Hell for Leather

Television, 1999 (Full Length)

After years of success manufacturing shoes, employing struggling members of the South Auckland community, and feeding hungry kids with the proceeds, entrepreneur Karroll Brent-Edmondson hit hard times in 1998. This 70-minute documentary follows Brent-Edmondson as she attempts to get her business back on track, and avoid liquidation, under the guidance of a committee led by Dick Hubbard. Brent-Edmondson was named 1995 Māori Businesswoman of the Year, and went on to feature in Top Shelf documentary A Hell of a Ride. She passed away in June 2006.

Moynihan - You Can't Win 'Em All (Episode Two)

Television, 1976 (Full Length Episode)

Ian Mune is Leo Moynihan, secretary of the carpenters’ union, who — with orange mini and leather jacket — has to navigate the shark-infested waters of 70s industrial relations. In this episode, earthquake regulations, a shifty minister and stand-over tactics from worksite agitators, count amongst Moynihan’s workplace problems. At home he has to introduce lecturer girlfriend Sarah to his young son. The NZ-Australia co-production (with ABC) was the first drama series made by TV One’s drama department. It won Feltex awards for best drama and Mune’s performance.

Men and Super Men

Short Film, 1975 (Full Length)

NFU drama Men and Super Men is a barbed chronicle of a workplace where harmony is a distant dream. Intended as a how-not-to guide for ‘management bodies’, the film sees patronising factory supervisor Ferguson (actor Eddie Wright in fine form) trying to increase productivity by constantly changing systems. Meanwhile a trio on the factory floor (Paul Holmes, Peter McCauley and Close to Home’s Stephen Tozer) react with bullying and barely suppressed defiance. It was an open secret when the film was made that some of the characters were inspired by NFU staff.

Series

Moynihan

Television, 1976–1977

In Moynihan, secretary of the carpenters’ union Leo Moynihan (Ian Mune) — with orange mini and leather jacket — has to navigate the shark-infested waters of 70s industrial relations. The first NZ-Australia co-production (with ABC) was devised by union organiser Earle Spencer and Jane Galletly (a rare credit in the then-male dominated industry). It was the first series made by TV One’s drama department; it won viewers as well as Feltex awards for best drama and Mune’s performance. The changing face of Wellington, including an under-construction Beehive, features.

The Māori Sidesteps - Series One

Web, 2016 (Full Length Episodes)

Tired of working his go nowhere job at Pete’s Emporium in Porirua, Jamie (Jamie McCaskill) persuades some of his workmates (Cohen Holloway, Rob Mokaraka and Jerome Leota) to form band The Māori Sidesteps. Throughout this web series they find themselves at inopportune gigs, deal with interference from their over-reaching manager Dollar$ (Raybon Kan), and face an early band break up. Luckily the band is reinforced by Jamie’s brother Kelly (Erroll Anderson), who joins as a fifth member — outshining several other auditionees (including Jemaine Clement). 

Assignment - Back to the Future

Television, 2000 (Excerpts)

In 2000 the Employment Relations Act was passed into law in New Zealand, replacing the Employment Contracts Act. The bill proved controversial: some suggested it placed unfair obligations on employers, while others claimed it restored much-needed rights to workers that had been undermined. This Assignment episode explores both angles. Among them, business owner John Holm argues that he shouldn’t be told how to treat his employees, while union leaders and Alliance Party MP Laila Harré all argue that without the bill, workers will continue to be exploited.

The Dump

Short Film, 2012 (Full Length)

Eleven-year-old Utah gets dumped with his estranged dad for the day in this 2011 short film. Dad is the sole employee at a Northland rubbish dump. Utah is embarrassed by his Dad’s job and recycled gifts, but thanks to a trash tour and reversing lessons, gets to know him better. One of the first products of the NZ Film Commission’s Fresh Shorts scheme, the film won director Hamish Bennett a NZ Writers Guild award for Best Short Film Script. The Dump was the first short from teacher Bennett and actor/producer Orlando Stewart; they followed with 2014 award-winner Ross and Beth.

Merry Christmas Mr Lawrence

Film, 1983 (Excerpts)

This 1983 feature explores desire, death, and guilt in a World War II Japanese prisoner of war camp. From Japanese art cinema star Nagisa Oshima (director of the notorious In the Realm of the Senses), its leads were musicians David Bowie (as a defiant captive) and Ryuichi Sakamoto (a conflicted camp commander). The film was mainly shot in Auckland, and partly funded by Broadbank during the tax shelter 80s. Kiwi connections include ex-Broadbank employee Larry Parr as associate producer, first assistant director Lee Tamahori, and actor Alistair Browning as a PoW.

My God - Ray Avery

Television, 2011 (Full Length Episode)

Ethical entrepreneur, medical pioneer and inaugural New Zealander of the Year, Sir Ray Avery traverses his life, work and beliefs in this episode from a TV One documentary series about spirituality. English-born Avery is a passionate and entertaining raconteur as he recounts his “overnight success story” which took 18 years and saw him overcome a childhood of neglect and abuse. His highly successful company has no permanent employees but has touched hundreds of thousands of lives with low cost, life saving medical devices manufactured in developing nations.

Happy Playland - Sex (Episode Three)

Web, 2017 (Full Length Episode)

For their fourth web series, the Candle Wasters collective shifted from using the plays of Shakespeare as inspiration, to an original story. Happy Playland is a "queer rom-com musical" set in a children's indoor adventure playground, where employees cope with crushes, anxiety and life as digital natives. Neenah Dekkers-Reihana and Dani Yourukova (who both acted in Candle Wasters web series Bright Summer Night) play young lovers Billie and Zara. In this third episode, romance and/or lust is ignited once the lights get switched off above the bouncy ball pit.