Patrick Flynn (Don’t Let it Get You) composed the score.