It seems a fascination with going fast is built into human DNA. Covering distance in the shortest amount of time has long captured our imagination. From muscle-powered freaks of nature (thoroughbred horses, falcons, Peter Snell) to motorhead mayhem, from Formula 1 legends to front-running design innovation, this collection celebrates the particularly Kiwi 'need for speed'.
The third part of this NFU series on aviation in New Zealand jets off post-World War II, where wartime aircraft and crew provided a base for the National Airways Corporation (later Air New Zealand). The romance of travelling via flying boat made way for mass global air travel; and NZ tourism and airports rapidly became more sophisticated. Presenter Peter Clements looks at how the NZ environment spurred innovation (ski planes, top-dressing, heli deer hunting), and traces the lineage of contemporary garage aircraft makers to DIY first flyers like Richard Pearse.
A classic case of the little movie that could, Second-Hand Wedding is a feel-good tale of garage sales, and the ties that bind. Worried that her mother’s zeal for bargains might ruin her big day, Cheryl (Holly Shanahan) delays unveiling her wedding plans. When Mum (Geraldine Brophy) finds out the information second-hand, she does not react well. Both actors won NZ Film and TV Awards for their work, and the Kapiti Coast-set film was a bonafide Kiwi hit: breaking out from its independently made origins into the all-time Top 10 for NZ films at the local box office.
This documentary uses archive footage and interviews to tell the story of motor-racing legends Bruce McLaren, Denny Hulme, and Chris Amon. The trio topped podiums in the sport's 'golden age' — one of those eras when unlikely Kiwi talent managed to dominate a truly global sport. The Team McLaren racing team that four times Grand Prix winner Bruce McLaren founded in 1966, has been the most successful in Formula One. That same year McLaren and Amon teamed up to win the 24 Hours of Le Mans, and in 1967 Hulme was Formula One world champion.
In the late 1980s, Kiwi inventor John Britten developed and built a revolutionary racing motorcycle. He pursued his dream all the way to Daytona International Speedway; in 1991, as an unlikely underdog, he came second against the biggest and richest manufacturers in the world. Britten: Backyard Visionary documents the maverick motorcycle designer as he and his crew rush to create an even better bike for the next Daytona. But when they get to Florida, another all-nighter is required to fix an untested vehicle which includes at least ten major innovations.
Rockers D4 were signed to Flying Nun in 1999, a year after making their mark as a pulsating live act playing at the now legendary Frisbee Leisure Lounge parties. Led by Jimmy Christmas (now frontman for Luger Boa), the Auckland 'garage punk' rockers began making waves overseas when they scored a slot at the famed SXSW Music Festival in Texas in 2002. NME raved about their debut album 6Twenty: "Primordial and fun [it is] one of the great, grubby milestones of the current garage renaissance". The band announced they were taking "time out" in 2006, having released two albums.
Suzanne Paul made a splash on our TV screens as the Queen of Infomercials in the 1980s. She soon had her own TV show called Guess Who’s Coming to Dinner?, followed by a range of other popular primetime programmes. Despite breaking a rib in the final episode, Paul won the third season of Dancing with the Stars.
“Bam bam bam, I wanna thank you Ma'am.” The D4 and The Datsuns led the Kiwi contribution to a turn of the century garage rock revival, winning nods from NME in the UK and praise for their energetic live gigs. This single from their first EP The D4 (1999) was released by Flying Nun. Directed by Andrew Moore, the video throws an FX kit of tricks (blurred focus, reverse negative, exploding lava cutaways) at the boys in order to capture the rock-out grunt of the song. The titular girls dance like Maxim magazine models with a taste for men in denim and low-slung guitar.
Like kids in a candy store, The Electric Confectionaires know no boundaries when it comes to making music. The Auckland four-piece stamped their mark while students at Takapuna Grammar, winning the 2005 secondary schools Rockquest competition with their eclectic all-sorts mix of rock, garage, blues and jazz. They became known as 'the band to watch' and their 2007 debut album Sweet Tooth, delivered on expectations with winning Beach-Boy-quality harmonies and bubblegum hooks.
Indie rockers PanAm took off playing Nirvana and Black Sabbath covers in a west Auckland high school band before unleashing their own thrash-garage neo-punk sound in the late 90s. The power trio were quickly snapped up by the Flying Nun label in 2001 and released the EP, New Concepts in Sound Recording. It was followed a year later by a self-titled debut album, described as "kick ass rock 'n' roll that raised the ghost of Kurt Cobain". PanAm relocated to Australia in 2004.