In 1865, Wellington became the Kiwi capital. In the more than 150 years since, cameras have caught the rise and fall of storms, buildings, and MPs, and Courtenay Place has played host to vampires and pool-playing priests. Wind through our Wellington Collection to catch the action, and check out backgrounders by musician Samuel Scott and broadcaster Roger Gascoigne.
This musical retooling of the ill-fated love story began life as a concept album by ex Screaming Meemee members Peter van der Fluit and Michael McNeill. In 2010 they sent 38 songs to director Tim van Dammen, who decided to retell Shakespeare's classic romance as "a sort of trash opera — like an updated John Waters type thing". A caravan park is the canvas for a cast of beautiful young things, pop, rap, knives and beer crates. NZ Herald's Dominic Corry praised the film for its "emotionally-assured grasp of what makes this famous story so enduring".
This special edition of the National Film Unit’s monthly magazine series looks at some of the “people, places and events filmed by our cameramen during the years 1941 - 1962”. The NFU’s 21st birthday review — compiled by David H Fowler — ranges from wartime newsreels to the post-war boom (factories, dams, industrial agriculture), from salvos to Peter Snell. Other images include Kiwi soldiers playing rugby in Korea, and cigarettes hanging from the lips of firemen fighting Christchurch's Ballantyne Department Store fire in 1947.
The Dominant Species is a loopy look at the relationship between people and cars in 1975 Aotearoa ... from an alien's eye view. Nifty animation and special effects intersperse the automotive anthropological survey of Mark IIs, VWs, anti-car activism and car-washing. There's a dream sequence involving a ladykilling Jesus Christ atop a car, and Wagner's Ride of the Valkyries scores a rugby match traffic jam (also used in a famous scene in Apocalypse Now). Filmheads will note the tripped out assembly is flush with formative industry talents (see this guide by director Derek Morton).
NFU drama Men and Super Men is a barbed chronicle of a workplace where harmony is a distant dream. Intended as a how-not-to guide for ‘management bodies’, the film sees patronising factory supervisor Ferguson (actor Eddie Wright in fine form) trying to increase productivity by constantly changing systems. Meanwhile a trio on the factory floor (Paul Holmes, Peter McCauley and Close to Home’s Stephen Tozer) react with bullying and barely suppressed defiance. It was an open secret when the film was made that some of the characters were inspired by NFU staff.
This National Film Unit magazine film begins with a choir performing the classic 'Pokarekare Ana' in the acoustically-blessed depths of the Waitomo Caves. The second item involves a visit to a toy factory, deep in preparation for Christmas. Disembodied doll heads fill a bin, while elsewhere factory staff add eyes, and blacken the teeth of rocking horses. There are also teddy bears, electric trains and rows of toy trucks. The narrator explains the joy the toys will bring come Christmas: “a production line to delight children everywhere — fantasy from an industrial Santa Claus”.
A forgotten slice of New Zealand TV history, A Going Concern was the country's second, short-lived soap opera. Launched in July 1975 — two months after rival soap Close to Home — it revolved around the staff of a South Auckland plastics factory. The characters were a mixture of Pākehā and Māori, plus a Brit (entertainer Ray Woolf, in his first acting role). Apart from this 23 second clip pulled from a 1975 variety show, the series is believed destroyed. A Going Concern won solid reviews, but the new channel's limited coverage affected audience numbers; it ended after a year.
This 1978 National Film Unit documentary chronicles the daily lives of New Zealanders in various places: factory, beach, hospital, oil rig, country town, sheep farm, market garden, Auckland produce market, art gallery and primary school. Narration-free, the film features montages of stills by photographer Ans Westra. The impression is of New Zealand as a busy nation of makers and growers, alongside singing ‘Oma Rapiti’ at the bach and visiting the art gallery. Terry towelling, walk shorts, and denim shirts are date stamps. The script is by onetime Variety film reviewer Mike Nicolaidi.
This 70s current affairs show does a cost benefit analysis of Trade Minister Warren Freer’s Maximum Retail Price scheme (MRP), which capped retail prices. Drawn from an era of economic theory poles that was apart from the market deregulation of the 80s, the investigation sets out to poll opinion in supermarket aisles, a grocery in Glenorchy, and factory floors (Faggs coffee, Cadbury chocolate). The checkouts are a battlefield between red tape and free range retail. The early animated sequence by Bob Stenhouse marked an early use of animation in a local TV documentary.
Are workplaces a chance for mutual gain, or is it only the higher ups that benefit? Dean Parker's award-winning script for this Sunday TV drama certainly doesn't duck the awkward questions. Joel Tobeck and Luisa Burgess play Bosco and Selena, who get factory jobs as assembly workers, get it on, then take opposing sides on motivational talks by management. Conscious the story would be punctuated with advertisements, Parker decided to counterattack by slipping in occasional clips from an interview with legendary unionist Jock Barnes. Later Parker turned the film into a play.