New Zealand Mirror was an National Film Unit 'magazine-film' series geared towards the UK market. Accompanied by nationalistic, upbeat narration, this first episode covers 'New Zealand Birds', and efforts to harness 'Rotorua's Natural Heat'. It visits a game park to see Kiwi ("definitely queer birds") where, in a Disney-esque scene, two children meet a one-legged Kiwi with a bamboo peg-leg; and boats over to Kāpiti Island to meet rockhopper penguin, tui, kaka and weka. In Rotorua, geothermal cooking, backyard geysers, and heated baths and pools are explored.
Taking viewers on a tour of the Volcanic Plateau in the central North Island, this aerial jaunt is enough to make anyone want to take to the skies. After taking off from Rotorua, the award-winning NFU short treats us to soaring shots of the Waimangu Volcanic Rift Valley, Ruapehu, and 'The Frying Pan', the world's largest hot lake. As well as the impressive scenery, the voiceover (supposedly by the pilot) offers up a brief history of the geysers and fumaroles littering the plateau, and a mention of how the Waikato River has been interrupted by "that necessary monster: progress".
This 1969 film promotes the attractions, industry and history of “contemporary Rotorua”, from the Arawa canoe to forestry, from mud pool hangi to the Ward baths (“heavenly for hangovers”). The score is jazz, and the narration is flavoured by the impressive baritone of opera singer Inia Te Wiata (father of actress Rima), who gushes about geysers and Rotorua’s evolution from sleepy tourist backwater to modern city and conference centre. Also featured: kapa haka, meter maids in traditional Māori dress, and a rendition of classic song ‘Me He Manu Rere’ in a meeting house jive.
In this award-winning tourism promo, an easy-going narrator guides us through a land of contrasts — “where else would you find golf and geysers?”. The sights range from frozen to boiling lakes, characterful cities to odd natives (kiwi, takahē, carnivorous snails). Visual highlights include quirky road-signs (“beware of wind”, “slow workmen ahead”), toheroa digging and a flotilla of capsizing optimists. Directed by NFU veteran Ron Bowie, the film won an award at the 1963 Venice Film Festival, before headlining a special Amazing New Zealand season of shorts in NZ cinemas.
This 1955 film looks at the “savage” geology of the North Island volcanic region, and its human settlement. Te Arawa myth introduces the steaming valleys of volcano and quake god Rūaumoko. The film then surveys geothermal activity and its exploitation by Māori and Pākehā, from cooking to heating hospital radiators. It ends with a dramatic geyser display in front of tourists. Guide Rangi cameos. It screened at the Edinburgh Film Festival, and was John Feeney’s last National Film Unit gig before directing Oscar-nominated films for the National Film Board of Canada.
In November 1971 more than 70,000 visitors converged on Hamilton over six days for the first ever World Rose Convention. What's in a name? Well it can help you locate favourite flowers in the vast exhibition, but "form, substance and freshness" rule as this NFU short film shows the meticulous preparation, judging and reactions. Side-trips for international visitors to Paradise Valley and Rotorua's thermal areas add a travelogue element. But from the opening time-lapse shot of a blooming rose it's clear what these 'rosarians' are there for.
Philatelists will delight in this artful National Film Unit production, where stamps are used as a perforated frame for showcasing a pictorial parade of NZ landscapes. The film offers an impressionistic take on the theme, with the landscapes (natural and human) further coloured by poetry and music. Coming from a time before electronic mail, Landscape in Stamps features readings from the work of international poets with scenic sympathies (Whitman, Frost, Thoreau, and more), and the music of composers Vaughan Williams, Handel, Beethoven and Mendelssohn.
Shot for an Australian Travel Agents Seminar, this short film seeks to portray 1969 New Zealand as a hip and happening place. The tourism clichés of a scenic wonderland remain, but the film attempts to present a more sophisticated NZ to entice jet-set Aussies east. After all, we "got rid of six o'clock closing ages ago." To complement the Anzac staples of sport, beer and gambling there are mountains and Māori. Nightclubs offer show bands and strippers for "relaxation" after strenuous days of sightseeing. C’mon is a fascinating snapshot of a nation in transition.
This short follows Joe Warbrick (Calvin Tuteao, from Nights in the Gardens of Spain), captain of the New Zealand Natives rugby team, as he tries to rouse his battle-weary players to head unto the breach once more, for a test against England. It’s midwinter during the trailblazing, 17 month long 1888-89 tour which left a black jersey legacy. In a changing room that resembles a casualty ward, Warbrick draws breath and leads a stirring haka. Made by brothers Pere and Meihana Durie, Warbrick inspired the All Blacks the day before they demolished Australia by 33-6 in 2009.
This award-winning kidult series is set in the colonial town of Wainamu, amidst the North Island’s ‘thermal wonderland’, c.1900. It follows the challenges that Sir Charles Pemberton (Terence Cooper) faces in building a spa on Māori land. In this episode local lad Tom, son of the hotelier, is piqued by the arrival of Sir Charles and his aristocratic entourage, (particularly granddaughter Sarah Jane aka “Little Miss Prim”), whose train is late due to being spooked by natives. His gang of shanghai-toting scallywags also take on the mean local butcher.