Richard Nunns is a renowned expert in taonga pūoro — traditional Māori instruments like wood and bone flutes. This 2007 episode of the Māori Television arts show sits down with him as he narrates his collaboration with Brian Flintoff and the late Hirini Melbourne — “a magic coalition of separate skills” — and the journey they’ve undertaken to resurrect lost sounds. Inspired by museum objects, literature and song, the trio led the revival of the form in contemporary Aotearoa. Nunns says the pūoro would’ve functioned as “a cellphone to the divine” for tohunga (experts).
Rotorua may be famous for its picture perfect scenery, but dig a little deeper under the boiling mud and you'll find a history bubbling with warfare, adventure and romance. This TV One documentary, presented by Te Arawa's own Sir Howard Morrison, traces the iwi's origins —from a fight over a beloved dog in Hawaiki, to the shores of Maketū in the Bay of Plenty. Morrison travels around the Rotorua region visiting important historical sites like Mokoia Island and his home marae at Ōhinemutu, on the shores of Lake Rotorua. Paul Gittins (Epitaph) directed the one-off special.
Showcase was a popular mid 90s TVNZ talent quest, in which broadcaster Ian Fraser hosted a search "to find the very best" emerging musical talent. Filmed at Avalon Studios, this viewers' final from 1996 sees nine finalists compete for the public phone vote (there was a separate studio judges’ final). Songs range from Stevie Wonder and Sister Sledge covers to classical standards. Shona Laing, who got her break on a TV talent show, guest performs. Competitor Shaun Dixon went on to train under Pavarotti, and married another finalist from this episode, fellow opera singer Tania Brand.
This high-rating 1999 documentary follows Gary McCormick to Ireland to investigate "those strands which tie" Kiwis to the Emerald Isle, from Dublin to the north, where his forebears originated in the 1870s. He meets locals, (musicians, tinkers, playwrights, scuba divers) and Kiwi expats, and talks The Troubles, Celtic Tigers, and why Irish emigrated to Aotearoa. Irish Connection was another collaboration between McCormick and director Bruce Morrison (Heartland, Raglan by the Sea). Companion title The London Connection saw McCormick examining Kiwi links to London.
On ‘Lady Lywa’, Nathan Haines swaps his trademark saxophone for a flute, serving up a slice of sleekly sophisticated cool. The video captures a live performance at London’s Lovebuzz Studios, with a sharply suited Haines leading a five piece ensemble of seasoned players — including his long term collaborator, keyboardist/producer Mike Patto. The track was penned by Haines, and features on his 2013 long-player Vermillion Skies, which debuted on the local top five on release, and won him his third Best Jazz Album Tui at the 2014 New Zealand Music Awards.
Look Blue Go Purple were part of Flying Nun’s ‘second wave’ (along with Doublehappys, The Verlaines and Sneaky Feelings). Formed in 1983 in a Dunedin practice room under a motorcycle shop, the band developed a distinctive style as they layered vocal harmonies, keyboards (and even flute) over trademark Dunedin guitar strum and backbeat. They released three EPs before calling it a day. Though they'd made a conscious call to play with other women, LBGP never labelled themselves as a “feminist” or “girl” band, and grew tired of endlessly asked about gender in interviews. “Gender has nothing to do with it.”
Paul Wolffram's film melds sounds from noted musicians Richard Nunns and Horomona Horo, recorded in spectacular locations around New Zealand, to demonstrate that the sounds of the natural world are a form of music too. Nunns is a renowned expert in taonga pūoro - traditional Māori instruments like wood and bone flutes. Debuting at the 2014 Wellington Film Festival, Voices of the Land pays tribute to Nunn's role in their revival, while Wolffram's powerhouse creative team use image and sound to show ways "landscape and the voices of the land can be heard".
This episode of The Gravy takes an in-depth look at art in prisons. Host Warren Maxwell interviews inmates who have embraced painting or carving while serving time in Mt Eden, Paremoremo and Rimutaka prisons. At Rimutaka, art tutor Paul Bradley points out that art is a vehicle for change both for prisoners and the art audience, and former prisoners talk about how art has changed their lives for the better. Outside the walls, Warren visits at a caged exhibit of musical instruments at Artspace in Auckland and plays a few bars on the flute.
This film tells the story of the world’s rarest wading bird, the black stilt (kakī). With its precise beak and long pink legs the stilt is superbly adapted to the stony braided riverbeads of the McKenzie Country, but it is tragically unable to deal with new threats (rats, ferrets, habitat loss). An early doco for TVNZ’s Natural History Unit, the magnificently filmed drama of the stilt’s struggle for survival makes it “stand out as a classic of its genre” (Russell Campbell). It won the Gold Award at New York’s International Film & TV Festival (1984).
Since studying flute then completing a Bachelor of Music in composition, Michelle Scullion has composed for television, film, radio and stage. Her score for Bad Taste, the debut feature from Peter Jackson, was a vital component in the film’s armoury. Her screen work includes Flying Fox and a Freedom Tree, sci-fi thriller Eternity, and many short films, including four directed by Grant Lahood.