On 8 June 1987 Nuclear-free New Zealand became law. This collection honours the principles and people behind the policy. Prime Minister Norman Kirk put it like this: "I don't think New Zealand's a doormat. I think we've got rights — we're a small country but we've got equal rights, and we're going to assert them." In the backgrounder, journalist Tim Watkin explores the twists and turns of Aotearoa's nuclear history.   

This collection showcases Aotearoa Lesbian, Gay, Bisexual and Transgender screen production. The journey to Shortland Street civil unions, rainbows in Parliament and the Big Gay Out is one of pride, but also one of secrets, shame and discrimination. As Peter Wells writes in his introduction, the titles are testament to a — joyful, defiant — struggle to "fight to exist".

This collection celebrates the onscreen legacy of Sir Edmund Hillary — from triumphs of endurance (first atop Everest, tractors to the South Pole, boats up the Ganges) and a lifetime of humanitarian work, to priceless adventures in the NZ outdoors. Tom Scott and Mark Sainsbury — Ed’s TV biographers-turned-mates — offer their own memories of the man.

Apparently it's not that New Zealand has a bad image in the USA, more that it has no image. In an attempt to remedy this situation, cameras follow New Zealand's favourite mid-70s country rocker Kenny Rogers (pre-'The Gambler') and his band the First Edition on tour on a Road Services bus. All western shirts, shaggy hair, beards and satin jackets, they see the sights, meet the people (many of them older, rustic characters), play baseball, put down a hangi, break into song and admire the country's slower, more dignified pace. If only it had a McDonalds...

The movie that won splatter king Peter Jackson mainstream respectability was born from writer Fran Walsh's long interest in the Parker-Hulme case: two 1950s teens who invented imaginary worlds, wrote under imaginary personas, and murdered Pauline Parker's mother. Jackson and Walsh's vision of friendship, creativity and tragedy was greeted with Oscar nominations, deals with indie company Miramax, and rhapsodic acclaim for the film, and newbie actors Melanie Lynskey and Kate Winslet. Time magazine and 30 other publications named it one of the year's 10 best films.

Movie Vermilion follows composer Darcy (Jennifer Ward-Lealand) over a summer month, as her daughter prepares to marry. Darcy sees colours when she plays musical notes, but after seeing the colour vermilion she is prompted to secretly make her own plans. The exploration of motherhood, family and female friendship marks the feature debut of director Dorthe Scheffmann (Cannes-selected 1995 short film The Beach). The ensemble cast includes Theresa Healey, Goretti Chadwick (Game of Bros), and newcomer Emily Campbell. The production team were 85 per cent female.

With his third feature, director Paul Oremland is also one of the subjects. Oremland’s quest is to track down 100 men that he’s met through sex over 40 years, taking him on a global journey from Raglan to London. Through interviews and personal reflection he charts changing attitudes to gay experience: exploring sex, joy, AIDS, friendship, and the value of monogamy versus polyamory. After debuting at American LGBTQ festival Frameline, 100 Men screened at the 2017 New Zealand International Film Festival. 

"How would your relationship with your best friend change if they were to change gender?" This is the intriguing proposition that led director Louise Leitch to make this 2016 Loading Doc. Best friends Neil (Leitch's husband) and Byron have been longtime climbing companions, but Byron’s shift from a male to female gender identity at 50 years old provides a challenge to their mateship that differs from any mountaineering obstacle. The mini documentary screened on SBS in Australia. The Spinoff’s Alex Casey called it a "moving, honest examination of an evolving friendship". 

Go Girls starts from a twist, a beach and a promise. The twist is that this femme-dominated tale is narrated by a male (Jay Ryan). The promise involves four friends having a drink on the beach, and agreeing to make a major life-change within a year. Amy (Anna Hutchison) wants to be rich; whacky bartender Britta (Alix Bushnell) seeks fame; straight-talking Cody (Bronwyn Turei) wants a hubbie. The intentionally "optimistic, kind" hit show stretched to five seasons. In the backgrounder, co-creator Rachel Lang writes about the show's origins and difficult, rain-sodden birth.

Stoney Burke reckons aviation fuel just about runs in his veins; fascinated by aircraft since childhood, joining the Royal New Zealand Air Force felt like a logical choice. Burke's long career as an engineer both on the ground and in the air included helping get supplies to Nepal for Sir Edmund Hillary’s school building projects, plus service in the Vietnam War. Flying into Saigon and some of the forward air bases in Vietnam could prove tricky, with planes taking small arms fire on their approach. Post Air Force, Stoney continued his career at Air New Zealand.