Without the NZ Film Commission, the list of Kiwi features and short films would be far shorter. In celebration of the Commission turning 40, this collection gathers up movie clips, plus documentaries and news coverage of Kiwi films. Among the directors to have had a major leg up from the Commission are Geoff Murphy, Peter Jackson, Taika Waititi and Gaylene Preston. In the backgrounders, Preston remembers the days when the commission was up an old marble staircase, and producer John Barnett jumps 40 years and beyond, to an age when local stories were seen as fringe.
This collection celebrates women and feminism in New Zealand — the first country in the world to give all women the vote. We shine the light on a line of female achievers: suffrage pioneers, educators, unionists, politicians, writers, musicians, mothers and feminist warriors — from Kate Sheppard to Sonja Davies to Shona Laing. In her backgrounder, TV veteran and journalism tutor Allison Webber writes how the collection helps us understand and honour our past, asks why feminism gets a bad rap, and considers the challenges faced by feminism in connecting past and present.
"How would your relationship with your best friend change if they were to change gender?" This is the intriguing proposition that led director Louise Leitch to make this 2016 Loading Doc. Best friends Neil (Leitch's husband) and Byron have been longtime climbing companions, but Byron’s shift from a male to female gender identity at 50 years old provides a challenge to their mateship that differs from any mountaineering obstacle. The mini documentary screened on SBS in Australia. The Spinoff’s Alex Casey called it a "moving, honest examination of an evolving friendship".
Is it a boy? Is it a girl? What if it’s neither? This award-winning documentary explores the world of the intersexed (formerly known as hermaphrodites) — those born with any one of 30 conditions that make their gender ambiguous. Presenter Mani Bruce Mitchell — New Zealand’s first ‘out’ intersex person — and director Grant Lahood had to travel overseas to find interviewees who would talk freely. They discuss living in a society with a binary view of gender which, at best, has made them all but invisible; and, at worst, has subjected many to damaging “corrective” surgery.
In this edition of the Kiwi social history series all things whānau are explored: a single mother who burnt the bills she couldn't pay; a man hurt by his father's inability to express emotion; and a gay Māori man lay their souls bare. This programme explores the changes in attitudes towards family life, marriage and children, from the restrictive early years of the century to more permissive times. The intersections between race, class and gender illuminate the personal stories, and put them in a social and historical context.
This late 70s gender politics satire was a Television One sitcom written by future Gloss creator Rosemary McLeod; it was broadcast live-to-air from Avalon Studios. In this episode, Ginette McDonald’s lippy feminist withholds the joy of sex from her hippy hubbie, and Bruno Lawrence (sporting a magnificent anti-comb over) is the unreformed motorhead neighbour whose hangover cure is beer and cornflakes. Lawrence’s larrikin performance in the show was spotted by director Roger Donaldson who cast Bruno in his breakout big screen lead role: Al Shaw in Smash Palace.
Documentary She Shears profiles five women who blow away stereotypes and sexism in the traditionally male world of sheep shearing. Two are legends of the sport: Emily Welch and Jills Angus Burney (also a High Court barrister). The other three are hoping to make their mark with the blades at the sport's pinnacle: Masterton’s Golden Shears. The event has no separate gender categories. She Shears was directed by first-timer Jack Nicol, and produced by Breaker Upperers producers Ainsley Gardiner and Georgina Conder. It debuted at the 2018 NZ International Film Festival.
This documentary traces the life of intersex activist Mani Mitchell. 'Intersexual' is a term to describe a person with atypical combinations of the biological features that usually distinguish males from females. Mitchell's harrowing but ultimately inspiring story is told via candid and articulate interviews, as Mitchell talks about being made a "hospital freak show tour" by doctors, and growing up secretly 'middlesex'. The Dominion Post's Jane Bowron called Mani's Story "one of the great survivor stories". It won the 2004 Qantas Media Award for Best Documentary.
This NFU documentary visits a street in a relatively new sub-division in Meadowbank in East Auckland to provide a fascinating slice-of-life look at the early 1970s ideal of raising a family and owning a house in the suburbs. The subjects are a largely homogenous group — pākehā couples in their 20s or 30s with school aged children and a stay-at-home wife. Issues canvassed include paying the mortgage, raising children, social unrest, promiscuity and abortion; but the experience of women as housewives and mothers in the suburbs is the underlying story.
Kiwi icon Lyn of Tawa (Ginette McDonald) — she of mangled vowel fame — goes on the prowl in search of the ultimate Kiwi bloke. The girl-from-the-suburb's mission takes in the gamut of masculine mythology, from Man Alone to mateship, as Lyn provides manthropological reflections ("can a woman ever be a mate?"). Made when the good keen man was facing up to the challenge from SNAGs, the documentary travels from the West Coast (for sex education) to a men's club, from rugby scrums to rabbit culls, and meets hunters, lawyers, students and gay ten-pin bowlers.